1.0
Unit 1 Overview: Pitch, Major Scales and Key Signatures, Rhythm, Meter, and Expressive Elements
1.1
Pitch and Pitch Notation
1.2
Rhythmic Values
1.3
Half Steps and Whole Steps
1.4
Major Scales and Scale Degrees
1.5
Major Keys and Key Signatures
1.6
Simple and Compound Beat Division
1.7
Meter and Time Signature
1.8
Rhythmic Patterns
1.9
Tempo
1.10
Dynamics and Articulation
2.0
Unit 2 Overview: Music Fundamentals II (Minor Scales and Key Signatures, Melody, Timbre, and Texture)
2.1
Minor Scales: Natural, Harmonic, and Melodic
2.2
Relative Keys: Determining Relative Minor Key and Notating Key Signatures
2.3
Key Relationships: Parallel, Closely Related, and Distantly Related Keys
2.4
Other Scales: Chromatic, Whole-Tone, and Pentatonic
2.5
Interval Size and Quality
2.6
Interval Inversion and Compound Intervals
2.7
Transposing Instruments
2.8
Timbre
2.9
Melodic Features
2.10
Melodic Transposition
2.11
Texture and Texture Types
2.12
Texture Devices
2.13
Rhythmic Devices
3.0
Unit 3 Overview: Music Fundamentals III (Triads and Seventh Chords)
3.1
Triad and Chord Qualities (M, m, d, A)
3.2
Diatonic Chords and Roman Numerals
3.3
Chord Inversions and Figures: Introduction to Figured Bass
3.4
Seventh Chords
3.5
Seventh Chord Inversions and Figures
4.0
Unit 4 Overview: Harmony and Voice Leading I (Chord Function, Cadence, and Phrase)
4.1
Harmony and Voice Leading I
4.2
SATB Voice Leading
4.3
Harmonic Progression, Functional Harmony, and Cadences
4.4
Voice Leading with Seventh Chords
4.5
Voice Leading with Seventh Chords in Inversions
5.0
Unit 5 Overview: Harmony and Voice Leading II (Chord Progressions and Predominant Function)
5.1
Adding Predominant Function IV (iv) and ii (ii0) to a Melodic Phrase
5.2
The vi (VI) Chord
5.3
Predominant Seventh Chords
5.4
The iii (III) Chord
5.5
Cadences and Predominant Function
5.6
Cadential 6/4 Chords
5.7
Additional 6/4 chords
6.0
Unit 6 Overview: Harmony and Voice Leading III (Embellishments, Motives, and Melodic Devices)
6.1
Embellishing Tones: Identifying Passing Tones and Neighbor Tones
6.2
Embellishing Tones: Writing Passing Tones and Neighbor Tones
6.3
Embellishing Tones: Identifying Anticipations, Escape Tones, Appoggiaturas, and Pedal Points
6.4
Embellishing Tones: Identifying and Writing Suspensions; Identifying Retardations
6.5
Motive and Motivic Transformation
6.6
Melodic Sequences
6.7
Harmonic Sequences
7.0
Unit 7 Overview: Harmony and Voice Leading IV (Secondary Function)
7.1
Tonicization through Secondary Dominant Chords
7.2
Part Writing of Secondary Dominant Chords
7.3
Tonicization through Secondary Leading Tone Chords
7.4
Part Writing of Secondary Leading Tone Chords
8.0
Unit 8 Overview: Modes and Form
8.1
Modes
8.2
Phrase Relationships
8.3
Common Formal Sections
1
2024 AP Music Theory Exam Guide
Is AP Music Theory Hard? Is AP Music Theory Worth Taking?
2
What Are the Best Quizlet Decks for AP Music Theory?
3
What Memes Are Perfect for AP Music Theory?
4
How Can I Get a 5 in AP Music Theory?
5
How Do I Self-Study AP Music Theory?
6
What Are the Best AP Music Theory Textbooks and Prep Books?
AP Music Theory Free Response Help - FRQ/LEQ
AP Music Theory Multiple Choice Help (MCQ)
APMT Q&A Slide Deck
Building 7th Chords
Overall Review: Units 1-4
Ear Training (Intervals and Dictations)
Review of Ear Training and Building Triads
TA Led Q&A session
7
AP Music Theory: Review of Triads + Introduction to Triads in Inversion
8
AP Music Theory: Q&A Study Session
9
Writing Seventh Chords in Inversion
10
🎶 AP Music Theory - 2020 5-Hour Cram Finale
Download AP Music Theory Cheat Sheet PDF Cram Chart
🌶️ AP Music Theory Cram Finale May 10, 2021
🌶️ AP Music Theory Finale Watch Party Admin 3
🌶️ AP Music Theory Finale Watch Party Admin 2
APMT Cram Finale