The 14th century saw a revival of alliterative verse in England, harking back to Old English poetic traditions. This resurgence, centered in the North and West Midlands, produced works like Sir Gawain and the Green Knight and Piers Plowman.
Alliterative verse used stress-based meter with four stressed syllables per line and a medial pause. It emphasized internal sound patterns through alliteration, enhancing musicality and rhythm while allowing flexibility in line length.
Alliterative Revival in Middle English Poetry
Concept of alliterative revival
- Resurgence of alliterative verse in 14th century revived Old English poetic traditions reacted against French and Latin influences
- Concentrated geographically in North and West Midlands of England (York, Lancashire)
- Notable works included Sir Gawain and the Green Knight, Piers Plowman, and Pearl
- Coexisted with rhymed poetry exemplified by Chaucer's works in same period (The Canterbury Tales)
Features of alliterative verse
- Stress-based meter employed four stressed syllables per line with variable unstressed syllables
- Caesura created medial pause dividing each line into two half-lines
- Alliteration pattern featured three or more stressed syllables sharing same initial sound (sea, sand, shore)
- Lacked end rhyme focused on internal sound patterns instead
- Impact on poetic form:
- Allowed greater flexibility in line length
- Enhanced musicality and rhythm
- Emphasized oral performance and memorization techniques
Analysis of Sir Gawain and the Green Knight
Poetic elements in Sir Gawain
- Alliteration consistently used throughout poem often linking key words or concepts ("Gawain the good")
- Meter structured long alliterative lines with four stressed syllables and irregular unstressed syllables
- Bob and wheel structure marked end of each stanza:
- Short line (bob) followed by four rhyming lines (wheel)
- Rhyme limited to wheel section created distinct rhythm and sound pattern
Sir Gawain vs other Middle English poems
- Similarities with Piers Plowman used alliterative long lines lacked end rhyme in main body of text
- Differences from The Canterbury Tales contrasted Chaucer's rhyming couplets and regular syllabic meter
- Comparison with Pearl both used alliteration but Pearl employed more complex rhyme schemes
- Contrast with Troilus and Criseyde which used rhyme royal stanza form while Sir Gawain maintained stricter alliterative patterns