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📖Epic Poetry of Homer and Virgil Unit 8 Review

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8.3 Major characters and their roles

8.3 Major characters and their roles

Written by the Fiveable Content Team • Last updated August 2025
Written by the Fiveable Content Team • Last updated August 2025
📖Epic Poetry of Homer and Virgil
Unit & Topic Study Guides

Odysseus and His Family

Odysseus: The Cunning Hero

Odysseus, King of Ithaca, is the protagonist of the epic. He's defined above all by mētis (cunning intelligence), a quality Homer prizes as highly as physical strength. You see this in action when he tells Polyphemus his name is "Nobody," when he resists the Sirens' song, and when he navigates the land of the dead to consult the prophet Tiresias.

His goal is straightforward: get home to Ithaca after the Trojan War. But the journey takes ten years on top of the ten he already spent at Troy, and the obstacles are as much internal as external. Odysseus has to resist temptations (Calypso's offer of immortality, the Lotus-Eaters' forgetfulness) and manage his own pride, which gets him into trouble more than once. His boast to Polyphemus after escaping the cave is what earns him Poseidon's wrath in the first place.

Penelope: The Faithful Wife

Penelope remains loyal to Odysseus through twenty years of absence, fending off over a hundred suitors who have occupied her home. Her most famous stratagem is the shroud of Laertes: she tells the suitors she'll choose a husband once she finishes weaving a burial shroud for Odysseus's father, then secretly unravels her work each night. This buys her three years before a servant exposes the trick.

Penelope's intelligence mirrors Odysseus's own cunning. Homer draws a deliberate contrast between her faithfulness and figures like Clytemnestra, who murdered her husband Agamemnon upon his return from Troy. That parallel comes up explicitly when Odysseus visits the underworld and Agamemnon's ghost warns him about trusting wives. Penelope's loyalty is what makes the reunion possible and meaningful.

Telemachus: The Maturing Son

Telemachus begins the epic as a passive, frustrated young man unable to control the suitors in his own house. With Athena's guidance (she appears to him disguised as Mentor), he embarks on his own journey to Pylos and Sparta to gather news of his father. This trip, sometimes called the Telemachy (Books 1–4), is his coming-of-age arc.

By the time Odysseus returns, Telemachus has developed enough courage and judgment to serve as a real partner in the plan to overthrow the suitors. His growth matters for the plot: Odysseus can't reclaim Ithaca alone, and the epic needs Telemachus to be ready to stand beside him in the final confrontation.

Eurycleia: The Loyal Servant

Eurycleia is Odysseus's old nurse and one of the most trusted members of his household. Her key moment comes when she washes the disguised Odysseus's feet and recognizes him by a scar on his thigh from a childhood boar hunt. Odysseus grabs her by the throat and swears her to secrecy.

This scene does important narrative work. It builds tension (will the secret get out?) and reinforces the theme of recognition that runs through the entire homecoming sequence. Eurycleia represents the loyal household that has been waiting for Odysseus, and her discretion proves essential to the success of his plan against the suitors.

Gods and Goddesses

Athena: Divine Guidance and Protection

Athena, goddess of wisdom and strategic warfare, is Odysseus's patron throughout the epic. She intervenes repeatedly on his behalf: she pleads his case before Zeus on Olympus, she disguises him as an aged beggar when he reaches Ithaca, and she stands beside him during the battle with the suitors.

She also mentors Telemachus, appearing to him in disguise to push him toward action. Her dual role with father and son ties the two storylines together. Athena favors Odysseus specifically because he shares her defining quality: mētis. In Book 13, she tells him outright that they're alike, both clever and resourceful. Their relationship illustrates how divine favor in Homer isn't random; the gods tend to support mortals who reflect their own nature.

Poseidon: The Unrelenting Adversary

Poseidon, god of the sea, is Odysseus's primary divine antagonist. His grudge stems from a specific cause: Odysseus blinded Poseidon's son, the Cyclops Polyphemus, in Book 9. From that point on, Poseidon sends storms, shipwrecks, and disasters to keep Odysseus from reaching home.

Poseidon's opposition creates the epic's central tension. Odysseus is a mortal trying to cross the sea, and the god who controls the sea wants him dead. The conflict also illustrates a core Homeric idea: actions have consequences that extend far beyond the moment. Odysseus's clever escape from the cave was a triumph, but his proud boast afterward turned a solved problem into a divine vendetta.

Calypso and Circe: Temptations and Delays

These two figures both detain Odysseus, but in different ways.

Calypso keeps Odysseus on her island of Ogygia for seven years, offering him immortality and eternal youth if he stays with her. He refuses. This is one of the most revealing moments for his character: he chooses mortal life with Penelope over godhood. Zeus eventually sends Hermes to order Calypso to release him.

Circe is a sorceress who transforms Odysseus's crew into pigs when they first arrive on her island, Aeaea. Odysseus resists her magic with the help of the herb moly, given to him by Hermes. After he overcomes her, she becomes an ally, hosting him for a year and advising him to visit the underworld to consult the prophet Tiresias. Circe functions as both obstacle and helper, which makes her a more complex figure than she first appears.

Both characters test Odysseus's resolve to return home, and both highlight the seductive dangers of forgetting one's purpose.

Antagonists and Obstacles

Polyphemus: The Monstrous Cyclops

Polyphemus is a one-eyed giant, son of Poseidon, who traps Odysseus and his men in his cave and begins eating them. Odysseus can't simply kill Polyphemus because only the Cyclops is strong enough to move the boulder blocking the cave entrance. So Odysseus devises a plan:

  1. He gets Polyphemus drunk on strong wine
  2. He tells the Cyclops his name is "Outis" ("Nobody")
  3. He and his men drive a sharpened, heated stake into the Cyclops's eye
  4. When Polyphemus screams for help and the other Cyclopes ask who is hurting him, he shouts "Nobody," so they leave
  5. Odysseus and his men escape by clinging to the undersides of Polyphemus's sheep as they're let out to graze

This episode is the best showcase of Odysseus's cunning. But it also reveals his fatal flaw: as he sails away, he can't resist shouting his real name back at Polyphemus. That boast gives Polyphemus the information he needs to call on his father Poseidon for revenge, setting up the divine conflict that drives the rest of the epic.

The Suitors: Usurpers and Threats

The suitors are a group of over a hundred noblemen from Ithaca and the surrounding islands who have moved into Odysseus's palace. They feast on his livestock, drink his wine, and pressure Penelope to remarry. Their behavior violates xenia (the Greek code of guest-host relations), which is one of the epic's central themes.

The suitors create urgency for the plot. Every day Odysseus is delayed, his household is further consumed and his family further threatened. Their slaughter in Book 22 isn't just revenge; Homer frames it as the restoration of justice and proper order. The suitors were warned repeatedly and chose to stay.

Antinous and Eurymachus: The Leading Suitors

These two stand out from the crowd of suitors as the most dangerous.

Antinous is the most openly aggressive. He's the one who throws a stool at the disguised Odysseus, plots to ambush and kill Telemachus, and leads the suitors' most disrespectful behavior. He's the first suitor Odysseus kills, shot through the throat with an arrow during the contest of the bow.

Eurymachus is smoother and more diplomatic, but no less guilty. He tries to talk his way out of the final confrontation by blaming everything on Antinous (who is already dead at that point). Odysseus isn't persuaded. Eurymachus represents a different kind of villainy: the type that hides behind charm and deflects blame.

Allies and Helpers

Eumaeus: The Loyal Swineherd

Eumaeus is a swineherd who has faithfully managed part of Odysseus's estate for twenty years. When Odysseus arrives in Ithaca disguised as a beggar, Eumaeus takes him in, feeds him, and treats him with kindness without knowing who he really is. This hospitality is significant because it demonstrates proper xenia, contrasting sharply with the suitors' behavior.

Eumaeus also serves as a go-between, helping Odysseus and Telemachus coordinate their plan against the suitors. He fights alongside them in the final battle. His loyalty, despite having no guarantee his master would ever return, makes him one of the epic's moral touchstones.

Telemachus as Ally

Telemachus's role shifts over the course of the epic from a character with his own arc to a crucial partner in Odysseus's plan. Father and son reunite in Eumaeus's hut in Book 16, and from that point they work together.

Telemachus helps remove the weapons from the great hall so the suitors can't arm themselves, and he fights beside Odysseus in the climactic battle. The father-son partnership matters thematically: the restoration of Ithaca requires both generations working together. Odysseus brings the cunning and experience; Telemachus brings the youthful courage and the legitimacy of having endured the suitors' abuse firsthand.

Athena as Strategic Ally

Athena's role goes beyond general protection. She's actively involved in the tactical planning of the homecoming. She transforms Odysseus's appearance to disguise him, she advises on timing, and she enhances his strength and appearance at key moments (like when he needs to impress Penelope or intimidate the suitors).

During the final battle, Athena is present but initially holds back, letting Odysseus and Telemachus prove themselves before intervening. This pattern is consistent with how divine aid works in Homer: the gods help those who are already helping themselves. Athena's strategic involvement ties together the mortal and divine planes of the story, reinforcing the idea that success in the epic requires both human effort and divine favor.