In the context of Iranian New Wave cinema, 'the cow' refers to a symbolic representation of both the cultural and social dilemmas faced by individuals in Iranian society. This term is primarily associated with the 1969 film 'The Cow' directed by Dariush Mehrjui, which uses the story of a farmer's bond with his cow to explore themes of isolation, loss, and the harsh realities of rural life amidst socio-political changes in Iran.
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