medieval literature unit 2 study guides

Historical Context

• Anglo-Saxon period in England lasted from the 5th to 11th centuries, following the withdrawal of the Romans and the arrival of Germanic tribes (Angles, Saxons, and Jutes)
• Anglo-Saxon society was hierarchical, with kings, nobles, and warriors at the top, followed by free peasants and slaves at the bottom
• Christianity was introduced to the Anglo-Saxons by missionaries in the 6th and 7th centuries, leading to the establishment of monasteries and the production of religious texts
  • Monasteries became centers of learning and literacy, preserving and copying manuscripts
• Viking raids and invasions in the 8th and 9th centuries had a significant impact on Anglo-Saxon society and culture
  • The Anglo-Saxon Chronicle, a historical record, documents many of these raids and their consequences
• The Norman Conquest of 1066 marked the end of the Anglo-Saxon period and the beginning of the Middle English period

Key Texts and Authors

• Beowulf, an epic poem composed between the 8th and 11th centuries, is the most famous surviving work of Anglo-Saxon literature
  • The poem tells the story of the hero Beowulf and his battles against monsters, including Grendel and a dragon
• The Anglo-Saxon Chronicle, a collection of annals recording the history of the Anglo-Saxons, was compiled during the reign of Alfred the Great in the 9th century
• The Exeter Book, a 10th-century anthology of Anglo-Saxon poetry, contains riddles, elegies, and religious verses
  • Notable poems in the Exeter Book include "The Wanderer," "The Seafarer," and "The Wife's Lament"
• Caedmon, a 7th-century cowherd turned monk, is considered the first known English poet
  • According to Bede's Ecclesiastical History, Caedmon miraculously received the gift of poetic composition and wrote hymns praising God
• The Vercelli Book, a 10th-century manuscript, contains religious prose and poetry, including the poem "The Dream of the Rood"
• Cynewulf, an Anglo-Saxon poet who likely lived in the 9th century, is known for his religious poems, including "Elene" and "Juliana"

Language and Linguistics

• Old English, the language spoken by the Anglo-Saxons, is a Germanic language distinct from modern English
  • Old English had a complex system of inflections, with nouns, adjectives, and verbs changing form based on their grammatical function
• Old English vocabulary was primarily Germanic, with some Latin influences due to the introduction of Christianity
  • Many Old English words have cognates in modern German and Dutch
• Old English used a runic alphabet called futhorc before the adoption of the Latin alphabet
  • The Latin alphabet was introduced by Christian missionaries and gradually replaced futhorc
• Old English poetry relied on alliteration, the repetition of initial consonant sounds, rather than rhyme
  • Alliterative verse was composed of two half-lines, each with two stressed syllables, and the first stressed syllable of the second half-line alliterated with one or both of the stressed syllables in the first half-line
• Kennings, compound metaphorical phrases, were a common literary device in Old English poetry (e.g., "whale-road" for the sea)

Themes and Motifs

• Heroism and loyalty are central themes in Anglo-Saxon literature, particularly in epic poetry like Beowulf
  • Heroes are often depicted as brave warriors who face challenges and monsters to protect their people and uphold their honor
• The concept of fate, or wyrd, plays a significant role in Anglo-Saxon literature
  • Characters are often subject to the whims of fate, which is seen as an inexorable force that determines the course of their lives
• The sea and seafaring are recurring motifs in Anglo-Saxon poetry, reflecting the importance of maritime activities in their society
  • Poems like "The Seafarer" and "The Wanderer" explore themes of exile, loneliness, and the challenges of life at sea
• The natural world, including animals and landscapes, is often used symbolically in Anglo-Saxon literature
  • Animals like ravens, eagles, and wolves are associated with battle and death, while landscapes like the sea and mountains represent challenges and hardships
• Christian themes and motifs, such as the struggle between good and evil, the importance of faith, and the promise of salvation, are prevalent in later Anglo-Saxon literature
  • The influence of Christianity can be seen in poems like "The Dream of the Rood" and the works of Cynewulf

Literary Techniques

• Alliteration, the repetition of initial consonant sounds, is the primary structural device in Old English poetry
  • Alliterative verse creates a sense of rhythm and emphasis, and helps to organize the poem's content
• Epithets, descriptive phrases or compound words, are used to characterize people, objects, and places in Anglo-Saxon literature (e.g., "ring-giver" for a generous lord)
• Kennings, metaphorical compound phrases, are used to create vivid and evocative imagery (e.g., "battle-sweat" for blood)
• Litotes, a form of understatement that uses double negatives to express a positive idea, is common in Anglo-Saxon poetry (e.g., "not unwelcome" meaning "welcome")
• Formulaic language, repeated phrases and expressions, is used to aid in oral composition and memorization
  • Formulas often describe common actions or situations, such as the giving of gifts or the preparation for battle
• Personification, the attribution of human qualities to non-human entities, is used to create a sense of animacy and to convey abstract ideas
  • In "The Dream of the Rood," the cross on which Christ was crucified is personified and speaks to the dreamer

Cultural Significance

• Anglo-Saxon literature provides insight into the values, beliefs, and way of life of early medieval England
  • The emphasis on heroism, loyalty, and fate reflects the warrior culture of the Anglo-Saxons
• The influence of Christianity on Anglo-Saxon culture can be traced through the literature of the period
  • The gradual shift from pagan to Christian themes and motifs demonstrates the impact of the new religion on Anglo-Saxon society
• Anglo-Saxon literature played a crucial role in the development of the English language and literary tradition
  • Old English poetry, with its alliterative verse and vivid imagery, laid the foundation for later English literature
• The manuscripts and texts that survive from the Anglo-Saxon period are valuable historical and cultural artifacts
  • The Exeter Book and the Vercelli Book, for example, provide a glimpse into the literary tastes and preoccupations of the Anglo-Saxons
• Anglo-Saxon literature has inspired and influenced writers and artists throughout the centuries
  • J.R.R. Tolkien, for example, drew heavily on Anglo-Saxon literature and culture in his creation of Middle-earth and its languages

Legacy and Influence

• The Anglo-Saxon period laid the foundation for the development of the English language and literature
  • Many Old English words and grammatical structures have survived into modern English, albeit in modified forms
• Anglo-Saxon literature, particularly Beowulf, has had a lasting impact on English and world literature
  • Beowulf has been translated and adapted numerous times, and continues to inspire new works of fiction, poetry, and film
• The alliterative verse and vivid imagery of Anglo-Saxon poetry have influenced poets throughout the centuries
  • Poets like Gerard Manley Hopkins and Seamus Heaney have drawn on the techniques and themes of Anglo-Saxon poetry in their own work
• Anglo-Saxon manuscripts and artifacts continue to be studied by scholars and researchers
  • The study of Anglo-Saxon literature, history, and culture has contributed to our understanding of early medieval Europe
• The Anglo-Saxon period has captured the imagination of popular culture, with books, films, and television shows drawing on its history and mythology
  • The television series "The Last Kingdom" and the novel series by Bernard Cornwell, for example, are set in Anglo-Saxon England and feature historical and fictional characters from the period

Further Reading

• "The Cambridge Companion to Old English Literature" edited by Malcolm Godden and Michael Lapidge
  • A comprehensive overview of Anglo-Saxon literature, with essays on key texts, authors, and themes
• "The Anglo-Saxons" by James Campbell, Eric John, and Patrick Wormald
  • An in-depth history of Anglo-Saxon England, covering its society, culture, and politics
• "Old English Literature: A Short Introduction" by Daniel Donoghue
  • An accessible introduction to Anglo-Saxon literature, with discussions of major texts and literary techniques
• "Beowulf: A Verse Translation" translated by Seamus Heaney
  • A modern translation of Beowulf by the Nobel Prize-winning poet Seamus Heaney, with an introduction and commentary
• "The Earliest English Poems" translated by Michael Alexander
  • A collection of Anglo-Saxon poetry, including works from the Exeter Book and the Vercelli Book, with facing-page translations and commentary
• "The Anglo-Saxon World: An Anthology" edited by Kevin Crossley-Holland
  • A wide-ranging anthology of Anglo-Saxon literature, including poetry, prose, and historical documents, with translations and explanatory notes
• "The Blackwell Encyclopedia of Anglo-Saxon England" edited by Michael Lapidge, John Blair, Simon Keynes, and Donald Scragg
  • A comprehensive reference work on Anglo-Saxon England, with entries on literature, history, culture, and society
• "The Anglo-Saxon Chronicle" translated by Michael Swanton
  • A translation of the Anglo-Saxon Chronicle, with an introduction and commentary on its historical and literary significance