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🇯🇵ap japanese language and culture review

回遊式庭園 (kaiyūshiki teien) in AP Japanese Language and Culture

Written by the Fiveable Content Team
Verified for the 2027 exam
Verified for the 2027 exam•Written by the Fiveable Content Team

Definition

「回遊式庭園」とは、訪れる人が庭の中を歩き回ることで、歩くたびに異なる景色や空間体験が展開されるように設計された日本庭園の様式です。一か所から全体を眺めるのではなく、動きそのものが鑑賞の一部となっています。桂離宮はこの設計哲学の代表的な例として知られています。

AP course connection

Topic 3.1: 3.1 Architecture | 建築

Unit 3

5 Must Know Facts For Your Next Test

  1. 桂離宮(京都)は回遊式庭園の最も有名な例の一つで、建物と庭が一体として設計されている。
  2. 回遊式庭園では、歩く順路に沿って景色が変化するよう、木・石・水・建物の配置が緻密に計算されている。
  3. 回遊式庭園は江戸時代(17〜19世紀)に大名の屋敷や皇室の離宮で特に発展した庭園様式である。
  4. この様式では、借景の技法と組み合わせることで、庭の外の自然景観も体験の一部として取り込まれることが多い。
  5. 回遊式庭園の設計思想は、空間を静的に「見る」のではなく、身体を動かしながら「体験する」という日本的な空間観を反映している。

Review Questions

  • What is kaiyūshiki teien, and how does it differ from a garden designed to be viewed from a single fixed point?
    • Kaiyūshiki teien is a stroll-garden design in which the visitor moves through the space along a path, and the experience unfolds as a sequence of changing views and spatial moments. Unlike a garden meant to be appreciated from one fixed vantage point, the stroll garden makes movement itself central to the aesthetic experience.
  • How does Katsura Rikyu exemplify the principles of kaiyūshiki teien?
    • At Katsura Rikyu, the buildings and garden are designed as a single unified whole, and each room frames a different view of the garden. As visitors move through the space, the perspective shifts with every step, so the experience is cumulative and sequential — the defining characteristic of the stroll-garden principle.
  • What does the kaiyūshiki teien design philosophy reveal about Japanese cultural values regarding space and nature?
    • It reveals that Japanese culture values the dynamic, embodied experience of space over passive observation. The garden is not a backdrop to be looked at but an environment to be moved through, reflecting the broader Japanese value of integrating human activity with the natural world rather than separating the viewer from the landscape.

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