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3.2 Magnitude and phase response

3.2 Magnitude and phase response

Written by the Fiveable Content Team • Last updated August 2025
Written by the Fiveable Content Team • Last updated August 2025
🔦Electrical Circuits and Systems II
Unit & Topic Study Guides

Frequency Response Characteristics

Magnitude and Phase Response

When you pass a sinusoidal signal through a linear system, two things happen to it: the amplitude changes and the signal gets shifted in time. Magnitude and phase response capture exactly these two effects across all frequencies.

Magnitude response is the ratio of output amplitude to input amplitude at each frequency. If H(jω)=2|H(j\omega)| = 2 at some frequency, the system doubles the amplitude of a sinusoid at that frequency. If H(jω)=0.1|H(j\omega)| = 0.1, it attenuates it to one-tenth.

Phase response is the angle H(jω)\angle H(j\omega) at each frequency, measured in degrees or radians. A phase of 90°-90° means the output sinusoid is delayed by a quarter cycle relative to the input. Phase shift generally varies with frequency, which is why you need to examine it across the whole spectrum.

Together, these two quantities fully describe the transfer function evaluated on the jωj\omega axis:

H(jω)=H(jω)ejH(jω)H(j\omega) = |H(j\omega)|\, e^{\,j\angle H(j\omega)}

Both are visualized using Bode plots, which display magnitude and phase on separate graphs sharing a common frequency axis.

Decibel and Logarithmic Scales

Magnitude response is almost always expressed in decibels (dB) rather than as a raw ratio. The conversion is:

H(jω)dB=20log10H(jω)|H(j\omega)|_{\text{dB}} = 20 \log_{10} |H(j\omega)|

A few reference points worth memorizing:

  • H=1    0 dB|H| = 1 \;\Rightarrow\; 0 \text{ dB} (no change in amplitude)
  • H=2    6 dB|H| = 2 \;\Rightarrow\; \approx 6 \text{ dB}
  • H=10    20 dB|H| = 10 \;\Rightarrow\; 20 \text{ dB}
  • H=0.5    6 dB|H| = 0.5 \;\Rightarrow\; \approx -6 \text{ dB}
  • H=12    3 dB|H| = \frac{1}{\sqrt{2}} \;\Rightarrow\; -3 \text{ dB} (the classic half-power point)

The dB scale compresses a huge dynamic range into manageable numbers. A system whose gain varies from 0.001 to 1000 spans only 60-60 dB to +60+60 dB.

The frequency axis on a Bode plot uses a logarithmic scale (typically in rad/s, sometimes Hz). This lets you see behavior across multiple decades of frequency on a single plot, which is essential because most systems of interest span several decades.

Magnitude and Phase Response, Bode Diagrams - Electronics-Lab.com

Frequency Domain Parameters

Cutoff Frequency and Bandwidth

The cutoff frequency (ωc\omega_c or fcf_c) is the frequency at which the magnitude response drops to 3-3 dB relative to its passband value. This corresponds to the half-power point, where H(jωc)=12|H(j\omega_c)| = \frac{1}{\sqrt{2}} times the passband gain.

How cutoff frequency applies depends on the filter type:

  • Low-pass filter: signals below ωc\omega_c pass through with minimal attenuation; signals above ωc\omega_c are increasingly attenuated.
  • High-pass filter: signals above ωc\omega_c pass; signals below are attenuated.
  • Bandpass filter: has both a lower cutoff ωc1\omega_{c1} and an upper cutoff ωc2\omega_{c2}. Only frequencies between them pass through.

Bandwidth is the range of frequencies a system passes effectively. For a bandpass system:

BW=ωc2ωc1BW = \omega_{c2} - \omega_{c1}

For a low-pass filter, the bandwidth is simply ωc\omega_c (measured from DC). Wider bandwidth generally means the system can handle faster signal transitions and higher data rates.

Magnitude and Phase Response, Bode Diagrams - Electronics-Lab.com

Resonance and Quality Factor

Resonance occurs when the input frequency matches a system's natural frequency, producing a peak in the magnitude response. In an RLC circuit, for example, the resonant frequency is:

ω0=1LC\omega_0 = \frac{1}{\sqrt{LC}}

At resonance, reactive impedances cancel, and the response is governed primarily by resistive losses.

The quality factor (QQ) quantifies how sharp that resonance peak is:

Q=ω0BWQ = \frac{\omega_0}{BW}

  • High QQ (e.g., Q=50Q = 50): narrow, pronounced peak. The system responds strongly at ω0\omega_0 but rejects nearby frequencies. Think of a highly selective bandpass filter.
  • Low QQ (e.g., Q=0.5Q = 0.5): broad, gentle peak (or no visible peak at all). The system passes a wide range of frequencies without strong selectivity.

The relationship between QQ and bandwidth is inverse: doubling QQ halves the bandwidth around ω0\omega_0.

Stability Margins

Phase Margin and Gain Margin

When analyzing closed-loop systems, you need to know how close the system is to instability. Phase margin and gain margin are the two standard metrics for this, both read directly from the open-loop Bode plot.

Phase margin (PM) is the additional phase lag the system can tolerate before the total loop phase reaches 180°-180°. To find it:

  1. Locate the gain crossover frequency ωgc\omega_{gc}, where the open-loop magnitude plot crosses 00 dB.
  2. Read the phase at ωgc\omega_{gc}. Call it ϕgc\phi_{gc}.
  3. Calculate: PM=180°+ϕgcPM = 180° + \phi_{gc}

Since ϕgc\phi_{gc} is typically negative, a phase of 135°-135° gives PM=45°PM = 45°.

Gain margin (GM) is how much the open-loop gain could increase before the system becomes unstable. To find it:

  1. Locate the phase crossover frequency ωpc\omega_{pc}, where the open-loop phase plot crosses 180°-180°.
  2. Read the magnitude at ωpc\omega_{pc}. Call it H(jωpc)dB|H(j\omega_{pc})|_{\text{dB}}.
  3. Calculate: GM=0H(jωpc)dBGM = 0 - |H(j\omega_{pc})|_{\text{dB}}

If the gain at ωpc\omega_{pc} is 10-10 dB, the gain margin is +10+10 dB.

Stability rule of thumb: A system is stable when both margins are positive. Common design targets are PM45°PM \geq 45° and GM6GM \geq 6 dB. Larger margins mean more tolerance for component variations and modeling errors.

If either margin is negative or zero, the closed-loop system is unstable or right on the edge of instability.