V65/V chord (V 6/5 of V)

Definition

The V65/V chord, also known as the V 6/5 of V, is a type of secondary dominant chord that functions to tonicize the dominant chord (V) of the current key. This chord is a first inversion dominant seventh chord built on the fifth scale degree of the dominant chord's key, creating a temporary shift in tonal center. By using this chord, composers can add tension and create a stronger resolution to the dominant chord, enhancing the overall harmonic progression.

5 Must Know Facts For Your Next Test

1. The V65/V chord is specifically built on the note that is the fifth scale degree of the key that serves as the dominant (V).
2. This chord is typically notated as V65/V, indicating it is a first inversion seventh chord that resolves to the V chord.
3. When used, the V65/V creates an expectation for resolution to the dominant (V) chord, making it an effective tool for modulation.
4. In classical harmony, secondary dominants like V65/V are often used to elaborate progressions and add color to the music.
5. The use of V65/V can lead to chromatic bass motion in the progression, enhancing its harmonic interest and complexity.

Review Questions

• How does the V65/V function within a musical progression and what impact does it have on tonicization?
  • The V65/V functions as a secondary dominant that targets the dominant chord (V) of the key. It creates an expectation for resolution by introducing tension that naturally resolves to the dominant. This tonicization strengthens the connection between chords and allows for more expressive harmonic progressions, enriching the overall musical experience.
• Compare and contrast the use of V65/V with other secondary dominant chords. How do they differ in their function and resolution?
  • While all secondary dominants, including V65/V, serve to temporarily tonicize chords other than the tonic, they differ in their specific targets and resolutions. For example, while V65/V specifically targets the dominant (V), other secondary dominants like II7 or III7 might target different diatonic chords. The resolution from V65/V often leads directly to V, creating a strong sense of movement and urgency compared to other secondary dominants that may lead to varied resolutions depending on their context.
• Evaluate how composers use V65/V in larger musical forms to enhance thematic development and tension within their works.
  • Composers frequently use V65/V within larger musical forms to create moments of heightened tension and drama that support thematic development. By strategically placing this chord before crucial harmonic transitions or thematic returns, they can reinforce important musical ideas while guiding listeners through shifts in emotional intensity. This technique not only enhances dramatic effects but also provides structural cohesion as themes evolve throughout a piece.

Related terms

Secondary Dominant: A chord that acts as a dominant (V) to a diatonic chord other than the tonic, temporarily tonicizing that chord.

Tonicization:

The process of emphasizing or temporarily treating a non-tonic chord as a tonic through the use of a secondary dominant or other harmonic techniques.

Dominant Seventh Chord:

A four-note chord consisting of a root, major third, perfect fifth, and minor seventh, commonly used to create tension that resolves to a tonic.