The New Negro movement promoted self-definition, racial pride, and a Black aesthetic through literature, photography, music, theater, and film. Harlem Renaissance poets like Countee Cullen and Gwendolyn Bennett explored African heritage, while photographers like James Van Der Zee documented Black dignity. Scholars including Carter G. Woodson, Arturo Schomburg, and Zora Neale Hurston built the Black intellectual tradition that eventually became African American Studies.
- Harlem Renaissance: A flourishing of Black literary, artistic, and intellectual life in the 1920s-1930s that used culture to counter racist stereotypes.
- Black intellectual tradition: Centuries of scholarship by Black activists, educators, and archivists documenting Black experiences, predating African American Studies as a formal field.
How did Harlem Renaissance artists use their work as a counternarrative to racism, and how did New Negro movement scholars lay the groundwork for African American Studies?