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🕺🏽Intro to Music Theory

Major Scales

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Why This Matters

Major scales are the foundation of Western music theory—everything from chord progressions to melody construction builds on your understanding of how these scales work. You're being tested not just on which notes belong to which scale, but on why certain scales have sharps, others have flats, and how the circle of fifths organizes all of this into a logical system. Understanding the underlying pattern (W-W-H-W-W-W-H) means you can construct any major scale from any starting note.

The real exam skill here is recognizing relationships: how scales connect to key signatures, why certain instruments favor certain keys, and how the order of sharps and flats follows a predictable sequence. Don't just memorize that G Major has one sharp—know that it's F# because sharps always enter in the same order (F-C-G-D-A-E-B), and that each new sharp scale starts a perfect fifth higher than the last. That conceptual understanding will carry you through any question they throw at you.


The Foundation: No Sharps or Flats

Every major scale follows the same interval formula: whole-whole-half-whole-whole-whole-half (W-W-H-W-W-W-H). C Major is the only scale where this pattern falls entirely on white keys, making it the reference point for all other scales.

C Major Scale

  • All natural notes (C-D-E-F-G-A-B-C)—the only major scale with no sharps or flats in its key signature
  • Interval pattern W-W-H-W-W-W-H demonstrated purely on white keys, making it ideal for visualizing the half steps between E-F and B-C
  • Reference scale for understanding all other major scales—transposing this pattern to any starting note generates the correct accidentals

Sharp Scales: Moving Up the Circle of Fifths

Each time you move up a perfect fifth (seven half steps) from the previous tonic, you add one sharp to the key signature. Sharps always accumulate in the same order: F#, C#, G#, D#, A#. This predictable pattern means you can determine any sharp key's signature by counting fifths from C.

G Major Scale

  • One sharp (F#)—the first sharp added always raises the seventh scale degree to maintain the W-W-H-W-W-W-H pattern
  • Perfect fifth above C, demonstrating the foundational relationship that drives the circle of fifths
  • Common in folk, country, and guitar music due to accessible open chord shapes and comfortable vocal ranges

D Major Scale

  • Two sharps (F# and C#)—adds C# as the new raised seventh degree while retaining F# from G Major
  • Bright, resonant quality favored in orchestral string writing because open strings (D, A) align with the tonic and fifth
  • Two perfect fifths above C, reinforcing the pattern: C → G → D

A Major Scale

  • Three sharps (F#, C#, G#)—continues the pattern by adding G# as the raised seventh degree
  • Guitar-friendly key with common barre chord shapes and the open A string as tonic
  • Warm tonal quality frequently used in pop, rock, and country music

Compare: G Major vs. D Major—both are sharp keys popular with string instruments, but D Major's two sharps create more opportunities for brilliant orchestral writing while G Major's single sharp makes it more accessible for beginners. If asked to identify a key by its signature, remember: the last sharp is always a half step below the tonic.

E Major Scale

  • Four sharps (F#, C#, G#, D#)—the raised seventh (D#) creates the essential half step to the tonic E
  • Dominant key in rock and blues because guitar open strings (E, B) form the tonic and fifth
  • Relative major of C# minor, an important relationship for understanding parallel key structures

B Major Scale

  • Five sharps (F#, C#, G#, D#, A#)—approaches the maximum complexity for sharp keys
  • Less common in beginner repertoire but essential for understanding complete circle of fifths navigation
  • Enharmonically close to C♭ Major (seven flats), demonstrating how sharp and flat keys can describe the same pitches differently

Compare: A Major vs. E Major—both are guitar-centric keys with bright sounds, but E Major's four sharps make it slightly more complex to read while remaining physically comfortable on guitar. A Major's three sharps hit a sweet spot between accessibility and tonal richness.


Flat Scales: Moving Down the Circle of Fifths

Moving down a perfect fifth (or up a perfect fourth) from C introduces flat keys. Flats accumulate in reverse order from sharps: B♭, E♭, A♭, D♭, G♭. Notice this is the sharp order backward—a useful memory trick.

F Major Scale

  • One flat (B♭)—the first flat lowers the fourth scale degree to preserve the half step between scale degrees 3-4
  • Perfect fifth below C (or perfect fourth above), initiating the flat side of the circle of fifths
  • Standard key for brass instruments because B♭ trumpets and clarinets sound F Major when reading C Major

B♭ Major Scale

  • Two flats (B♭ and E♭)—adds E♭ while retaining B♭ from F Major
  • Concert pitch key for B♭ instruments, making it essential for band musicians and jazz players
  • Warm, mellow character favored in jazz standards, wind ensemble literature, and brass writing

Compare: F Major vs. B♭ Major—both are essential flat keys for wind and brass players, but B♭ Major is the "home key" for B♭ instruments (trumpet, clarinet, tenor sax) while F Major serves as their comfortable sharp-side neighbor. When analyzing band scores, expect these keys to dominate.


Quick Reference Table

ConceptBest Examples
No accidentals (reference scale)C Major
Sharp keys (circle of fifths ascending)G, D, A, E, B Major
Flat keys (circle of fifths descending)F, B♭ Major
Guitar-friendly keysG, D, A, E Major
Brass/wind-friendly keysF, B♭ Major
Order of sharps (F-C-G-D-A-E-B)G (F#), D (F#-C#), A (F#-C#-G#)
Order of flats (B-E-A-D-G-C-F)F (B♭), B♭ (B♭-E♭)
Interval pattern applies to allW-W-H-W-W-W-H in every major scale

Self-Check Questions

  1. Pattern recognition: If D Major has F# and C#, what sharp must be added to create A Major, and why is it specifically G#?

  2. Compare and contrast: How do F Major and G Major demonstrate opposite directions on the circle of fifths, and what does each key's single accidental tell you about where half steps fall?

  3. Instrument application: Why do B♭ Major and E♭ Major appear frequently in concert band music while E Major and A Major dominate rock guitar—what's the practical reason for each?

  4. Key signature identification: A piece has three sharps in its key signature. What major key is it in, and how can you quickly determine this using the "last sharp" rule?

  5. FRQ-style synthesis: Explain how the interval pattern W-W-H-W-W-W-H determines which notes must be raised or lowered when building a major scale on any given tonic. Use G Major and F Major as contrasting examples.