Glossary

Roman temples were architectural marvels that blended Greek and Etruscan influences. These structures served as focal points for religious and civic life in Augustan Rome, shaping the urban landscape with their grand designs and cultural significance.

Temple architecture evolved from early wooden structures to impressive stone edifices. Key examples like the , Apollo Palatinus, and Mars Ultor showcased innovative designs, luxurious materials, and symbolic decorations that reflected Augustus's political and religious ideologies.

Origins of Roman temples

  • Roman temple architecture evolved from a fusion of Greek and Etruscan influences, reflecting the cultural assimilation of the Roman Republic
  • Temple design played a crucial role in shaping the urban landscape of Rome during the Augustan period, serving as focal points for religious and civic life

Greek and Etruscan influences

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  • Greek influences included the use of the three classical orders (Doric, Ionic, Corinthian) and the emphasis on symmetry and proportion
  • Etruscan contributions involved the high podium, frontal orientation, and deep porch (pronaos) characteristic of Roman temples
  • Adaptation of the Greek peripteral plan to create the Roman , with engaged columns along the sides and rear
  • Incorporation of Etruscan religious practices, such as the importance of the for temple orientation

Early Roman temple forms

  • Development of the , a simplified version of the Doric order with unfluted columns and a plain entablature
  • Emergence of the , featuring a columned porch projecting from the (inner chamber)
  • Use of wooden superstructures and terracotta decorations in early temples, gradually replaced by stone construction
  • Integration of the templum concept, defining the surrounding the physical temple structure

Temple of Apollo Sosianus

  • Located in the southern Campus Martius, this temple exemplifies the transition from Republican to Imperial Roman architecture
  • Restoration under Augustus showcased the princeps' commitment to reviving traditional Roman religion and architecture

History and dedication

  • Originally built in the 5th century BCE, dedicated to Apollo Medicus (the Healer) during a plague
  • Rebuilt by Gaius Sosius in the late 1st century BCE, incorporating lavish Greek-inspired elements
  • Rededicated to Apollo Sosianus, combining the god's name with that of its benefactor
  • Served as a showcase for spoils of war, including Greek statues brought back by Sosius from his campaigns

Architectural features

  • Octastyle (eight-columned) prostyle design with Corinthian columns on a high podium
  • Pseudoperipteral plan with engaged columns along the sides and rear of the cella
  • Use of imported Greek marble for the facade, contrasting with local travertine for the rest of the structure
  • Incorporation of a , an unusual feature in Roman temple architecture

Decorative elements

  • Elaborate sculptural program on the pediment depicting an (battle between Greeks and Amazons)
  • Frieze adorned with scenes of Apollo's triumph over the Gauls at Delphi
  • Interior decorated with paintings and sculptures, including a famous statue of Apollo by Scopas
  • Use of gilded bronze tiles on the roof, creating a striking visual effect

Temple of Apollo Palatinus

  • Constructed on the Palatine Hill, this temple became a symbol of Augustus's personal connection to Apollo
  • Served as a focal point for the emperor's religious and cultural programs, emphasizing his role as a patron of the arts

Location and significance

  • Built on the site where lightning struck Augustus's property, interpreted as a divine sign from Apollo
  • Integrated into the larger Augustan complex on the Palatine, including the emperor's private residence
  • Proximity to the Sibylline Books' new home underscored the temple's importance in Roman religious life
  • Served as a repository for Augustus's personal collection of Greek and Latin literature

Design and construction

  • Octastyle prostyle plan with Corinthian columns made of marble from Numidia
  • Cella divided into three parts, housing statues of Apollo, Diana, and Latona
  • Use of white Luna (Carrara) marble for the temple's superstructure, emphasizing its purity and prestige
  • Incorporation of a library complex flanking the temple, enhancing its role as a center of learning

Imperial associations

  • Dedication coincided with Augustus's triple triumph in 28 BCE, linking the temple to his military successes
  • Sculptural program emphasized Augustus's claimed descent from Apollo through the Julii family
  • Annual performance of the by a chorus of boys and girls reinforced the temple's connection to Augustan ideology
  • Temple served as a model for subsequent imperial cult structures throughout the Roman Empire

Temple of Mars Ultor

  • Centerpiece of the of Augustus, this temple fulfilled Augustus's vow to avenge Julius Caesar's assassination
  • Exemplified the fusion of religious, political, and commemorative functions in Augustan architecture

Forum of Augustus context

  • Integrated into a carefully planned complex that included porticoes, exedrae, and statuary displays
  • Surrounded by a gallery of (great men) statues, linking Augustus to Rome's legendary past
  • Served as a backdrop for imperial ceremonies and the departure point for magistrates leaving for their provinces
  • Incorporated symbolic elements connecting Augustus to Rome's mythical founders (Romulus and Aeneas)

Architectural innovations

  • Colossal scale with an octastyle prostyle design and Corinthian columns of
  • High podium with an elaborate staircase, emphasizing the temple's dominance within the forum space
  • Integration of the temple facade with the forum's enclosure wall, creating a seamless architectural composition
  • Use of groin vaults in the porticoes, showcasing advancements in Roman technology

Symbolic importance

  • Dedication to Mars Ultor (the Avenger) reinforced Augustus's role as the avenger of Caesar and protector of Rome
  • Repository for recovered Roman military standards, particularly those lost to the Parthians
  • Venue for important senatorial meetings and decisions related to war and foreign policy
  • Establishment of new religious rites and festivals associated with the imperial cult and Roman military virtues

Pantheon

  • Originally built during the reign of Augustus, the underwent significant transformations
  • Current structure, dating to Hadrian's reign, represents the pinnacle of Roman architectural and engineering achievements

Original Agrippan structure

  • Constructed by Marcus Agrippa in 27-25 BCE as part of his building program in the Campus Martius
  • Rectangular in plan, possibly with a circular courtyard, dedicated to all the gods of the Julian clan
  • Incorporated bronze sculptures of the planetary deities in the pediment
  • Destroyed by fire in 80 CE and rebuilt under Domitian, only to be damaged again in 110 CE

Later Hadrianic rebuilding

  • Complete reconstruction under Hadrian (118-128 CE), retaining Agrippa's original dedication inscription
  • Radical redesign featuring a circular drum supporting a massive concrete dome
  • Integration of a traditional Roman temple with the innovative rotunda form
  • Use of a sophisticated weight reduction system in the dome, including coffers and lightweight aggregates

Architectural achievements

  • Construction of the world's largest unreinforced concrete dome, spanning 43.4 meters in diameter
  • Perfect hemispherical design with the height of the interior space equal to its diameter
  • Incorporation of the oculus, a 9-meter-wide opening at the dome's apex, as the primary light source
  • Development of the step-ring system to distribute the dome's weight and prevent spreading at the base

Temple of Divus Iulius

  • Erected in honor of the deified Julius Caesar, this temple marked a significant shift in Roman religious and political ideology
  • Served as a precedent for subsequent imperial cult temples throughout the Roman Empire

Political significance

  • First temple dedicated to a deified Roman in the city of Rome, establishing the practice of imperial apotheosis
  • Location in the Forum Romanum emphasized Caesar's central role in Roman political and religious life
  • Served as a focal point for the cult of the divine Julius, reinforcing the Julio-Claudian dynasty's legitimacy
  • Site of important political speeches and gatherings, including Mark Antony's famous funeral oration for Caesar

Design elements

  • Hexastyle prostyle plan with Corinthian columns, elevated on a high podium
  • Incorporation of the Rostra Julia at the front of the temple, integrating it with the speaker's platform
  • Altar marking the site of Caesar's cremation placed before the temple steps
  • Use of precious materials, including gold and exotic marbles, to emphasize the temple's importance

Impact on imperial cult

  • Established the template for future imperial cult temples throughout the Roman world
  • Influenced the development of the Imperial Fora, with subsequent emperors building their own forum-temple complexes
  • Contributed to the fusion of religious and political authority in the person of the emperor
  • Served as a model for provincial imperial cult centers, facilitating the spread of Roman cultural and political influence

Materials and construction techniques

  • Roman temple architecture witnessed significant advancements in materials and construction methods during the Augustan period
  • These innovations allowed for more ambitious designs and contributed to the longevity of Roman structures

Use of concrete

  • Development of (Roman concrete) revolutionized temple construction
  • Allowed for the creation of larger, more complex structures with vaulted ceilings and domes
  • Incorporation of pozzolana, a volcanic ash, increased concrete's strength and water resistance
  • Enabled the construction of foundations capable of supporting massive temple superstructures

Marble vs travertine

  • Shift from local stone (tufa and travertine) to imported marbles during the Augustan period
  • Use of Luna (Carrara) marble for prestigious temple projects, symbolizing imperial power and wealth
  • Colored marbles (giallo antico, cipollino, pavonazzetto) employed for columns and decorative elements
  • Development of marble veneering techniques to create the appearance of solid marble construction

Column orders in temples

  • became predominant in Augustan temple architecture, symbolizing luxury and sophistication
  • Adaptation of Greek orders to Roman tastes, including the development of the
  • Use of engaged columns and pilasters in pseudoperipteral designs to create the illusion of a fully colonnaded temple
  • Standardization of proportions and details within each order, as codified later by Vitruvius

Decorative programs

  • Temple decoration played a crucial role in conveying religious, political, and cultural messages in Augustan Rome
  • Sculptural and painted elements worked in harmony with architectural features to create a cohesive visual narrative

Pediment sculptures

  • Elaborate sculptural groups depicting mythological scenes or historical events
  • Use of both marble and terracotta sculptures, often painted in vibrant colors
  • Incorporation of (decorative elements at the corners and apex of the pediment) to enhance the silhouette
  • Symbolic arrangements of figures to convey hierarchies and relationships between deities and mortals

Friezes and reliefs

  • Continuous narrative along the entablature, depicting religious processions or historical events
  • Development of the "continuous style" in relief sculpture, allowing for more dynamic and complex scenes
  • Integration of decorative motifs (egg-and-dart, bead-and-reel) within architectural moldings
  • Use of relief sculpture on altar enclosures and podium walls to extend the decorative program

Interior ornamentation

  • Elaborate wall paintings in the Second and Third Pompeian styles, often featuring trompe l'oeil architectural elements
  • Installation of precious stone and glass mosaic floors, sometimes incorporating complex figural designs
  • Use of stucco relief work on ceilings and upper walls to create three-dimensional decorative effects
  • Display of votive offerings, including statues, paintings, and precious objects within the cella

Function and ritual

  • Roman temples served multiple purposes beyond their primary religious function, playing important roles in civic and political life
  • The design and layout of temples were closely tied to specific ritual practices and ceremonial requirements

Religious ceremonies

  • Performance of daily rituals by priests, including offerings and prayers to the deity
  • Celebration of major festivals associated with the temple's patron god or goddess
  • Conduct of animal sacrifices on outdoor altars in front of the temple
  • Use of the temple steps and podium as a stage for public rituals and processions

Political gatherings

  • Meetings of the Senate sometimes held within temple precincts, especially for discussions related to foreign policy
  • Delivery of important political speeches from the temple steps or associated rostra
  • Display of legal and official documents on the temple walls for public viewing
  • Use of temple treasuries to store important state documents and treaties

Treasury storage

  • Safekeeping of the state treasury (aerarium) in certain temples, particularly the Temple of Saturn
  • Storage of valuable votive offerings and cult objects within the cella
  • Management of temple finances, including income from properties and donations
  • Use of temple records to document financial transactions and inventories of sacred objects

Imperial patronage

  • The Augustan building program transformed Rome's urban landscape and set a precedent for future imperial patronage
  • Temple construction and restoration became a key element in projecting imperial power and ideology

Augustus's building program

  • Restoration of 82 temples as part of Augustus's religious revival program
  • Construction of new temples dedicated to imperial cult figures (Divus Julius) and favored deities (Apollo Palatinus)
  • Integration of temples into larger architectural complexes (Forum of Augustus) to create cohesive urban spaces
  • Use of high-quality materials and innovative designs to showcase Rome's growing wealth and power

Propaganda through architecture

  • Incorporation of imagery and inscriptions promoting Augustan ideology and achievements
  • Alignment of temple dedications with important political and military events
  • Use of architectural forms and decorative programs to emphasize continuity with Roman traditions
  • Creation of sightlines and visual connections between temples to reinforce ideological messages

Legacy in later periods

  • Establishment of a model for imperial building programs followed by subsequent emperors
  • Influence on provincial temple architecture throughout the Roman Empire
  • Preservation and restoration of Augustan temples by later emperors to associate themselves with Augustus's legacy
  • Impact on Renaissance and Neoclassical architecture through the study and emulation of Roman temple forms

Conservation and restoration

  • The preservation of Roman temples has been an ongoing process since antiquity, presenting both challenges and opportunities for understanding ancient architecture
  • Modern conservation efforts aim to balance the need for preservation with the desire for public access and interpretation

Ancient repairs

  • Regular maintenance and repairs documented in ancient sources, often funded by emperors or wealthy patrons
  • Reconstruction of temples damaged by fire or natural disasters, sometimes with modifications to the original design
  • Repurposing of temple structures for new functions in the late antique and early medieval periods
  • Spoliation of temple materials for use in other buildings, particularly during the Christian era

Modern preservation efforts

  • Archaeological excavations and documentation of temple remains beginning in the Renaissance period
  • Development of scientific conservation techniques to stabilize and protect ancient structures
  • Creation of protective shelters and environmental controls for fragile architectural elements
  • Use of non-invasive technologies (3D scanning, ground-penetrating radar) to study temple structures without causing damage

Challenges in reconstruction

  • Debates over the ethics and accuracy of reconstructing missing elements of temple architecture
  • Difficulties in interpreting fragmentary evidence and reconciling conflicting historical accounts
  • Balancing the needs of tourism and education with the preservation of authentic ancient fabric
  • Addressing the impact of modern urban development and pollution on the conservation of temple sites

Key Terms to Review (31)

Acroteria: Acroteria are architectural elements placed at the apex and corners of a building's roof, commonly seen in classical architecture, especially temples. These ornamental features were used to enhance the visual impact of structures and often displayed sculptural representations, making them significant in both aesthetics and symbolism.
Amazonomachy: Amazonomachy refers to the mythological battles between the Greeks and the Amazons, a tribe of warrior women known for their strength and skill in battle. This theme often symbolizes the struggle between civilization and barbarism, highlighting the valor of Greek heroes as they confront formidable opponents. Amazonomachy is frequently depicted in ancient art, particularly in the context of monumental architecture, where it serves as a narrative that celebrates heroic ideals and cultural values.
Auguraculum: An auguraculum is a specialized space or structure in ancient Roman architecture where augurs, the priestly class responsible for interpreting the will of the gods, would conduct rituals and divination. These spaces were often located near temples and played a crucial role in religious practices, influencing public decisions by providing omens based on the observation of natural phenomena, particularly birds.
Barrel vault: A barrel vault is an architectural feature created by extending a simple arch along a given distance, forming a continuous series of arches that resembles a tunnel. This innovative design allows for the creation of large, open interior spaces without the need for numerous supporting columns. The use of barrel vaults represents a significant advancement in construction techniques, particularly in the context of Roman architecture, as they enable the creation of expansive structures, such as temples and basilicas, while also effectively utilizing Roman concrete.
Carmen saeculare: Carmen saeculare is a Latin term that translates to 'secular song' and refers specifically to a hymn composed by the poet Horace in 17 BCE for the Secular Games in Rome. This work was significant as it marked a revival of public religious ceremonies and showcased the cultural renaissance occurring during the Augustan era, celebrating the peace and prosperity established by Augustus. The hymn also emphasizes themes of renewal and continuity, which were central to the artistic and architectural endeavors of the time, including temple construction.
Cella: The cella is the inner chamber of a temple, where the cult statue of the deity resides and where religious rituals are performed. It serves as the focal point of worship, often featuring a high ceiling and significant architectural details, reflecting the importance of the deity being honored. The design and structure of the cella greatly influenced temple architecture and contributed to the aesthetic experience of those visiting sacred spaces.
Composite order: The composite order is a classical architectural style that combines elements of both the Corinthian and Ionic orders, characterized by its ornate capital with acanthus leaves and scroll-like volutes. This style reflects the blending of different artistic traditions, highlighting the cultural exchanges that occurred during periods of monumentalization in architecture, particularly in temple design and the influences from Hellenistic art and Greek artists active in Rome.
Concrete: Concrete is a building material composed of aggregates, water, and a binding agent, usually cement. It revolutionized construction techniques in ancient Rome by providing strength and durability, allowing for innovative infrastructure improvements, monumental temple architecture, and advanced brick and stone masonry techniques. Its versatility enabled the Romans to construct large and complex structures, making it a foundational element of their architectural legacy.
Corinthian Order: The Corinthian Order is a classical order of ancient Greek architecture characterized by its ornate columns, elaborate capitals adorned with acanthus leaves, and slender proportions. This style represents a culmination of architectural innovation and is often associated with grand public buildings and temples that conveyed power and magnificence.
Cult statue: A cult statue is a representation of a deity or divine figure, often housed in temples, which served as a focal point for worship and ritual practices in ancient cultures. These statues were typically made from materials such as marble, bronze, or wood and were believed to embody the presence of the god or goddess they represented, allowing worshippers to connect more closely with the divine during ceremonies and offerings.
Forum: A forum in ancient Rome was a public space that served as a center for social, political, and economic activities. It was a key feature of Roman urban life, providing a venue for marketplaces, temples, and civic buildings, thereby facilitating the interaction between citizens and their government. The design and function of forums evolved over time, showcasing innovative architectural styles and reflecting the cultural values of both Roman and Greek influences.
Friezes: Friezes are decorative horizontal bands that are often found on the exterior or interior of buildings and monuments, typically adorned with relief sculptures or painted motifs. They serve both an aesthetic and narrative function, often depicting historical events, mythological scenes, or symbolic imagery, enhancing the overall architectural composition. Friezes play a significant role in temple architecture, triumphal arches, and sculptures, contributing to the visual storytelling and stylistic elements of these structures.
Giallo antico: Giallo antico is a type of yellow marble that originated from quarries in the region of North Africa, particularly in ancient Carthage. This striking stone was highly prized in Roman architecture, especially during the Augustan period, for its rich golden color and luxurious appearance, often used in temples and public buildings to convey prestige and grandeur.
Groin vault: A groin vault is a type of architectural feature formed by the intersection of two barrel vaults at right angles. This design creates a series of arches that help distribute weight and create a spacious ceiling, making it a key element in the construction of larger structures. Groin vaults were extensively used in Roman architecture, particularly in temples and basilicas, allowing for grand interiors and enhanced structural integrity.
Ionic order: Ionic order is one of the classical orders of ancient Greek architecture characterized by its slender columns, elaborate capitals with volutes, and a more ornate and graceful appearance compared to the Doric order. This style reflects a shift towards greater decorative complexity in architectural design and is closely linked to the cultural exchanges that occurred during the Hellenistic period.
Luna marble: Luna marble is a high-quality, white marble quarried from the Carrara region in Italy, known for its purity and fine grain. This marble was highly sought after in ancient Rome, especially during the Augustan period, as it became a symbol of wealth and prestige, often used in monumental architecture and sculpture.
Opus caementicium: Opus caementicium, known as Roman concrete, is a building material made from a mixture of lime mortar, water, and volcanic ash, which enabled the construction of durable and monumental structures in ancient Rome. This innovative material was crucial in the cultural revival during the Augustan period, playing a key role in ambitious architectural projects that transformed Rome into a grand city of monumental buildings.
Pantheon: The Pantheon is a monumental temple in Rome, originally built to honor all the gods of Ancient Rome. It stands as a prime example of Roman architecture, symbolizing the merging of religious and civic life during the Augustan era, reflecting the cultural renaissance and innovative building techniques that characterized this period.
Portico: A portico is a structure consisting of a roof supported by columns, often attached to a building's entrance. This architectural feature provides shelter and enhances the aesthetics of the building, creating a transitional space between the exterior and interior. Porticos can be grand or modest and are commonly seen in temple architecture, where they often serve as a focal point that invites visitors inside.
Prostyle temple plan: A prostyle temple plan is an architectural design characterized by a portico with columns at the front, while the rest of the building is usually solid. This design emphasizes the entrance and creates a grand visual appeal, often used in temples dedicated to gods in ancient Rome. The prostyle plan enhances the relationship between the structure and its surroundings, often reflecting the cultural and religious significance of the temple.
Pseudoperipteral design: Pseudoperipteral design is an architectural style in which a temple features a colonnade on the front and sides, but does not have a fully freestanding colonnade around the entire structure. This design gives the illusion of a peripteral temple while maintaining a wall on the back, allowing for more structural support and functionality. This design became popular in Roman architecture, particularly during the Augustan period, as it combined traditional Greek elements with innovative Roman techniques.
Reliefs: Reliefs are a sculptural technique where figures or designs are carved into a flat surface, creating a three-dimensional effect. This method allows artists to convey depth and detail, making them an essential element in architectural decoration and public monuments. In the context of ancient architecture, reliefs often served to narrate stories, commemorate victories, or celebrate the divine, enhancing both the aesthetic and cultural significance of structures.
Sacred precinct: A sacred precinct is a designated area that is set apart for religious worship and rituals, often encompassing temples and other religious structures. These spaces are essential for the practice of religion and serve as a physical manifestation of the divine presence in ancient cultures, providing a location where the sacred and the secular intersect.
Sacrificial altar: A sacrificial altar is a structure used in religious practices for making offerings to gods or deities, typically involving the ritual slaughter of animals. These altars are often central features in temple architecture, serving as both a functional space for sacrifices and a symbolic representation of devotion and worship. The design and placement of sacrificial altars within temples highlight their significance in the rituals and ceremonies conducted by ancient cultures.
Summi viri: Summi viri refers to the concept of 'the highest men' or 'greatest men' in Roman society, often associated with the elite class of statesmen and leaders. This term underscores the importance of prominent figures in shaping the political, cultural, and social landscapes of Rome, particularly during the Augustan period when the structure of power was being redefined and monumental architecture was used to express their significance.
Temple of Apollo Palatinus: The Temple of Apollo Palatinus was a significant religious structure dedicated to the god Apollo, located on the Palatine Hill in Rome. Commissioned by Emperor Augustus in 28 BCE, it served not only as a place of worship but also symbolized Augustus' connection to the divine and his commitment to the moral revival of Rome, reflecting broader themes of his building initiatives, the transformation of the city, and the sacred spaces of Roman religion.
Temple of Apollo Sosianus: The Temple of Apollo Sosianus is an ancient Roman temple dedicated to the god Apollo, built during the late Republic and completed in the early Augustan period. This temple is notable for its architectural features, including a prominent façade, Corinthian columns, and its integration into the urban fabric of Rome, reflecting the significance of Apollo as a patron deity of the arts and prophecy during this era.
Temple of divus iulius: The temple of divus iulius, or the Temple of the Deified Julius, was a significant Roman temple dedicated to Julius Caesar after his assassination. This temple was built in the Roman Forum and symbolizes the transition of Julius Caesar from a mortal leader to a divine figure, showcasing the political and religious changes during the Augustan era.
Temple of Mars Ultor: The Temple of Mars Ultor was a temple in Rome dedicated to the avenging aspect of Mars, built by Augustus in the Forum of Augustus. It served not only as a religious site but also as a monument celebrating Augustus's victory over his enemies, embodying the political propaganda and ideologies of the Augustan regime.
Transverse cella: A transverse cella refers to a specific architectural design within temples, where the main interior space (cella) is oriented perpendicular to the entrance. This design allows for a more dynamic experience as worshippers enter and view the central deity or altar from a different angle. The transverse cella often enhances the spatial relationship between different temple components, contributing to the overall aesthetic and functional aspects of temple architecture.
Tuscan Order: The Tuscan Order is a classical architectural style that represents a simplified version of the Doric order, characterized by its unembellished columns and sturdy proportions. This style emerged in ancient Rome, emphasizing functionality and strength, which made it suitable for various structures throughout the city, including temples, monumental buildings, and triumphal arches.
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