Cahiers du cinéma

Definition

Cahiers du cinéma is a prominent French film magazine founded in 1951 that played a significant role in shaping film criticism and theory, particularly through its advocacy of auteur theory. It became a platform for influential filmmakers and critics who explored the artistic merit of cinema, elevating it to a respected form of art. The magazine's contributions have deeply influenced the way films are analyzed and appreciated within the broader landscape of film criticism.

5 Must Know Facts For Your Next Test

1. Cahiers du cinéma was founded by André Bazin, Joseph-Marie Lo Duca, and Jacques Doniol-Valcroze, among others, who aimed to promote a more serious approach to film analysis.
2. The magazine introduced and popularized auteur theory, arguing that directors should be seen as the 'authors' of their films.
3. Cahiers du cinéma has been instrumental in launching the careers of several influential filmmakers, including François Truffaut and Jean-Luc Godard.
4. The magazine has published numerous critical essays, reviews, and interviews that have shaped discussions about film aesthetics and theory for decades.
5. Cahiers du cinéma continues to be published today, maintaining its status as a key voice in film criticism while adapting to contemporary cinematic developments.

Review Questions

• How did Cahiers du cinéma contribute to the development of auteur theory in film criticism?
  • Cahiers du cinéma played a pivotal role in establishing auteur theory by positioning directors as the primary creative visionaries behind films. Critics associated with the magazine argued that a director's unique style and thematic preoccupations could elevate films to an art form. This perspective not only encouraged audiences to appreciate films differently but also impacted how future filmmakers approached their work, emphasizing personal expression and artistic intent.
• Discuss the impact of Cahiers du cinéma on the French New Wave movement and its significance in global cinema.
  • Cahiers du cinéma was closely linked to the French New Wave movement, with many of its contributors becoming prominent directors within this cinematic revolution. The magazine provided a platform for innovative storytelling and unconventional filmmaking techniques that defined the New Wave. This movement challenged traditional narrative forms and greatly influenced filmmakers worldwide, promoting a more experimental approach to cinema that can still be seen in contemporary filmmaking today.
• Evaluate how Cahiers du cinéma's editorial direction has evolved over time and what this indicates about changes in film criticism.
  • Over time, Cahiers du cinéma has adapted its editorial focus to reflect shifts in both cinematic trends and broader cultural contexts. Initially rooted in advocating for auteur theory and European art cinema, the magazine has gradually incorporated discussions on diverse genres and global filmmaking practices. This evolution highlights a more inclusive approach to film criticism that recognizes the value of various styles and narratives, indicating a shift towards understanding cinema as a multifaceted medium that transcends regional boundaries.

Related terms

Auteur Theory: A concept that suggests the director is the primary creative force behind a film, with a distinctive style and vision, much like an author of literature.

New Wave: A movement in French cinema during the late 1950s and 1960s characterized by innovative storytelling techniques and a break from traditional filmmaking conventions.

Film Criticism: The analysis and evaluation of films, often encompassing elements such as narrative, visual style, cultural context, and technical aspects.