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When you encounter Greek temple architecture on an exam, you're not just being tested on whether you can identify a Doric column versus an Ionic one—you're being asked to demonstrate understanding of how architectural vocabulary communicated cultural values, religious hierarchy, and civic identity in ancient cities. The Greeks developed a sophisticated system where every design choice, from column proportions to building footprints, carried meaning about power, piety, wealth, and aesthetic philosophy.
These temple types also reveal how architecture shaped urban space itself. A massive peripteral temple dominated its surroundings differently than an intimate tholos; a Corinthian order signaled different aspirations than austere Doric. Understanding these distinctions helps you analyze how Greek and Roman cities used religious architecture to organize public life, display civic pride, and create hierarchies of sacred space. Don't just memorize column styles—know what each choice says about the society that built it.
The classical orders aren't just decorative preferences—they're a visual vocabulary that ancient builders used to communicate specific messages about a building's character, regional identity, and intended atmosphere.
Compare: Doric vs. Ionic—both are load-bearing column systems, but Doric communicates austerity and strength while Ionic suggests elegance and wealth. If an FRQ asks about regional identity in Greek architecture, contrast mainland Doric temples with eastern Ionic examples.
Beyond column style, the arrangement of columns around a temple's cella (inner chamber) determined how worshippers experienced the building and how it dominated its urban setting. These plans range from minimal columned porches to fully surrounded colonnades.
Compare: Prostyle vs. Amphiprostyle—both are "porch" designs rather than fully surrounded temples, but amphiprostyle adds rear columns for symmetry. Think of prostyle as "one grand entrance" and amphiprostyle as "ceremonial from both directions."
The most prestigious temples featured columns on all sides, creating the iconic image of Greek sacred architecture. The difference between single and double colonnades marked a significant leap in scale, expense, and civic ambition.
Compare: Peripteral vs. Dipteral—both surround the cella with columns, but dipteral doubles the colonnade depth. On exams, remember that dipteral temples represent the maximum expression of Greek temple monumentality, typically reserved for major oracular or pan-Hellenic sites.
Not all sacred architecture followed the rectangular plan. Circular temples served specialized functions and created distinctly different spatial experiences.
Compare: Tholos vs. Peripteral rectangular temples—both can feature surrounding columns, but the circular tholos creates a centralized sacred space rather than an axial approach. Tholoi often served mystery cults or commemorative purposes rather than standard Olympian worship.
| Concept | Best Examples |
|---|---|
| Classical Orders (column styles) | Doric, Ionic, Corinthian |
| Austere/Masculine aesthetic | Doric (Parthenon, Temple of Hera) |
| Elegant/Eastern aesthetic | Ionic (Erechtheion, Temple of Athena Nike) |
| Ornate/Imperial preference | Corinthian (Temple of Olympian Zeus, Pantheon) |
| Front-only columns | Prostyle (Temple of Apollo at Delphi) |
| Front-and-back columns | Amphiprostyle (Temple of Athena at Assos) |
| Single surrounding colonnade | Peripteral (Parthenon) |
| Double surrounding colonnade | Dipteral (Temple of Apollo at Didyma) |
| Circular sacred architecture | Tholos (Delphi, Epidaurus) |
Which two column orders originated in different regions of the Greek world, and how did their aesthetics reflect those regional identities?
A temple has columns at both the front and back but plain walls on the sides. What type is it, and how does it differ from a prostyle design?
Compare peripteral and dipteral temples: what structural feature distinguishes them, and what does choosing dipteral construction suggest about a sanctuary's importance?
If an FRQ asks you to explain how the Romans adapted Greek architectural vocabulary, which classical order would be your strongest example and why?
How does a tholos differ from standard Greek temple design in both form and typical function? Name one specific example you could use on an exam.