Intro to Comparative Literature

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Intertextuality

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Intro to Comparative Literature

Definition

Intertextuality refers to the relationship between texts and how they influence, reference, or echo one another. It emphasizes that no text exists in isolation; rather, every piece of writing is shaped by its connections to other works, including their themes, styles, and structures. This concept highlights the ways in which authors draw upon and transform existing narratives, creating a web of literary meaning across different works.

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5 Must Know Facts For Your Next Test

  1. Intertextuality suggests that all texts are interconnected through shared themes, symbols, and narratives that span across cultures and time periods.
  2. Julia Kristeva introduced the concept of intertextuality in the 1960s, building on Mikhail Bakhtin's ideas about dialogism and the interaction between texts.
  3. Intertextuality can take many forms, including direct quotations, parody, pastiche, or thematic references that create layers of meaning within a text.
  4. The study of intertextuality often leads to discussions about authorship and originality, as it challenges the notion of a singular 'creator' by highlighting collaborative influences across texts.
  5. In postmodern literature, intertextuality is particularly prominent as authors play with genre conventions and mix different styles to challenge traditional narrative structures.

Review Questions

  • How does intertextuality enhance our understanding of Roman poetry through the works of Ovid, Horace, and Virgil?
    • Intertextuality enhances our understanding of Roman poetry by revealing how Ovid, Horace, and Virgil influenced each other and drew from previous literary traditions. For instance, Ovid’s playful approach in 'Metamorphoses' references earlier myths while also parodically engaging with Virgil’s epic style. Horace's use of lyric poetry often echoes themes from both Greek literature and his contemporaries. Recognizing these interconnections deepens our appreciation for their works as part of a broader literary conversation.
  • In what ways does intertextuality manifest in the works of South Asian writers like Rushdie, Roy, and Lahiri?
    • In the writings of Rushdie, Roy, and Lahiri, intertextuality is evident through their engagement with historical narratives, folklore, and postcolonial themes. For example, Rushdie’s 'Midnight's Children' employs magical realism while referencing Indian history and myth. Roy's 'The God of Small Things' intertwines personal stories with broader political issues. Lahiri often draws from immigrant experiences that echo previous literary works about displacement. This layering creates a rich dialogue between their narratives and other cultural texts.
  • Evaluate how intertextuality functions within postmodern fiction by authors like Pynchon and DeLillo in relation to traditional narrative forms.
    • Intertextuality in postmodern fiction by authors such as Pynchon and DeLillo functions to subvert traditional narrative forms by incorporating references to a wide array of cultural artifacts. Pynchon’s works often engage with popular culture, conspiracy theories, and historical events to create complex narrative structures that challenge linear storytelling. Similarly, DeLillo's novels frequently reference media and contemporary society while questioning the reliability of information. This blending illustrates how intertextual connections can reshape readers’ expectations and understandings of narrative authenticity.

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