| Term | Definition |
|---|---|
| Latin phrases | Multi-word expressions in Latin that appear on the required vocabulary list for the Aeneid war scenes. |
| Latin words | Words from the Latin language that appear on the required vocabulary list for the Aeneid war scenes. |
| Term | Definition |
|---|---|
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| cognates | Words in different languages that share a common origin and similar form, often helping to determine meaning through comparison with English or other known languages. |
| context clues | Information from surrounding words and sentences that help determine the meaning of unfamiliar or ambiguous vocabulary. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| mood | The grammatical category of Latin verbs that indicates the mode or manner of the action, such as indicative (factual), subjunctive (hypothetical), or imperative (command). |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| person | The grammatical category of Latin verbs that indicates whether the subject is first person (I/we), second person (you), or third person (he/she/it/they). |
| polysemous words | Words that have multiple distinct meanings, requiring context clues to determine which meaning is intended in a specific passage. |
| prefixes | Word elements added to the beginning of a root word that modify or clarify its meaning. |
| roots | The core element of a word that carries its primary meaning and can be combined with prefixes and suffixes. |
| suffixes | Word elements added at the end of a root word that modify its meaning or grammatical function. |
| tense | The grammatical category of Latin verbs indicating the time of an action (present, imperfect, perfect, pluperfect, future, or future perfect). |
| voice | The grammatical category of Latin verbs indicating whether the subject performs the action (active voice) or receives the action (passive voice). |
| word formation patterns | Recurring structures in Latin words, such as prefixes, suffixes, and root elements, that help identify word meanings. |
| Term | Definition |
|---|---|
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| cognates | Words in different languages that share a common origin and similar form, often helping to determine meaning through comparison with English or other known languages. |
| context clues | Information from surrounding words and sentences that help determine the meaning of unfamiliar or ambiguous vocabulary. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| mood | The grammatical category of Latin verbs that indicates the mode or manner of the action, such as indicative (factual), subjunctive (hypothetical), or imperative (command). |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| person | The grammatical category of Latin verbs that indicates whether the subject is first person (I/we), second person (you), or third person (he/she/it/they). |
| polysemous words | Words that have multiple distinct meanings, requiring context clues to determine which meaning is intended in a specific passage. |
| prefixes | Word elements added to the beginning of a root word that modify or clarify its meaning. |
| roots | The core element of a word that carries its primary meaning and can be combined with prefixes and suffixes. |
| suffixes | Word elements added at the end of a root word that modify its meaning or grammatical function. |
| tense | The grammatical category of Latin verbs indicating the time of an action (present, imperfect, perfect, pluperfect, future, or future perfect). |
| voice | The grammatical category of Latin verbs indicating whether the subject performs the action (active voice) or receives the action (passive voice). |
| word formation patterns | Recurring structures in Latin words, such as prefixes, suffixes, and root elements, that help identify word meanings. |
| Term | Definition |
|---|---|
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| context clues | Information from surrounding words and sentences that help determine the meaning of unfamiliar or ambiguous vocabulary. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| mood | The grammatical category of Latin verbs that indicates the mode or manner of the action, such as indicative (factual), subjunctive (hypothetical), or imperative (command). |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| person | The grammatical category of Latin verbs that indicates whether the subject is first person (I/we), second person (you), or third person (he/she/it/they). |
| polysemous words | Words that have multiple distinct meanings, requiring context clues to determine which meaning is intended in a specific passage. |
| prefixes | Word elements added to the beginning of a root word that modify or clarify its meaning. |
| roots | The core element of a word that carries its primary meaning and can be combined with prefixes and suffixes. |
| suffixes | Word elements added at the end of a root word that modify its meaning or grammatical function. |
| tense | The grammatical category of Latin verbs indicating the time of an action (present, imperfect, perfect, pluperfect, future, or future perfect). |
| voice | The grammatical category of Latin verbs indicating whether the subject performs the action (active voice) or receives the action (passive voice). |
| word formation patterns | Recurring structures in Latin words, such as prefixes, suffixes, and root elements, that help identify word meanings. |
| Term | Definition |
|---|---|
| household | In Roman society, a domestic unit consisting of a husband, wife, children, and enslaved people under the authority of the paterfamilias. |
| paterfamilias | The male head of a Roman household who held legal authority and power over all family members and enslaved people within the household. |
| Roman family structure | The hierarchical and patriarchal organization of the Roman family, with the paterfamilias holding supreme authority over all household members. |
| Roman fleet | The naval military force of Rome, which Pliny the Elder served as an admiral. |
| Term | Definition |
|---|---|
| dependent clause | A clause that cannot stand alone as a complete sentence and depends on a main clause for its meaning. |
| main clause | An independent clause that can stand alone as a complete sentence, as opposed to a dependent clause. |
| Term | Definition |
|---|---|
| ablative absolute | A Latin grammatical construction consisting of a noun or pronoun in the ablative case with a modifying participle, used to express the circumstances or conditions under which the main action occurs. |
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| accusative case | A Latin grammatical case used to mark the direct object of a verb and, without a preposition, to indicate direction or destination ('place to where'). |
| alliteration | The repetition of the same initial consonant sound in successive words, used to draw attention to ideas or create rhythmic quality. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| anaphora | The repetition of a word or phrase at the beginning of successive phrases, clauses, sentences, or lines, used to emphasize ideas and create momentum. |
| Annals | A historical work by Tacitus that examined the lives of emperors and the history of the Roman Empire in the first century CE. |
| author's life and background | The biographical and contextual information about an author that can inform the interpretation and meaning of their literary works. |
| Bay of Naples | A body of water on the west coast of the Italian peninsula where Mt. Vesuvius is located and where the Roman navy was stationed at Misenum. |
| comedy | A dramatic genre intended to entertain through humor, often depicting ordinary characters and situations with a lighthearted or satirical tone. |
| comparative adjective | An adjective form in Latin that expresses a higher degree of a quality and can be accompanied by the ablative case to show comparison. |
| dialogues | A literary form presenting a conversation between two or more characters, often used to explore philosophical or rhetorical ideas. |
| didactic poetry | Poetry written with the primary purpose of instructing or teaching the reader about a subject, often philosophical or technical in nature. |
| Emperor Trajan | Roman emperor who ruled from 98 to 117 CE and expanded the empire to its greatest territorial extent while overseeing major public building programs. |
| epigrams | Brief, pointed poems or inscriptions, often witty or satirical in nature, typically expressing a single thought or observation. |
| epistles | A major genre of Roman literature consisting of letters, which were either real correspondence or fictional compositions, often published in collections. |
| eruption of Mt. Vesuvius | The volcanic eruption in 79 CE that destroyed and buried several Roman towns including Pompeii, Herculaneum, Oplontis, and Stabiae. |
| everyday life | The ordinary activities, routines, and domestic experiences of people in a particular historical period or society. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| figurative use | The use of words in a non-literal, symbolic, or analogous sense to create meaning beyond their dictionary definitions. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| Herculaneum | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| Histories | A historical work by Tacitus that examined the lives of emperors and the history of the Roman Empire in the first century CE. |
| historiography | The writing of history; the study and interpretation of historical events and sources in Latin literature. |
| imagery | Vivid descriptive language that appeals to the senses and creates mental pictures in the reader's mind. |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| indicative verb | A verb form that expresses facts, statements, or questions in a straightforward manner. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| infinitive | A verbal form that functions as the predicate verb in an indirect statement or as a noun. |
| literal translation | A translation that closely adheres to the original text's word order, grammar, and structure rather than conveying meaning in natural target language phrasing. |
| locative case | A Latin grammatical case used to indicate location, translated as 'at' or 'in,' primarily used with names of cities and small towns. |
| metaphor | A rhetorical figure in which an implied comparison is achieved through figurative use of words, where words are used in an analogous rather than literal sense. |
| Misenum | A location at the northern end of the Bay of Naples where the Roman navy was stationed and where Pliny the Elder served as admiral. |
| Mt. Vesuvius | A volcano located near the center of the Bay of Naples that erupted in 79 CE, destroying the Roman towns of Pompeii, Herculaneum, Oplontis, and Stabiae. |
| Natural History | A comprehensive work written by Pliny the Elder that served as a model for the modern encyclopedia and is the largest single surviving work from the Roman Empire. |
| ne | A Latin conjunction used to introduce negative purpose clauses with subjunctive verbs. |
| Oplontis | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| oratory | The art of formal public speaking and rhetoric; in Latin literature, speeches and rhetorical compositions designed to persuade or move an audience. |
| parallel structure | The repetition of phrases, clauses, or sentences in similar grammatical forms to create balance, emphasis, or establish relationships between ideas. |
| Pliny the Elder | A Roman admiral, author, and scholar (c. 23-79 CE) who was Pliny the Younger's maternal uncle and wrote the Natural History, a comprehensive work that served as a model for the modern encyclopedia. |
| Pliny the Younger | A Roman lawyer, magistrate, and letter writer (61-c. 113 CE) who served under Emperor Trajan and whose letters provide insight into Roman life and administration in the first century CE. |
| Pompeii | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| purpose clause | A subordinate clause introduced by ut or ne with a subjunctive verb that expresses the purpose or intention of the main clause action. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| repetition | The deliberate reuse of words, phrases, or grammatical structures in a text to create emphasis, rhythm, or stylistic effect. |
| result clause | A subordinate clause introduced by ut with a subjunctive verb that expresses the consequence or result of an action in the main clause. |
| rhetorical figure | A device of language used to create specific effects and enhance meaning in writing or speech. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| simile | A rhetorical figure that makes an explicit comparison between two unlike things, typically using 'like' or 'as'. |
| Stabiae | A Roman town south of Mt. Vesuvius that was in the direct path of ash and cinder from the 79 CE eruption and is mentioned in Pliny's letters. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| Tacitus | A Roman historian (c. 56-c. 120 CE) best known for his Annals and Histories, which examined the lives of emperors and the history of the Roman Empire in the first century CE. |
| tension | A state of suspense, anxiety, or emotional strain created through literary techniques to engage the reader and heighten dramatic effect. |
| tragedy | A dramatic genre depicting serious events and the downfall of a protagonist, typically involving noble characters and evoking pity and fear. |
| ut | A Latin conjunction that can introduce clauses with indicative verbs (translated 'like,' 'as,' 'when') or subjunctive verbs (showing result or purpose). |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| antecedent | The noun that a relative pronoun refers back to and provides more information about. |
| Bay of Naples | A body of water on the west coast of the Italian peninsula where Mt. Vesuvius is located and where the Roman navy was stationed at Misenum. |
| clients | Individuals in Roman society who were dependent on and owed loyalty to a patron, often including formerly enslaved people after manumission. |
| comparative adjectives | Adjectives that show a comparison between two things, typically translated as '___er,' 'more ___,' or 'rather ___' in English. |
| contextual information | Background details about the historical, cultural, social, or biographical circumstances surrounding a text that help clarify its meaning and intent. |
| demonstrative pronoun | A pronoun used to point out or identify a specific person or thing, translated as 'this,' 'that,' 'these,' or 'those.' |
| deponent verbs | Latin verbs that have passive forms but are translated into English with active meanings. |
| gerund | A noun formed from a verb in Latin, used to express an action as a noun (e.g., bellandi: of waging war). |
| gerundive | An adjective formed from a verb in Latin that modifies a noun and expresses necessity or purpose (e.g., ad eas res conficiendas: for preparing these things). |
| Herculaneum | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| indirect statement | A grammatical construction introduced by a verb of speaking, thinking, or feeling, consisting of an accusative subject and an infinitive verb. |
| interpretation | The process of determining the meaning and significance of a Latin text based on careful analysis of language, context, and literary elements. |
| manumission | The legal process by which an enslaved person in Rome was freed and typically became a client of their former master. |
| Misenum | A location at the northern end of the Bay of Naples where the Roman navy was stationed and where Pliny the Elder served as admiral. |
| Mt. Vesuvius | A volcano located near the center of the Bay of Naples that erupted in 79 CE, destroying the Roman towns of Pompeii, Herculaneum, Oplontis, and Stabiae. |
| Oplontis | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| Pompeii | A Roman town on the Bay of Naples that was buried and destroyed by the eruption of Mt. Vesuvius in 79 CE. |
| references and allusions | Indirect mentions of or indirect references to influential people, literary works, and historical events within a text. |
| relative clauses | Subordinate clauses introduced by a relative pronoun that provide additional information about a noun in the main clause. |
| relative pronoun | A pronoun (such as qui, quae, quod) that introduces a relative clause and refers back to a noun (its antecedent) in the main clause. |
| Roman citizenship | Legal status in ancient Rome that granted free male citizens specific rights and protections, including the right to legal trial, voting rights, and eligibility for civic office. |
| Roman social standing | A person's social position in Roman society, which could be influenced by family background, wealth, professional accomplishments, and political power and connections. |
| Stabiae | A Roman town south of Mt. Vesuvius that was in the direct path of ash and cinder from the 79 CE eruption and is mentioned in Pliny's letters. |
| stylistic information | Literary techniques and devices (such as word choice, sentence structure, imagery, and tone) that an author uses to create meaning and effect in a text. |
| superlative adjectives | Adjectives that show the highest degree of a quality, typically translated as '___est' or 'very ___' in English. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| Roman literature | The body of written works produced by Roman authors, including various genres such as epistles, poetry, and prose. |
| Term | Definition |
|---|---|
| -ne | A Latin suffix placed on the first or most important word of a sentence to indicate that a question is being asked. |
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| accusative case | A Latin grammatical case used to mark the direct object of a verb and, without a preposition, to indicate direction or destination ('place to where'). |
| adjective | Words that modify nouns and must agree with them in case, number, and gender in Latin. |
| adverb | Words that modify verbs, adjectives, or other adverbs to describe how, when, where, or to what extent an action occurs. |
| conditions | Grammatical structures in Latin that express hypothetical or conditional situations, typically introduced by si, nisi, or ni. |
| conjunction | Words that connect words, phrases, or clauses together in a sentence. |
| indicative mood | The mood of verbs used to express facts, statements, and questions; includes six tenses: present, imperfect, future, perfect, pluperfect, and future perfect. |
| interrogative words | Question words in Latin used to introduce questions, such as quis (who), quid (what), and ubi (where). |
| locative case | A Latin grammatical case used to indicate location, translated as 'at' or 'in,' primarily used with names of cities and small towns. |
| ni | A Latin conjunction meaning 'not' used to introduce conditional clauses. |
| nisi | A Latin conjunction meaning 'if not' or 'unless' used to introduce conditional clauses. |
| particle | Small words in Latin that modify or connect other words, including adverbs, prepositions, and conjunctions. |
| preposition | Words that show the relationship between a noun or pronoun and other words in a sentence, often indicating location, direction, or time. |
| si | A Latin conjunction meaning 'if' used to introduce conditional clauses. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| clients | Individuals in Roman society who were dependent on and owed loyalty to a patron, often including formerly enslaved people after manumission. |
| Domitian | Roman emperor from 81 to 96 CE and the last member of the Flavian dynasty, known for transferring government functions to the imperial court and diminishing Senate power. |
| enslaved people | Individuals held as property under Roman law with limited legal rights, often performing manual labor, domestic services, or skilled work. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| Flavian dynasty | A Roman imperial dynasty consisting of Domitian and his father and brother, who all ruled as emperors. |
| future perfect tense | A verb tense in the indicative mood expressing an action that will be completed before another future action, translated as 'will have _ed.' |
| future tense | A verb tense in the indicative mood expressing an action that will happen, translated as 'will _.' |
| imperfect tense | A verb tense in the indicative mood expressing a past action in progress or habitual action, translated as 'was/were _ing' or 'used to _.' |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| indicative mood | The mood of verbs used to express facts, statements, and questions; includes six tenses: present, imperfect, future, perfect, pluperfect, and future perfect. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| interpretation | The process of determining the meaning and significance of a Latin text based on careful analysis of language, context, and literary elements. |
| manumission | The legal process by which an enslaved person in Rome was freed and typically became a client of their former master. |
| ne | A Latin conjunction used to introduce negative purpose clauses with subjunctive verbs. |
| noun | Words that name persons, places, things, or ideas and function as subjects, objects, or complements in Latin sentences. |
| perfect tense | A verb tense in the indicative mood expressing a completed past action, translated as '_ed,' 'has/have _ed,' or 'did _.' |
| Pliny the Younger | A Roman lawyer, magistrate, and letter writer (61-c. 113 CE) who served under Emperor Trajan and whose letters provide insight into Roman life and administration in the first century CE. |
| pluperfect tense | A verb tense in the indicative mood expressing an action completed before another past action, translated as 'had _ed.' |
| present tense | A verb tense in the indicative mood expressing an action happening now or habitually, translated as 'is/are _ing.' |
| purpose clause | A subordinate clause introduced by ut or ne with a subjunctive verb that expresses the purpose or intention of the main clause action. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| Roman citizenship | Legal status in ancient Rome that granted free male citizens specific rights and protections, including the right to legal trial, voting rights, and eligibility for civic office. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| stylistic information | Literary techniques and devices (such as word choice, sentence structure, imagery, and tone) that an author uses to create meaning and effect in a text. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| ut | A Latin conjunction that can introduce clauses with indicative verbs (translated 'like,' 'as,' 'when') or subjunctive verbs (showing result or purpose). |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| Bithynia-Pontus | A Roman province located on the southern shore of the Black Sea (in modern-day Turkey) where Pliny served as governor from 110 to 113 CE. |
| clients | Individuals in Roman society who were dependent on and owed loyalty to a patron, often including formerly enslaved people after manumission. |
| Emperor Trajan | Roman emperor who ruled from 98 to 117 CE and expanded the empire to its greatest territorial extent while overseeing major public building programs. |
| enslaved people | Individuals held as property under Roman law with limited legal rights, often performing manual labor, domestic services, or skilled work. |
| manumission | The legal process by which an enslaved person in Rome was freed and typically became a client of their former master. |
| patronage | A system of mutually beneficial relationships between individuals of different power and influence levels, central to Roman culture. |
| patrons | Wealthier and more powerful individuals who provided assistance such as legal defense and gifts to their clients in exchange for political support. |
| Pliny the Younger | A Roman lawyer, magistrate, and letter writer (61-c. 113 CE) who served under Emperor Trajan and whose letters provide insight into Roman life and administration in the first century CE. |
| political patronage | A patronage relationship based on political support and influence between individuals of different social status. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| accusative case | A Latin grammatical case used to mark the direct object of a verb and, without a preposition, to indicate direction or destination ('place to where'). |
| Aeneid | An epic poem by Virgil that tells the story of Aeneas and includes the character Camilla and her relationship with Diana. |
| Alexandria | A major city located in Egypt at the mouth of the Nile River that was part of the Roman Empire and is referenced in Pliny's letters. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| Athens | An ancient Greek city that was part of the Roman Empire by the late first century CE and is referenced in Pliny's letters. |
| Augustus | The first emperor of Rome (27 BCE-14 CE), born Gaius Octavius, adopted heir of Julius Caesar who consolidated power and established a stable empire. |
| Bithynia-Pontus | A Roman province located on the southern shore of the Black Sea (in modern-day Turkey) where Pliny served as governor from 110 to 113 CE. |
| Carthage | An ancient city in northern Africa founded by Dido, which became a major Mediterranean power. |
| causa | A Latin noun meaning 'cause' or 'reason' that, when placed in the ablative case after a genitive noun, is translated as 'for the sake of.' |
| civic office | A position of authority or responsibility in Roman government that citizens had the right to seek and hold. |
| Emperor Trajan | Roman emperor who ruled from 98 to 117 CE and expanded the empire to its greatest territorial extent while overseeing major public building programs. |
| genitive case | A Latin grammatical case used to show possession, descriptive properties, part of a whole, or a quasi-object of a noun implying action. |
| gratia | A Latin noun meaning 'favor' or 'grace' that, when placed in the ablative case after a genitive noun, is translated as 'for the sake of.' |
| Ilium | The rebuilt city of ancient Troy, restored by Augustus as part of the Roman Empire. |
| indirect questions | Clauses introduced by question words with verbs in the subjunctive mood that function as dependent clauses within a sentence. |
| indirect statement | A grammatical construction introduced by a verb of speaking, thinking, or feeling, consisting of an accusative subject and an infinitive verb. |
| infinitive | A verbal form that functions as the predicate verb in an indirect statement or as a noun. |
| legal trial | A formal judicial proceeding to which Roman citizens had the right to be subjected, ensuring legal protections and due process. |
| Pliny the Younger | A Roman lawyer, magistrate, and letter writer (61-c. 113 CE) who served under Emperor Trajan and whose letters provide insight into Roman life and administration in the first century CE. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| Roman citizenship | Legal status in ancient Rome that granted free male citizens specific rights and protections, including the right to legal trial, voting rights, and eligibility for civic office. |
| Roman Empire | The vast political and territorial dominion that encompassed the Mediterranean Basin and surrounding regions during antiquity. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Vergil | A Roman poet (70-19 BCE) who composed the Eclogues, Georgics, and Aeneid, works that had lasting influence on Western literature. |
| vocative case | A Latin grammatical case used to directly address a person or object in speech. |
| Term | Definition |
|---|---|
| Actium | The naval battle in 31 BCE where Octavius defeated the combined forces of Mark Antony and Cleopatra, establishing Octavius's sole power. |
| Aeneas | A legendary Trojan hero and son of Venus, presented in the Aeneid as the ancestor of Augustus and the founder of Rome. |
| Aeneid | An epic poem by Virgil that tells the story of Aeneas and includes the character Camilla and her relationship with Diana. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| Apollo | The Roman god of music, medicine, prophecy, archery, and the sun, son of Jupiter. |
| Augustus | The first emperor of Rome (27 BCE-14 CE), born Gaius Octavius, adopted heir of Julius Caesar who consolidated power and established a stable empire. |
| Battle of Philippi | A military engagement in which the Second Triumvirate defeated the conspirators responsible for Julius Caesar's assassination. |
| Cleopatra | The Egyptian queen whose armies were defeated alongside Mark Antony at Actium in 31 BCE. |
| dactyl | A metrical foot consisting of one long syllable followed by two short syllables. |
| dactylic hexameter | A metrical pattern used in epic poetry consisting of six feet per line, typically composed of dactyls and spondees. |
| diphthong | A combination of two vowel sounds pronounced as a single unit. |
| divine ancestry | The concept that Augustus descended from Aeneas and Venus, establishing his preordained status as ruler of Rome. |
| Eclogues | A collection of pastoral poems composed by Vergil, also known as the Bucolics. |
| elision | The partial suppression of the end of a word when reading verse, occurring when a word ending in a vowel, vowel plus m, or diphthong is followed by a word beginning with a vowel, diphthong, or h. |
| epic poetry | A long narrative poem that typically recounts the deeds of heroes and is written in a formal, elevated style. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| foot | The basic repeating unit of meter in poetry, composed of a specific sequence of long and short syllables. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| Georgics | A didactic poem by Vergil about agriculture and rural life. |
| Greco-Roman mythology | The combined body of myths and legends from both Greek and Roman cultures, often shared or adapted between the two civilizations. |
| Helen | In Greek mythology, the queen of Sparta whose abduction by Paris triggered the Trojan War. |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| in medias res | A narrative technique in which an epic poem begins in the middle of the action rather than at the beginning of the story. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| invocation to the muses | A formal appeal to the muses (goddesses of inspiration) at the beginning of an epic poem, requesting their aid in telling the story. |
| Julius Caesar | A Roman military and political leader who invaded Gaul and established a dictatorship (49-45 BCE) before his assassination in 44 BCE. |
| Juno | The queen of the Roman gods and mother of both Venus and Vulcan. |
| Jupiter | The king of the Roman gods and father of both Venus and Vulcan. |
| long syllable | A syllable that takes up more time in pronunciation, represented in metrical notation and forming part of metrical feet. |
| Marcus Lepidus | One of the three members of the Second Triumvirate alongside Octavius and Mark Antony. |
| Mark Antony | A Roman military leader and member of the Second Triumvirate who was defeated by Octavius at Actium in 31 BCE. |
| Mars | The Roman god of war and son of Jupiter. |
| Mercury | The Roman god of merchants and thieves who also served as messenger of the gods, son of Jupiter. |
| meter | The regular, predictable pattern of long and short syllables that forms the rhythmic structure of Latin poetry. |
| Minerva | The Roman goddess of handicrafts and war, daughter of Jupiter, equivalent to the Greek Athena. |
| narrative | The story or sequence of events in a literary work, which in epic poetry is often advanced by divine intervention. |
| Neptune | The Roman god of the seas and bodies of fresh water, son of Saturn. |
| Paris | A Trojan prince who judged the contest between three goddesses in the Judgement of Paris myth. |
| Pluto | The Roman god and ruler of the underworld, also called Dis Pater or Dis, son of Saturn. |
| polytheistic religion | A religious system based on the belief in and worship of multiple gods. |
| proem | A preface or prologue that introduces an epic poem. |
| propaganda | Information and messaging used by Augustus through art, literature, coinage, and architecture to promote his peaceful reign and stable empire. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| Roman Empire | The vast political and territorial dominion that encompassed the Mediterranean Basin and surrounding regions during antiquity. |
| Roman Republic | The political system of Rome before the establishment of the empire, which transitioned to imperial rule through civil wars. |
| Saturn | The Roman god of time, wealth, and renewal, father of Jupiter, who ruled over a mythical golden age of abundance and peace. |
| Second Triumvirate | The political alliance of Octavius, Marcus Lepidus, and Mark Antony that ruled Rome and eventually led to civil war. |
| short syllable | A syllable that takes up less time in pronunciation, represented in metrical notation and forming part of metrical feet. |
| spondee | A metrical foot consisting of two long syllables. |
| the Fates | Three goddesses in Roman mythology who controlled human destiny, determining how long people would live, what they would accomplish, and what they would suffer. |
| the Judgement of Paris | A Greek myth in which the Trojan prince Paris judged a beauty contest between Hera, Athena, and Aphrodite, choosing Aphrodite as the fairest. |
| trochee | A metrical foot consisting of one long syllable followed by one short syllable. |
| Venus | The Roman goddess of love, beauty, sexual desire, and victory; mother of Aeneas in the Aeneid. |
| Vergil | A Roman poet (70-19 BCE) who composed the Eclogues, Georgics, and Aeneid, works that had lasting influence on Western literature. |
| Term | Definition |
|---|---|
| accusative case | A Latin grammatical case used to mark the direct object of a verb and, without a preposition, to indicate direction or destination ('place to where'). |
| adjective | Words that modify nouns and must agree with them in case, number, and gender in Latin. |
| Aeneas | A legendary Trojan hero and son of Venus, presented in the Aeneid as the ancestor of Augustus and the founder of Rome. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| anaphora | The repetition of a word or phrase at the beginning of successive phrases, clauses, sentences, or lines, used to emphasize ideas and create momentum. |
| Carthage | An ancient city in northern Africa founded by Dido, which became a major Mediterranean power. |
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| chiasmus | A rhetorical figure in which two corresponding pairs are arranged in inverted order (a-b-b-a) to create emphasis and draw attention to a particular point. |
| dative case | A grammatical case used for nouns that indicate the person to whom, for whom, or to whose advantage an action is being done, commonly used with verbs of speaking, giving, and showing. |
| declensions | The system of noun and adjective endings in Latin that indicate gender, number, and case; there are five declensions for nouns and three for adjectives. |
| Dido | The legendary founder of Carthage, also known as Elissa, who was originally queen of Tyre and fled after her husband Sychaeus was murdered by her brother Pygmalion. |
| direct object | The noun or pronoun that receives the action of a verb in a sentence. |
| future perfect tense | A verb tense in the indicative mood expressing an action that will be completed before another future action, translated as 'will have _ed.' |
| future tense | A verb tense in the indicative mood expressing an action that will happen, translated as 'will _.' |
| Gaetulians | An ancient people of northern Africa whose leader Iarbas encountered Dido when she arrived to found Carthage. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| Greco-Roman mythology | The combined body of myths and legends from both Greek and Roman cultures, often shared or adapted between the two civilizations. |
| Iarbas | The leader of the Gaetulians who offered Dido land in northern Africa and later proposed marriage to her, which she rejected. |
| imperfect tense | A verb tense in the indicative mood expressing a past action in progress or habitual action, translated as 'was/were _ing' or 'used to _.' |
| indicative mood | The mood of verbs used to express facts, statements, and questions; includes six tenses: present, imperfect, future, perfect, pluperfect, and future perfect. |
| Juno | The queen of the Roman gods and mother of both Venus and Vulcan. |
| Jupiter | The king of the Roman gods and father of both Venus and Vulcan. |
| metaphor | A rhetorical figure in which an implied comparison is achieved through figurative use of words, where words are used in an analogous rather than literal sense. |
| noun | Words that name persons, places, things, or ideas and function as subjects, objects, or complements in Latin sentences. |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| perfect tense | A verb tense in the indicative mood expressing a completed past action, translated as '_ed,' 'has/have _ed,' or 'did _.' |
| pluperfect tense | A verb tense in the indicative mood expressing an action completed before another past action, translated as 'had _ed.' |
| present tense | A verb tense in the indicative mood expressing an action happening now or habitually, translated as 'is/are _ing.' |
| pronoun | Words that replace or refer to nouns and have gender, number, and case forms in Latin. |
| Punic Wars | A series of conflicts fought between Rome and Carthage between 264 and 146 BCE that resulted in Roman expansion and the destruction of Carthage. |
| Pygmalion | The brother of Dido who murdered her husband Sychaeus for his wealth, forcing Dido to flee Tyre. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| repetition | The deliberate reuse of words, phrases, or grammatical structures in a text to create emphasis, rhythm, or stylistic effect. |
| rhetorical figure | A device of language used to create specific effects and enhance meaning in writing or speech. |
| simile | A rhetorical figure that makes an explicit comparison between two unlike things, typically using 'like' or 'as'. |
| stem | The base form of a word to which endings are added to indicate grammatical information such as case, number, and degree. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| substantive | An adjective used as a noun to represent an implied noun, functioning independently in a sentence. |
| superlative adjectives | Adjectives that show the highest degree of a quality, typically translated as '___est' or 'very ___' in English. |
| Sychaeus | The husband of Dido who was murdered by her brother Pygmalion for his wealth. |
| Tyre | An ancient Phoenician city (in present-day Lebanon) where Dido was originally queen before fleeing to Africa. |
| Venus | The Roman goddess of love, beauty, sexual desire, and victory; mother of Aeneas in the Aeneid. |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Vulcan | The Roman god of fire, metalworking, and the forge; husband of Venus. |
| word order | The arrangement and sequence of words in a Latin sentence, which can be manipulated as a stylistic device to create emphasis or convey meaning. |
| Term | Definition |
|---|---|
| Aeneid | An epic poem by Virgil that tells the story of Aeneas and includes the character Camilla and her relationship with Diana. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| animal sacrifice | A religious ritual in which Romans offered animals to the gods to seek their favor, protection, or approval. |
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| condition | A grammatical structure in Latin introduced by si ('if'), nisi ('if not'), or ni ('not') that expresses a hypothetical or conditional situation. |
| conjugation | A group or class of verbs that follow the same pattern of endings and modifications. |
| dactyl | A metrical foot consisting of one long syllable followed by two short syllables. |
| dactylic hexameter | A metrical pattern used in epic poetry consisting of six feet per line, typically composed of dactyls and spondees. |
| dative case | A grammatical case used for nouns that indicate the person to whom, for whom, or to whose advantage an action is being done, commonly used with verbs of speaking, giving, and showing. |
| dative of purpose | A Latin construction using the dative case to express the intended purpose or function of something. |
| dative of reference | A Latin construction using the dative case to indicate the person or thing with respect to which something is true or relevant. |
| deponent verb | A Latin verb that has passive forms but is translated into English with active meanings. |
| double dative construction | A Latin grammatical structure using two dative cases together, typically combining a dative of reference with a dative of purpose. |
| dreams | Nocturnal visions that Romans believed could convey messages from the gods about future events. |
| ending | The suffix attached to a verb stem that indicates person, number, tense, voice, and mood. |
| enjambment | A poetic device in which the final word of a phrase, clause, or sentence is delayed to the beginning of the following line to create suspense or emphasis. |
| entrails | The internal organs of sacrificed animals that Romans examined for signs of divine approval or disapproval. |
| epic poetry | A long narrative poem that typically recounts the deeds of heroes and is written in a formal, elevated style. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| foot | The basic repeating unit of meter in poetry, composed of a specific sequence of long and short syllables. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| Greco-Roman mythology | The combined body of myths and legends from both Greek and Roman cultures, often shared or adapted between the two civilizations. |
| Helen | In Greek mythology, the queen of Sparta whose abduction by Paris triggered the Trojan War. |
| household gods | Roman domestic deities (such as the Lares and Penates) to whom Romans prayed and made offerings at shrines within their homes. |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| indicative mood | The mood of verbs used to express facts, statements, and questions; includes six tenses: present, imperfect, future, perfect, pluperfect, and future perfect. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| interlocking word order | A Latin stylistic device involving interlocking word order with elements placed in an a-b-a-b format to create emphasis or surprise. |
| interpretation | The process of determining the meaning and significance of a Latin text based on careful analysis of language, context, and literary elements. |
| irregular verb | A verb that does not follow the expected patterns of its conjugation, such as sum (to be). |
| meter | The regular, predictable pattern of long and short syllables that forms the rhythmic structure of Latin poetry. |
| mood | The grammatical category of Latin verbs that indicates the mode or manner of the action, such as indicative (factual), subjunctive (hypothetical), or imperative (command). |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| Paris of Troy | A Trojan prince in Greek mythology who abducted Helen, the wife of the Spartan king, causing the Trojan War. |
| participle | A verbal adjective that modifies nouns, agrees with them in case, number, and gender, and has tense and voice like a verb. |
| person | The grammatical category of Latin verbs that indicates whether the subject is first person (I/we), second person (you), or third person (he/she/it/they). |
| portents | Signs or omens, often unusual natural phenomena, believed by Romans to indicate divine will or future events. |
| principal parts | The key forms of a verb (typically infinitive, perfect, and supine) from which all other forms can be derived. |
| spondee | A metrical foot consisting of two long syllables. |
| stem | The base form of a word to which endings are added to indicate grammatical information such as case, number, and degree. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| stylistic information | Literary techniques and devices (such as word choice, sentence structure, imagery, and tone) that an author uses to create meaning and effect in a text. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| sum, esse | The irregular Latin verb meaning 'to be,' whose forms may sometimes be omitted and must be inferred from context. |
| tense | The grammatical category of Latin verbs indicating the time of an action (present, imperfect, perfect, pluperfect, future, or future perfect). |
| trochee | A metrical foot consisting of one long syllable followed by one short syllable. |
| Trojan Horse | A giant wooden horse used as a deceptive gift by the Greeks to enter the city of Troy, containing Greek soldiers who helped end the siege. |
| Trojan War | The legendary ten-year conflict between the Greeks and the city of Troy, originating from Paris's abduction of Helen. |
| Ulysses | The Roman name for the Greek hero Odysseus, credited with devising the strategy of the Trojan Horse. |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbal | A word form derived from a verb that functions as another part of speech, such as a participle, gerund, or infinitive. |
| voice | The grammatical category of Latin verbs indicating whether the subject performs the action (active voice) or receives the action (passive voice). |
| word order | The arrangement and sequence of words in a Latin sentence, which can be manipulated as a stylistic device to create emphasis or convey meaning. |
| Term | Definition |
|---|---|
| augury | The Roman practice of examining the entrails of sacrificed animals to interpret signs of divine approval or disapproval. |
| Camilla | A warrior figure in Virgil's Aeneid who is protected by the goddess Diana. |
| cum | A Latin conjunction that can mean 'when,' 'since,' or 'although' depending on context and the mood of the verb it introduces. |
| Diana | The Roman goddess of wild animals, the hunt, and fertility, who in the Aeneid shows concern for the warrior Camilla. |
| imperative mood | The mood of a verb used to express commands or direct requests. |
| Latin adjectives | Words in Latin that modify nouns to describe their qualities, attributes, or characteristics, and must agree with the nouns they modify in case, number, and gender. |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| adjective | Words that modify nouns and must agree with them in case, number, and gender in Latin. |
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| causa | A Latin noun meaning 'cause' or 'reason' that, when placed in the ablative case after a genitive noun, is translated as 'for the sake of.' |
| chiasmus | A rhetorical figure in which two corresponding pairs are arranged in inverted order (a-b-b-a) to create emphasis and draw attention to a particular point. |
| dactyls | A metrical foot consisting of one long syllable followed by two short syllables (– ∪ ∪). |
| declensions | The system of noun and adjective endings in Latin that indicate gender, number, and case; there are five declensions for nouns and three for adjectives. |
| epic poetry | A long narrative poem that typically recounts the deeds of heroes and is written in a formal, elevated style. |
| feet | The basic repeating units of meter in poetry, each composed of a specific pattern of long and short syllables. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| genitive case | A Latin grammatical case used to show possession, descriptive properties, part of a whole, or a quasi-object of a noun implying action. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| gerund | A noun formed from a verb in Latin, used to express an action as a noun (e.g., bellandi: of waging war). |
| gerundive | An adjective formed from a verb in Latin that modifies a noun and expresses necessity or purpose (e.g., ad eas res conficiendas: for preparing these things). |
| gods | Divine beings in epic poetry who intervene in human affairs and influence the progression of events in the narrative. |
| gratia | A Latin noun meaning 'favor' or 'grace' that, when placed in the ablative case after a genitive noun, is translated as 'for the sake of.' |
| infinitive | A verbal form that functions as the predicate verb in an indirect statement or as a noun. |
| meter | The regular, predictable pattern of long and short syllables that forms the rhythmic structure of Latin poetry. |
| narrative | The story or sequence of events in a literary work, which in epic poetry is often advanced by divine intervention. |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| personified forces of nature | Natural elements or abstract concepts given human characteristics and agency in literary works, often represented as divine beings in epic poetry. |
| pronoun | Words that replace or refer to nouns and have gender, number, and case forms in Latin. |
| rhetorical figure | A device of language used to create specific effects and enhance meaning in writing or speech. |
| spondees | A metrical foot consisting of two long syllables (– –). |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| substantively | The use of an adjective as a noun, where the adjective refers to an implied noun rather than an explicitly stated one. |
| supine | A fourth declension verbal noun ending in -um or -u that functions as a noun in Latin sentences. |
| syllables | The individual units of sound that make up words and are classified as long or short in Latin poetry. |
| trochees | A metrical foot consisting of one long syllable followed by one short syllable, commonly used in epic poetry. |
| verbal | A word form derived from a verb that functions as another part of speech, such as a participle, gerund, or infinitive. |
| word order | The arrangement and sequence of words in a Latin sentence, which can be manipulated as a stylistic device to create emphasis or convey meaning. |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| Carthage | An ancient city in northern Africa founded by Dido, which became a major Mediterranean power. |
| condition | A grammatical structure in Latin introduced by si ('if'), nisi ('if not'), or ni ('not') that expresses a hypothetical or conditional situation. |
| Dido | The legendary founder of Carthage, also known as Elissa, who was originally queen of Tyre and fled after her husband Sychaeus was murdered by her brother Pygmalion. |
| Fates | Three goddesses in Greco-Roman mythology who controlled the destinies of humans, determining their lifespan, accomplishments, and sufferings. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| future perfect tense | A verb tense in the indicative mood expressing an action that will be completed before another future action, translated as 'will have _ed.' |
| future tense | A verb tense in the indicative mood expressing an action that will happen, translated as 'will _.' |
| Gaetulians | An ancient people of northern Africa whose leader Iarbas encountered Dido when she arrived to found Carthage. |
| genitive case | A Latin grammatical case used to show possession, descriptive properties, part of a whole, or a quasi-object of a noun implying action. |
| Iarbas | The leader of the Gaetulians who offered Dido land in northern Africa and later proposed marriage to her, which she rejected. |
| imperfect tense | A verb tense in the indicative mood expressing a past action in progress or habitual action, translated as 'was/were _ing' or 'used to _.' |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| indicative mood | The mood of verbs used to express facts, statements, and questions; includes six tenses: present, imperfect, future, perfect, pluperfect, and future perfect. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| perfect tense | A verb tense in the indicative mood expressing a completed past action, translated as '_ed,' 'has/have _ed,' or 'did _.' |
| pietas | A Roman virtue encompassing reverence for the gods, loyalty to one's country, and devotion to family members, particularly parents and children. |
| pius | An adjective describing someone who demonstrates pietas through religious devotion, patriotic duty, and familial loyalty. |
| pluperfect tense | A verb tense in the indicative mood expressing an action completed before another past action, translated as 'had _ed.' |
| possessor | In Latin grammar, the person or entity that owns or possesses something, typically expressed using the genitive case. |
| present tense | A verb tense in the indicative mood expressing an action happening now or habitually, translated as 'is/are _ing.' |
| Pygmalion | The brother of Dido who murdered her husband Sychaeus for his wealth, forcing Dido to flee Tyre. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| Sychaeus | The husband of Dido who was murdered by her brother Pygmalion for his wealth. |
| Tyre | An ancient Phoenician city (in present-day Lebanon) where Dido was originally queen before fleeing to Africa. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| Actium | The naval battle in 31 BCE where Octavius defeated the combined forces of Mark Antony and Cleopatra, establishing Octavius's sole power. |
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| Augustus | The first emperor of Rome (27 BCE-14 CE), born Gaius Octavius, adopted heir of Julius Caesar who consolidated power and established a stable empire. |
| Carthage | An ancient city in northern Africa founded by Dido, which became a major Mediterranean power. |
| Cleopatra | The Egyptian queen whose armies were defeated alongside Mark Antony at Actium in 31 BCE. |
| courage | Bravery and fortitude in facing danger or adversity, highly valued in Roman culture. |
| dactyl | A metrical foot consisting of one long syllable followed by two short syllables. |
| dactylic hexameter | A metrical pattern used in epic poetry consisting of six feet per line, typically composed of dactyls and spondees. |
| Dido | The legendary founder of Carthage, also known as Elissa, who was originally queen of Tyre and fled after her husband Sychaeus was murdered by her brother Pygmalion. |
| divine interventions | Actions by gods or supernatural forces that help or hinder the hero's progress in an epic narrative. |
| epic poetry | A long narrative poem that typically recounts the deeds of heroes and is written in a formal, elevated style. |
| ethical behavior | Conduct guided by principles of right and wrong, reflecting moral values. |
| everyday life | The ordinary activities, routines, and domestic experiences of people in a particular historical period or society. |
| feet | The basic repeating units of meter in poetry, each composed of a specific pattern of long and short syllables. |
| frugality | Careful management of resources and avoidance of excess, an important Roman virtue. |
| Gaetulians | An ancient people of northern Africa whose leader Iarbas encountered Dido when she arrived to found Carthage. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| Greco-Roman mythology | The combined body of myths and legends from both Greek and Roman cultures, often shared or adapted between the two civilizations. |
| hard work | Diligent effort and labor, valued as a fundamental Roman principle. |
| honesty | Truthfulness and integrity in dealings with others, a core Roman value. |
| Iarbas | The leader of the Gaetulians who offered Dido land in northern Africa and later proposed marriage to her, which she rejected. |
| Mark Antony | A Roman military leader and member of the Second Triumvirate who was defeated by Octavius at Actium in 31 BCE. |
| mercy | Compassion and leniency shown toward others, valued as a virtue in Roman society. |
| metaphor | A rhetorical figure in which an implied comparison is achieved through figurative use of words, where words are used in an analogous rather than literal sense. |
| meter | The regular, predictable pattern of long and short syllables that forms the rhythmic structure of Latin poetry. |
| moral discernment | The ability to distinguish between right and wrong and make ethical judgments. |
| Pygmalion | The brother of Dido who murdered her husband Sychaeus for his wealth, forcing Dido to flee Tyre. |
| quest | The central journey or mission undertaken by the hero in an epic poem. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| responsibility | The obligation to fulfill one's duties and be accountable for one's actions, a key Roman value. |
| rhetorical figure | A device of language used to create specific effects and enhance meaning in writing or speech. |
| Roman character | The distinctive qualities and values that defined Roman civilization and were reflected in their writings and art. |
| Roman social norms | The established customs, behaviors, and social expectations that governed interactions and relationships in Roman society. |
| Second Triumvirate | The political alliance of Octavius, Marcus Lepidus, and Mark Antony that ruled Rome and eventually led to civil war. |
| self-control | The ability to regulate one's emotions and behavior according to reason, a Roman virtue. |
| simile | A rhetorical figure that makes an explicit comparison between two unlike things, typically using 'like' or 'as'. |
| spondee | A metrical foot consisting of two long syllables. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| Sychaeus | The husband of Dido who was murdered by her brother Pygmalion for his wealth. |
| trochee | A metrical foot consisting of one long syllable followed by one short syllable. |
| Tyre | An ancient Phoenician city (in present-day Lebanon) where Dido was originally queen before fleeing to Africa. |
| underworld | In classical literature, the realm of the dead that epic heroes must sometimes visit or descend to in order to complete their quest. |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| adjective | Words that modify nouns and must agree with them in case, number, and gender in Latin. |
| antecedent | The noun that a relative pronoun refers back to and provides more information about. |
| comparative adjectives | Adjectives that show a comparison between two things, typically translated as '___er,' 'more ___,' or 'rather ___' in English. |
| figurative language | Language that uses figures of speech such as metaphor, simile, personification, and symbolism to convey meaning beyond the literal sense of words. |
| implied meaning | The meaning suggested or understood indirectly from a text, rather than stated explicitly. |
| indirect questions | Clauses introduced by question words with verbs in the subjunctive mood that function as dependent clauses within a sentence. |
| inferences | Conclusions drawn from evidence and reasoning based on textual clues rather than explicit statements. |
| pronoun | Words that replace or refer to nouns and have gender, number, and case forms in Latin. |
| subjunctive mood | A verb mood used in Latin to express wishes, doubts, conditions, and in dependent clauses such as indirect questions. |
| superlative adjectives | Adjectives that show the highest degree of a quality, typically translated as '___est' or 'very ___' in English. |
| verbals | Non-finite verb forms in Latin (such as infinitives, participles, and gerunds) that function as other parts of speech while retaining verbal characteristics. |
| Term | Definition |
|---|---|
| cento | A literary work composed entirely of verses or passages from other authors, often rearranged to create new meaning. |
| Term | Definition |
|---|---|
| historical events | Significant occurrences in history that are referenced or alluded to in a text. |
| influential people | Significant historical or literary figures whose actions or ideas shaped events or culture. |
| literary works | Written compositions such as poems, plays, or prose that are referenced or alluded to in a text. |
| Term | Definition |
|---|---|
| Christian themes | Religious subjects and ideas based on Christian doctrine and theology that appear in literary works. |
| classical forms | Literary structures and poetic techniques inherited from ancient Roman and Greek literature. |
| Medieval Latin poetry | Latin poetry composed during the Middle Ages that often blended classical literary forms with Christian religious themes. |
| Term | Definition |
|---|---|
| carmina epigraphica | Latin inscriptional poems, typically found on monuments, tombs, or public structures, often commemorating individuals or events. |
| Term | Definition |
|---|---|
| Latin literature | Written works composed in the Latin language, including poetry, prose, and dramatic texts from ancient Rome and the Roman world. |
| Latin texts | Written works originally composed in Latin, which students analyze and interpret in the AP Latin course. |
| textual evidence | Specific passages, phrases, or details from a text that support an interpretation or argument about the text's meaning. |
| Term | Definition |
|---|---|
| exile | Forced banishment from one's homeland, as experienced by Ovid when sent to Tomis. |
| Ovid | Roman poet (43 BCE-17 CE) known for works including the Metamorphoses and Tristia, exiled by Augustus. |
| Tomis | A remote settlement on the Black Sea to which Ovid was exiled by Augustus. |
| Tristia | A collection of elegiac poems written by Ovid during his exile, expressing his suffering and longing for Rome. |
| Term | Definition |
|---|---|
| dactylic pentameter | A metrical line consisting of five dactylic feet, where each dactyl contains one long syllable followed by two short syllables. |
| elegiac couplet | A pair of lines consisting of a dactylic hexameter followed by a dactylic pentameter, commonly used in Latin elegiac poetry. |
| Term | Definition |
|---|---|
| Latin texts | Written works originally composed in Latin, which students analyze and interpret in the AP Latin course. |
| Term | Definition |
|---|---|
| features | Distinctive characteristics or elements that define and identify a particular literary genre or text. |
| Term | Definition |
|---|---|
| features | Distinctive characteristics or elements that define and identify a particular literary genre or text. |
| Term | Definition |
|---|---|
| features | Distinctive characteristics or elements that define and identify a particular literary genre or text. |
| Term | Definition |
|---|---|
| features | Distinctive characteristics or elements that define and identify a particular literary genre or text. |
| Term | Definition |
|---|---|
| pastoral poetry | A literary genre that idealizes and celebrates rural life, nature, and the lives of shepherds. |
| Term | Definition |
|---|---|
| ut clause | A subordinate clause introduced by ut that expresses the result or purpose of an action, typically containing a verb in the subjunctive mood. |
| Term | Definition |
|---|---|
| Neo-Latin poetry | Poetry written in Latin during the Renaissance and early modern periods, reviving classical Latin literary forms and styles. |
| Term | Definition |
|---|---|
| epitaphs | Inscriptions or verses composed to commemorate a deceased person, typically found on tombstones or monuments. |
| inscriptions | Written texts carved, engraved, or written on a surface such as stone, metal, or other materials, often serving commemorative or informational purposes. |
| Term | Definition |
|---|---|
| Christian Latin poetry | Poetry composed in Latin that reflects Christian themes, theology, and religious perspectives. |
| Term | Definition |
|---|---|
| ancient novels | Extended prose narratives from antiquity that tell fictional stories, often featuring adventure, romance, or complex plots. |
| asyndeton | The omission of conjunctions between grammatical units of the same type that creates a hurried effect within a list. |
| comedy | A dramatic genre intended to entertain through humor, often depicting ordinary characters and situations with a lighthearted or satirical tone. |
| conjunction | Words that connect words, phrases, or clauses together in a sentence. |
| dialogues | A literary form presenting a conversation between two or more characters, often used to explore philosophical or rhetorical ideas. |
| didactic poetry | Poetry written with the primary purpose of instructing or teaching the reader about a subject, often philosophical or technical in nature. |
| ending | The suffix attached to a verb stem that indicates person, number, tense, voice, and mood. |
| epigrams | Brief, pointed poems or inscriptions, often witty or satirical in nature, typically expressing a single thought or observation. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| historiography | The writing of history; the study and interpretation of historical events and sources in Latin literature. |
| indicative | The mood of a verb used to express facts, statements, or questions about reality. |
| love poems | Lyric poetry focused on themes of romantic love, desire, and relationships, a significant genre in Latin literature. |
| mood | The grammatical category of Latin verbs that indicates the mode or manner of the action, such as indicative (factual), subjunctive (hypothetical), or imperative (command). |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| oratory | The art of formal public speaking and rhetoric; in Latin literature, speeches and rhetorical compositions designed to persuade or move an audience. |
| person | The grammatical category of Latin verbs that indicates whether the subject is first person (I/we), second person (you), or third person (he/she/it/they). |
| polysyndeton | The overuse of conjunctions between grammatical units of the same type that creates a slowing effect for emphasis. |
| repetition | The deliberate reuse of words, phrases, or grammatical structures in a text to create emphasis, rhythm, or stylistic effect. |
| stem | The base form of a word to which endings are added to indicate grammatical information such as case, number, and degree. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| tense | The grammatical category of Latin verbs indicating the time of an action (present, imperfect, perfect, pluperfect, future, or future perfect). |
| tragedy | A dramatic genre depicting serious events and the downfall of a protagonist, typically involving noble characters and evoking pity and fear. |
| verb | Words that express actions, states, or conditions and are central to Latin sentence structure. |
| verbal | A word form derived from a verb that functions as another part of speech, such as a participle, gerund, or infinitive. |
| voice | The grammatical category of Latin verbs indicating whether the subject performs the action (active voice) or receives the action (passive voice). |
| Term | Definition |
|---|---|
| ablative case | A Latin grammatical case with multiple functions, including showing the means, agent, manner, time, place, or separation in a sentence. |
| hyperbaton | The intentional rearrangement of words from their usual or expected order, used as a stylistic technique in Latin poetry and prose. |
| noun | Words that name persons, places, things, or ideas and function as subjects, objects, or complements in Latin sentences. |
| stylistic device | A technique or literary tool used by an author to create a particular effect or enhance the meaning and impact of a text. |
| word order | The arrangement and sequence of words in a Latin sentence, which can be manipulated as a stylistic device to create emphasis or convey meaning. |
| Term | Definition |
|---|---|
| dactyls | A metrical foot consisting of one long syllable followed by two short syllables (– ∪ ∪). |
| iambs | A metrical foot consisting of one short syllable followed by one long syllable (∪ –). |
| meter | The regular, predictable pattern of long and short syllables that forms the rhythmic structure of Latin poetry. |
| spondees | A metrical foot consisting of two long syllables (– –). |
| Term | Definition |
|---|---|
| adjective | Words that modify nouns and must agree with them in case, number, and gender in Latin. |
| agreement | The grammatical correspondence between adjectives and the nouns they modify in case, number, and gender. |
| case | The grammatical form of a Latin noun, pronoun, or adjective that indicates its function in a sentence (nominative, genitive, dative, accusative, ablative, or vocative). |
| elegy | A genre of Latin love poetry characterized by personal emotions and intimate relationships, typically written in elegiac couplets. |
| gender | The grammatical classification of Latin nouns, adjectives, and pronouns as masculine, feminine, or neuter. |
| genre | A category or type of literary work with distinctive characteristics, conventions, and features. |
| number | The grammatical distinction between singular and plural forms of nouns, adjectives, and pronouns in Latin. |
| pronoun | Words that replace or refer to nouns and have gender, number, and case forms in Latin. |
| Term | Definition |
|---|---|
| allusions | Indirect or implied references to people, literary works, or historical events that readers are expected to recognize. |
| Arion | A legendary Greek musician saved from drowning by a dolphin, featured in Ovid's Fasti Book 3. |
| Greco-Roman mythology | The combined body of myths and legends from both Greek and Roman cultures, often shared or adapted between the two civilizations. |
| Pantheon | The complete collection of gods worshipped by a particular culture or religion. |
| polytheistic religion | A religious system based on the belief in and worship of multiple gods. |
| references | Direct mentions or citations of specific people, places, events, or concepts in a text. |
| Term | Definition |
|---|---|
| comparative analysis | The process of examining similarities and differences between two or more texts to understand their distinct characteristics and relationships. |
| cultural context | The historical, social, and cultural circumstances surrounding a text that inform its meaning and interpretation. |
| interpretive skills | The ability to analyze and explain the deeper meanings, purposes, and effects of a text beyond its literal content. |
| stylistic features | Distinctive techniques and choices in language, structure, and literary devices that an author uses to create meaning and effect in a text. |
#
A