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In Real World Productions, you're not just learning to write—you're learning to write for specific delivery systems. Every script format exists because of the medium's constraints and opportunities: a stage play relies entirely on live performance and dialogue, while a two-column AV script coordinates visual and audio elements frame by frame. Understanding these distinctions means understanding how audiences consume content differently across platforms, from passive TV viewing to active podcast listening during commutes.
When you encounter script formatting questions, you're being tested on your ability to match structural conventions, pacing requirements, and technical elements to their appropriate medium. Don't just memorize that screenplays use 12-point Courier—know why standardized formatting matters for production timelines and industry communication. Each format in this guide represents a different answer to the same question: how do we translate story into a specific audience experience?
These formats prioritize what audiences see. The writing must paint pictures that cameras can capture, balancing dialogue with action and visual storytelling.
Compare: Screenplay vs. TV Script—both use similar formatting conventions and visual storytelling, but TV scripts must accommodate interruption (commercial breaks) and continuation (episode-to-episode arcs). If asked about structural differences, focus on how commercial breaks create mandatory mini-cliffhangers.
When visuals disappear, sound carries everything. These formats demand precision in dialogue, effects cues, and pacing because listeners create the images themselves.
Compare: Radio Script vs. Podcast Script—both are audio-only, but radio scripts tend toward tighter, more formal structures while podcasts embrace conversational flexibility. Radio assumes broadcast constraints; podcasts assume on-demand listening with variable attention.
These formats explicitly coordinate visual and audio elements, often using two-column layouts that align what viewers see with what they hear, moment by moment.
Compare: Two-Column AV Script vs. Commercial Script—commercials often use two-column format, but the commercial format specifically demands persuasive structure and precise timing for paid slots. Two-column is a layout tool; commercial scripting is a strategic approach.
These formats serve live or near-live delivery, where scripts must guide performers through real-time execution with minimal room for error.
Compare: Stage Play vs. News Script—both guide live performance, but stage plays prioritize emotional storytelling while news scripts prioritize informational clarity. Stage directions describe character intention; news cues describe production logistics.
| Concept | Best Examples |
|---|---|
| Visual storytelling priority | Screenplay, TV Script, Web Series |
| Audio-only delivery | Radio Script, Podcast Script |
| Two-column coordination | Two-Column AV Script, Commercial Script |
| Live/real-time performance | Stage Play, News Script |
| Commercial time constraints | Commercial Script, News Script |
| Flexible/evolving structure | Documentary Script, Podcast Script |
| Episodic continuity | TV Script, Web Series |
| Dialogue-dominant | Stage Play, Radio Script |
Which two formats both use audio-only delivery but differ significantly in structural flexibility, and what accounts for that difference?
If you needed to coordinate precise visual-audio synchronization for a training video, which format would you choose and why does its layout support that goal?
Compare and contrast how commercial scripts and documentary scripts handle timing—what makes one rigid and the other flexible?
A production requires live performance with emphasis on subtext and character emotion. Which format applies, and how does it differ from news scripts that also guide live delivery?
You're writing for a platform where episodes are 8-12 minutes and viewers may binge multiple installments. Which format fits, and how does it borrow from traditional TV scripting while adapting to digital constraints?