MoMA's 'The New American Painting'

Definition

'The New American Painting' was a groundbreaking exhibition held at the Museum of Modern Art (MoMA) in 1958, showcasing the emergence of Abstract Expressionism and its key figures, particularly in the context of action painting and color field painting. This exhibition not only highlighted the innovative techniques of American artists but also played a crucial role in establishing the United States as a central hub for modern art, moving away from European dominance. By presenting these new artistic movements, MoMA helped to redefine the narrative of contemporary art and placed emphasis on the emotional intensity and spontaneity found within the work of these artists.

5 Must Know Facts For Your Next Test

1. 'The New American Painting' introduced European audiences to key American artists such as Jackson Pollock, Mark Rothko, and Willem de Kooning, showcasing their unique approaches.
2. The exhibition was pivotal in promoting the concept that American art could stand alongside and eventually surpass European art movements.
3. It contributed to the globalization of modern art by demonstrating the significance of American cultural output during a time when Europe was still recovering from World War II.
4. The impact of this exhibition can still be seen today as it laid the groundwork for future American art movements and exhibitions.
5. The show also marked a shift in curatorial practices, emphasizing the importance of thematic presentations over chronological displays.

Review Questions

• How did MoMA's 'The New American Painting' influence the perception of American art on a global scale?
  • 'The New American Painting' significantly changed how American art was viewed internationally by showcasing Abstract Expressionism and its key figures. The exhibition positioned America as a leading force in modern art, challenging the previously Eurocentric narrative. It helped establish a new sense of identity for American artists, allowing them to gain recognition and validation on the world stage.
• Discuss the relationship between action painting and color field painting as represented in 'The New American Painting' exhibition.
  • 'The New American Painting' featured both action painting and color field painting as distinct yet interrelated styles within Abstract Expressionism. Action painting emphasized the physical act of painting, often characterized by dynamic brushwork and gestural techniques, while color field painting focused on large areas of solid color that evoked emotional responses. Together, these styles illustrated the diversity within American modernism and showcased how different approaches could coexist under the broader umbrella of Abstract Expressionism.
• Evaluate how 'The New American Painting' exhibition contributed to changing curatorial practices in museums.
  • 'The New American Painting' marked a significant turning point in curatorial practices by prioritizing thematic over chronological organization. This approach allowed for a more immersive experience, connecting various works based on ideas rather than timelines. By emphasizing thematic links between different artists and styles, this exhibition encouraged future curators to consider how exhibitions could engage audiences through conceptual frameworks, influencing the way art is presented in museums today.

Related terms

Abstract Expressionism: A post-World War II art movement characterized by spontaneous, automatic, or subconscious creation, emphasizing freedom of expression and individualism.

Action Painting: A style of painting in which paint is spontaneously dribbled, splashed, or smeared onto the canvas, emphasizing the act of painting itself as a vital part of the artwork.

Color Field Painting: An approach to abstract painting characterized by large expanses of color applied in a flat manner, aiming to evoke emotional responses through color and form.