European art moved through three broad phases between 1815 and 1914. Romanticism rejected Neoclassical order and Enlightenment rationalism in favor of emotion, nature, individuality, the supernatural, and national histories; artists like Delacroix and Friedrich, composers like Beethoven and Chopin, and writers like Goethe and Wordsworth exemplify this shift. Realism turned away from Romantic idealism to depict ordinary people and social problems honestly, responding to industrialization and urban poverty. Modern art, including Impressionism, Post-Impressionism, and Cubism, moved beyond realistic representation toward subjective, abstract, and expressive forms, often provoking audiences who expected conventional depictions.
- Romanticism: Early 19th-century movement emphasizing emotion, nature, individuality, and national history; a reaction against Neoclassicism and rationalism.
- Realism: Mid-19th-century movement depicting ordinary life and social problems; connected to materialist and positivist intellectual trends.
- Impressionism: Late 19th-century painting style capturing light and immediate perception rather than precise representation; provoked controversy.
- Cubism: Early 20th-century movement using geometric fragmentation to depict subjects from multiple viewpoints simultaneously; exemplifies modernist abstraction.
Trace the progression from Romanticism to Realism to modern art and connect each shift to broader intellectual or social changes in the period.