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🎭Stage Management

Essential Stage Management Paperwork

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Why This Matters

Stage management paperwork isn't just bureaucratic busywork—it's the communication backbone of any theatrical production. You're being tested on your understanding of how information flows between departments, how productions maintain consistency across multiple performances, and how professional stage managers anticipate problems before they derail a show. These documents demonstrate core principles like organizational hierarchy, production communication protocols, and quality control systems.

Think of paperwork as your production's institutional memory. When you're juggling a cast of twenty, a crew of fifteen, and hundreds of technical cues, your documents become the single source of truth that keeps everyone aligned. Don't just memorize what each document contains—understand when each document gets created, who needs to receive it, and what problem it solves. That conceptual understanding is what separates competent stage managers from exceptional ones.


Pre-Production Planning Documents

These documents establish the framework before rehearsals begin. They translate the script from a literary document into an actionable production plan, identifying resources needed and creating the master timeline.

Scene Breakdown

  • Analyzes each scene for production requirements—character involvement, locations, time of day, and special needs like fights or intimacy
  • Identifies resource conflicts by revealing which actors, costumes, and props appear together, enabling efficient scheduling
  • Foundation document that informs nearly every other piece of paperwork you'll create throughout the production

Production Calendar

  • Master timeline spanning the entire production arc—from first design meeting through closing night and strike
  • Coordinates departmental deadlines so costumes are ready for dress rehearsal and sets are complete for tech week
  • Living document that should be redistributed whenever significant dates shift to prevent scheduling disasters

Contact Sheet

  • Centralized directory of all personnel—includes roles, phone numbers, emails, and emergency contacts
  • First document created and most frequently referenced; outdated contact info causes preventable communication failures
  • Hierarchical organization shows reporting relationships and clarifies who to contact for specific issues

Compare: Scene Breakdown vs. Production Calendar—both are planning documents, but the breakdown analyzes content (what's in the show) while the calendar organizes time (when things happen). Strong stage managers use the breakdown to build a realistic calendar.


Rehearsal Room Documents

These documents manage the daily work of building the show. They capture artistic decisions in real-time and communicate progress to team members who aren't in the room.

Rehearsal Schedule

  • Daily or weekly breakdown of rehearsal activities—specific times, locations, which scenes or songs, and who's called
  • Respects actor and space availability by scheduling efficiently around conflicts and room bookings
  • Published in advance but flexible enough to accommodate the director's evolving needs as discoveries happen in the room

Blocking Notes

  • Records actor movement and stage positions using standardized notation and stage geography terminology
  • Ensures performance consistency by documenting exactly where actors stand, sit, move, and interact with scenery
  • Your insurance policy—when an actor forgets their blocking or a replacement joins the cast, these notes restore the staging

Daily Rehearsal Reports

  • Summarizes each rehearsal's accomplishments and concerns—what was worked, who was absent, what questions arose
  • Primary communication tool between the rehearsal room and production offices, shops, and designers
  • Documents requests and problems so nothing falls through the cracks; if it's not in the report, it didn't officially happen

Compare: Blocking Notes vs. Daily Rehearsal Reports—blocking notes capture artistic decisions for future reference, while rehearsal reports communicate immediate needs to the production team. Both are created daily, but they serve different audiences.


Technical Documentation

These documents translate artistic vision into executable technical operations. They provide the precise instructions that allow complex technical elements to be repeated identically performance after performance.

Prompt Book

  • The production bible—contains the annotated script with all blocking, cues, and production notes in one authoritative source
  • Calling script for performances with cue placements marked precisely so lighting, sound, and scenic changes happen on the correct word or action
  • Archival document that could theoretically allow someone to recreate the production; it's your legacy artifact

Cue Sheets

  • Itemized lists of all technical cues organized by department—lighting, sound, projections, automation, fly cues
  • Includes cue numbers, page references, descriptions, and timing—everything an operator needs to execute perfectly
  • Cross-referenced with the prompt book so the stage manager's calls align with what each operator sees on their paperwork

Prop List

  • Comprehensive inventory of all props—descriptions, quantities, preset locations, and tracking assignments
  • Distinguishes prop types: hand props (carried by actors), set props (furniture and dressing), and personal props (costume-adjacent items)
  • Tracks acquisition status from "needed" through "purchased/built" to "cut," preventing last-minute scrambles

Compare: Prompt Book vs. Cue Sheets—the prompt book is your document for calling the show, while cue sheets are operator documents for executing cues. The prompt book shows when; cue sheets show what. Both must align perfectly or chaos ensues.


Performance Documentation

These documents capture what happens once audiences arrive. They create accountability, track issues, and provide data for evaluating the production's success and informing future work.

Performance Reports

  • Post-show documentation of each performance—running time, attendance, technical issues, actor notes, and audience response
  • Distributed to producers, directors, and department heads so decision-makers stay informed even when they're not present
  • Creates institutional memory that helps future productions anticipate problems and replicate successes

Compare: Daily Rehearsal Reports vs. Performance Reports—same format and purpose, different phase of production. Rehearsal reports drive problem-solving during the building process; performance reports maintain quality during the run and document the production's history.


Quick Reference Table

ConceptBest Examples
Pre-production planningScene Breakdown, Production Calendar, Contact Sheet
Rehearsal communicationDaily Rehearsal Reports, Rehearsal Schedule
Artistic documentationBlocking Notes, Prompt Book
Technical executionCue Sheets, Prop List
Performance trackingPerformance Reports
Living documents (constantly updated)Contact Sheet, Rehearsal Schedule, Prop List
Archival documents (production record)Prompt Book, Performance Reports
Cross-departmental communicationDaily Rehearsal Reports, Performance Reports, Contact Sheet

Self-Check Questions

  1. Which two documents serve as the primary communication bridge between the rehearsal room and the production shops, and what distinguishes their timing and content?

  2. If a replacement actor joins the production mid-run, which documents would you consult to bring them up to speed on staging and technical elements?

  3. Compare and contrast the Prompt Book and Cue Sheets: who is the primary user of each, and how do they work together during a performance?

  4. A director asks why the prop wasn't ready for rehearsal. Which documents would demonstrate whether the request was properly communicated, and what does this reveal about documentation as accountability?

  5. You're asked to recreate a production five years later with a new cast and crew. Rank the documents by their usefulness for this task, and explain what each would contribute to the reconstruction.