La politique des auteurs, or the 'policy of authors,' is a film theory concept that emphasizes the director as the primary creative force behind a film, suggesting that their personal style and vision shape the final product. This theory emerged in the French film criticism of the 1950s, particularly through the writings of critics associated with the magazine 'Cahiers du Cinรฉma.' It highlights the artistic significance of directors and encourages a deeper analysis of their work in relation to their broader artistic intent.