Literature of Journalism

📰Literature of Journalism Unit 7 – New Journalism: Impact and Significance

New Journalism emerged in the 1960s and 70s as a response to traditional journalism's limitations. It incorporated literary techniques and subjective perspectives, aiming to provide a more immersive reading experience while challenging conventional reporting methods. Key figures like Tom Wolfe, Hunter S. Thompson, and Joan Didion pioneered this movement. They used techniques such as dialogue, scene-setting, and character development to create engaging narratives that blurred the lines between journalism and literature.

Origins and Context

  • Emerged in the 1960s and 1970s as a response to the limitations of traditional journalism
  • Influenced by the cultural and social upheavals of the time, including the Vietnam War, civil rights movement, and counterculture
  • Sought to challenge the objectivity and detachment of conventional reporting by incorporating literary techniques and subjective perspectives
  • Aimed to provide a more immersive and engaging reading experience, blurring the lines between journalism and literature
  • Reflected a growing dissatisfaction with the mainstream media's coverage of complex social and political issues
  • Influenced by the works of earlier writers such as Ernest Hemingway, John Steinbeck, and George Orwell, who blended journalism and fiction

Key Figures and Pioneers

  • Tom Wolfe, a central figure in the New Journalism movement, known for his vivid, descriptive writing style and use of novelistic techniques (The Electric Kool-Aid Acid Test, The Right Stuff)
  • Hunter S. Thompson, credited with creating "Gonzo journalism," a highly subjective and often irreverent form of reporting (Fear and Loathing in Las Vegas)
  • Gay Talese, known for his in-depth profiles and attention to detail (Frank Sinatra Has a Cold)
  • Joan Didion, acclaimed for her introspective and personal approach to journalism (Slouching Towards Bethlehem)
  • Norman Mailer, a novelist who applied his literary skills to non-fiction works (The Armies of the Night)
  • Truman Capote, whose "non-fiction novel" In Cold Blood set a new standard for the genre
  • Michael Herr, whose coverage of the Vietnam War in Dispatches exemplified the immersive and subjective nature of New Journalism

Characteristics and Techniques

  • Use of literary devices such as dialogue, scene-setting, and character development to create a more engaging and immersive reading experience
  • Incorporation of the writer's subjective experiences, thoughts, and emotions into the narrative
  • In-depth reporting and extensive research, often involving prolonged periods of immersion in the subject matter
  • Rejection of the inverted pyramid structure in favor of a more fluid and novelistic approach
  • Use of first-person perspective and the writer's voice as a central element of the story
  • Attention to detail and descriptive language to create vivid and memorable scenes
  • Exploration of the inner lives and motivations of the subjects, often through extensive interviews and observation
  • Blurring of the lines between fact and fiction, leading to debates about the boundaries of journalism and the role of the writer

Notable Works and Examples

  • In Cold Blood by Truman Capote (1966), a groundbreaking "non-fiction novel" that reconstructed the murder of a Kansas family
  • The Electric Kool-Aid Acid Test by Tom Wolfe (1968), an immersive account of Ken Kesey and the Merry Pranksters' psychedelic adventures
  • Slouching Towards Bethlehem by Joan Didion (1968), a collection of personal essays exploring the counterculture of the 1960s
  • The Armies of the Night by Norman Mailer (1968), a subjective and novelistic account of the 1967 March on the Pentagon
  • Fear and Loathing in Las Vegas by Hunter S. Thompson (1971), a gonzo journalism classic that blends fact and fiction in a surreal narrative
  • The Right Stuff by Tom Wolfe (1979), a detailed and character-driven account of the early years of the U.S. space program
  • Dispatches by Michael Herr (1977), a visceral and deeply personal account of the Vietnam War that captures the chaos and trauma of the conflict

Impact on Traditional Journalism

  • Challenged the notion of journalistic objectivity and detachment, arguing that complete impartiality was impossible and often undesirable
  • Encouraged a more personal and subjective approach to reporting, allowing journalists to inject their own experiences and perspectives into their work
  • Expanded the boundaries of what could be considered "newsworthy," focusing on marginalized communities, subcultures, and unconventional subjects
  • Inspired a new generation of journalists to experiment with literary techniques and push the boundaries of the profession
  • Led to the development of new forms of journalism, such as creative non-fiction, long-form journalism, and narrative journalism
  • Contributed to the erosion of public trust in the media, as some critics argued that the blurring of fact and fiction undermined journalistic credibility
  • Sparked debates about the ethics of journalism and the responsibilities of reporters to their subjects and their audiences

Cultural and Social Influence

  • Captured the zeitgeist of the 1960s and 1970s, reflecting the social and cultural upheavals of the era
  • Provided a platform for marginalized voices and perspectives, giving readers a deeper understanding of the complexities of American society
  • Contributed to the public discourse on issues such as the Vietnam War, the civil rights movement, and the counterculture
  • Influenced popular culture, with many New Journalism works becoming bestsellers and inspiring films, television shows, and other media
  • Encouraged a more critical and skeptical approach to media consumption, as readers became more aware of the subjective nature of journalism
  • Helped to democratize the media landscape, as the success of New Journalism demonstrated that unconventional voices and approaches could find a wide audience
  • Paved the way for the rise of alternative media outlets and citizen journalism, as individuals and communities sought to tell their own stories and challenge mainstream narratives

Criticisms and Controversies

  • Accusations of blurring the lines between fact and fiction, leading to questions about the accuracy and reliability of New Journalism works
  • Concerns about the exploitation of subjects and the potential for sensationalism and voyeurism in the pursuit of a compelling narrative
  • Criticisms of the self-indulgent and egotistical nature of some New Journalism writers, who were seen as prioritizing style over substance
  • Debates about the ethics of immersive reporting, particularly when journalists became deeply involved in the lives of their subjects
  • Questions about the potential for bias and subjectivity to undermine the credibility and trustworthiness of journalism as a whole
  • Concerns about the impact of New Journalism on the public's understanding of complex social and political issues, as the focus on narrative and character could overshadow broader contexts and implications
  • Accusations of elitism and exclusivity, as some critics argued that New Journalism catered primarily to a well-educated and affluent audience

Legacy and Modern Applications

  • Continues to influence contemporary journalism, particularly in the fields of long-form reporting, narrative journalism, and creative non-fiction
  • Paved the way for the rise of online journalism and multimedia storytelling, as digital platforms have created new opportunities for immersive and interactive reporting
  • Inspired a new generation of journalists to experiment with unconventional approaches and challenge the boundaries of the profession
  • Contributed to the development of new journalistic genres, such as gonzo journalism, immersion journalism, and participatory journalism
  • Encouraged a more interdisciplinary approach to journalism, as reporters increasingly draw on techniques from literature, anthropology, and other fields to enrich their work
  • Highlighted the importance of voice, style, and perspective in journalism, as readers increasingly seek out distinctive and engaging voices in the media landscape
  • Remains a touchstone for debates about the role and responsibilities of journalism in a rapidly changing media environment, as the tensions between objectivity and subjectivity, fact and fiction, and public interest and private gain continue to shape the profession


© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.

© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.
Glossary
Glossary