6.3 The aesthetic of beauty and death in postwar Japanese literature
4 min read•Last Updated on August 6, 2024
Postwar Japanese literature grapples with beauty and death, intertwining them in complex ways. Authors explore how intense passion can lead to metaphorical or literal death, reflecting the aesthetic concept of "ero guro nansensu" (erotic grotesque nonsense).
This theme connects to Mishima Yukio's works, which often blend eroticism, death, and traditional Japanese aesthetics. His novels, like "Forbidden Colors," exemplify the struggle between modernity and tradition in postwar Japan, a key focus of this unit.
Traditional Japanese Aesthetics
Mono no Aware and the Transience of Life
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Mono no aware is a Japanese term that refers to the bittersweet awareness of the transience and impermanence of life and beauty
Involves a deep appreciation for the fleeting nature of existence, often tinged with a gentle sadness or melancholy
Recognizes the beauty in the passing of seasons, the fading of flowers, or the ephemeral nature of human relationships
Encourages savoring the present moment while acknowledging the inevitability of change and loss (cherry blossoms)
Prominent theme in Japanese literature, particularly in works from the Heian period (The Tale of Genji)
Wabi-Sabi and the Beauty of Imperfection
Wabi-sabi is a Japanese aesthetic concept that finds beauty in imperfection, simplicity, and the passage of time
Embraces the idea that true beauty lies in the flawed, the incomplete, and the unconventional
Appreciates the rustic, the weathered, and the asymmetrical as marks of authenticity and character (tea ceremony utensils)
Emphasizes the beauty of natural materials and the patina that develops with age and use (worn wooden surfaces, tarnished metal)
Influences Japanese art forms such as pottery, calligraphy, and garden design, celebrating the imperfect and the understated
Death and Beauty
The Aestheticization of Death in Japanese Literature
Japanese literature often portrays death as a beautiful, poetic, and even romantic event, rather than solely as a tragedy
Authors explore the idea that there can be a certain elegance, nobility, or transcendence in the act of dying
Characters may choose to die for love, honor, or as a form of artistic expression (ritual suicide in kabuki plays)
The moment of death is sometimes depicted as a culmination of one's life, a final statement of beauty and meaning
This aestheticization of death is rooted in traditional Japanese concepts such as mono no aware and the samurai code of bushido
Eroticism and the Intertwining of Love and Death
In postwar Japanese literature, the themes of eroticism and death are often closely intertwined
Authors explore the idea that intense passion and desire can lead to a kind of metaphorical or literal death
Characters may be consumed by their obsessive love, willing to sacrifice everything, including their lives, for the object of their affection
The act of lovemaking is sometimes portrayed as a form of annihilation, a merging of bodies and souls that transcends the boundaries of life and death (Mishima Yukio's novel "Forbidden Colors")
This intertwining of eroticism and death reflects the Japanese aesthetic concept of "ero guro nansensu" (erotic grotesque nonsense), which emerged in the 1920s and 1930s
Decadence and the Pursuit of Sensual Pleasure
Postwar Japanese literature also explores themes of decadence and the pursuit of sensual pleasure, often in the face of societal norms and expectations
Characters may indulge in hedonistic lifestyles, seeking beauty and gratification through art, music, literature, and physical pleasures
This pursuit of sensual experiences is sometimes portrayed as a reaction against the conformity and rigidity of Japanese society
The embrace of decadence can be seen as a form of rebellion, a way of asserting individuality and rejecting traditional values (Mishima Yukio's novel "The Temple of the Golden Pavilion")
The theme of decadence is often linked to the idea of a beautiful, but ultimately doomed, existence, reflecting the mono no aware aesthetic
Literary Techniques
Symbolism and the Evocation of Emotions
Japanese authors often employ symbolism to evoke complex emotions and convey deeper meanings in their works
Natural symbols, such as cherry blossoms, autumn leaves, and the moon, are used to represent the transience of life, the passing of time, and the bittersweet nature of existence
Colors, such as white (purity, death) and red (passion, sacrifice), carry significant symbolic weight in Japanese literature
Animals, such as butterflies (transformation, ephemerality) and cranes (longevity, fidelity), are also used as symbols to convey specific ideas or emotions
The use of symbolism allows authors to create layers of meaning and to communicate profound truths about the human condition in a subtle and evocative manner
Tragic Beauty and the Poignancy of Suffering
Japanese literature often explores the concept of tragic beauty, the idea that there can be a poignant and profound beauty in suffering and sorrow
Characters may endure great hardships, losses, or heartbreaks, but their struggles are portrayed as a means of revealing their inner strength, resilience, or nobility of spirit
The beauty of tragic characters lies in their ability to face adversity with grace, dignity, and a sense of acceptance, embodying the mono no aware aesthetic
Authors may use vivid imagery, lyrical language, and emotive descriptions to convey the depth and intensity of their characters' suffering, creating a sense of catharsis for the reader
The portrayal of tragic beauty serves to evoke a deep emotional response and to invite reflection on the nature of human existence and the inevitability of pain and loss in life