Black-on-black ware

Definition

Black-on-black ware refers to a specific style of pottery characterized by its black slip decoration over a polished black surface, commonly associated with the Puebloan cultures of the Southwestern United States. This pottery tradition is known for its intricate designs and was primarily produced during the mid-20th century, symbolizing a revival of ancient techniques and aesthetics, while also serving as a form of artistic expression and cultural identity.

5 Must Know Facts For Your Next Test

1. Black-on-black ware became popular during the mid-20th century, particularly due to the efforts of artists like Maria Martinez and her husband Julian.
2. The technique involves polishing the pottery surface before firing it, which creates a shiny black finish that highlights the contrasting matte black designs.
3. This style is often characterized by geometric patterns and motifs that reflect both traditional Pueblo aesthetics and modern influences.
4. Black-on-black ware is considered an important cultural artifact, showcasing the skill and artistry of Pueblo potters while also serving as a symbol of cultural pride.
5. The revival of this pottery tradition has helped maintain and promote Pueblo culture and heritage in contemporary society.

Review Questions

• How does black-on-black ware reflect the cultural identity of Puebloan peoples?
  • Black-on-black ware is not just a pottery style; it embodies the cultural identity of Puebloan peoples by showcasing their artistic skills and heritage. The intricate designs and techniques used in creating this pottery are rooted in ancient traditions, allowing contemporary artists to connect with their ancestors. Additionally, the revival and promotion of this style serve as a means for Pueblo communities to express their cultural pride and identity in today's world.
• Evaluate the impact of Maria Martinez on the popularity and perception of black-on-black ware in American art.
  • Maria Martinez significantly impacted the popularity and perception of black-on-black ware by bringing it into mainstream American art during the 20th century. Her innovative techniques and beautiful craftsmanship attracted collectors and art enthusiasts, elevating the status of Pueblo pottery in the broader art world. Through exhibitions and collaborations, she helped redefine perceptions of Native American art as sophisticated and worthy of appreciation, contributing to its recognition as an essential aspect of American cultural heritage.
• Analyze how black-on-black ware represents both a continuation of traditional practices and a response to modern artistic trends within Pueblo culture.
  • Black-on-black ware serves as a fascinating intersection between tradition and modernity within Pueblo culture. While it utilizes ancient techniques, such as slip decoration and hand-coiling, the style also adapts to contemporary aesthetics by incorporating new patterns and forms. This duality reflects how Pueblo artists navigate their cultural heritage while engaging with modern artistic trends, allowing them to both preserve their traditions and innovate within their craft. Consequently, black-on-black ware becomes a dynamic expression of identity that honors the past while embracing contemporary influences.

Related terms

Pueblo pottery: A traditional form of pottery made by Native American Pueblo cultures, often featuring distinctive designs and techniques passed down through generations.

Slip decoration: A technique in pottery where a liquid mixture of clay and water (slip) is applied to the surface of the clay body to create designs or color contrasts.

Maria Martinez:

A renowned Pueblo potter from San Ildefonso Pueblo who played a crucial role in reviving and popularizing black-on-black ware in the 20th century.