literature of journalism unit 7 study guides

Origins and Context

• Emerged in the 1960s and 1970s as a response to the limitations of traditional journalism
• Influenced by the cultural and social upheavals of the time, including the Vietnam War, civil rights movement, and counterculture
• Sought to challenge the objectivity and detachment of conventional reporting by incorporating literary techniques and subjective perspectives
• Aimed to provide a more immersive and engaging reading experience, blurring the lines between journalism and literature
• Reflected a growing dissatisfaction with the mainstream media's coverage of complex social and political issues
• Influenced by the works of earlier writers such as Ernest Hemingway, John Steinbeck, and George Orwell, who blended journalism and fiction

Key Figures and Pioneers

• Tom Wolfe, a central figure in the New Journalism movement, known for his vivid, descriptive writing style and use of novelistic techniques (The Electric Kool-Aid Acid Test, The Right Stuff)
• Hunter S. Thompson, credited with creating "Gonzo journalism," a highly subjective and often irreverent form of reporting (Fear and Loathing in Las Vegas)
• Gay Talese, known for his in-depth profiles and attention to detail (Frank Sinatra Has a Cold)
• Joan Didion, acclaimed for her introspective and personal approach to journalism (Slouching Towards Bethlehem)
• Norman Mailer, a novelist who applied his literary skills to non-fiction works (The Armies of the Night)
• Truman Capote, whose "non-fiction novel" In Cold Blood set a new standard for the genre
• Michael Herr, whose coverage of the Vietnam War in Dispatches exemplified the immersive and subjective nature of New Journalism

Characteristics and Techniques

• Use of literary devices such as dialogue, scene-setting, and character development to create a more engaging and immersive reading experience
• Incorporation of the writer's subjective experiences, thoughts, and emotions into the narrative
• In-depth reporting and extensive research, often involving prolonged periods of immersion in the subject matter
• Rejection of the inverted pyramid structure in favor of a more fluid and novelistic approach
• Use of first-person perspective and the writer's voice as a central element of the story
• Attention to detail and descriptive language to create vivid and memorable scenes
• Exploration of the inner lives and motivations of the subjects, often through extensive interviews and observation
• Blurring of the lines between fact and fiction, leading to debates about the boundaries of journalism and the role of the writer

Notable Works and Examples

• In Cold Blood by Truman Capote (1966), a groundbreaking "non-fiction novel" that reconstructed the murder of a Kansas family
• The Electric Kool-Aid Acid Test by Tom Wolfe (1968), an immersive account of Ken Kesey and the Merry Pranksters' psychedelic adventures
• Slouching Towards Bethlehem by Joan Didion (1968), a collection of personal essays exploring the counterculture of the 1960s
• The Armies of the Night by Norman Mailer (1968), a subjective and novelistic account of the 1967 March on the Pentagon
• Fear and Loathing in Las Vegas by Hunter S. Thompson (1971), a gonzo journalism classic that blends fact and fiction in a surreal narrative
• The Right Stuff by Tom Wolfe (1979), a detailed and character-driven account of the early years of the U.S. space program
• Dispatches by Michael Herr (1977), a visceral and deeply personal account of the Vietnam War that captures the chaos and trauma of the conflict

Impact on Traditional Journalism

• Challenged the notion of journalistic objectivity and detachment, arguing that complete impartiality was impossible and often undesirable
• Encouraged a more personal and subjective approach to reporting, allowing journalists to inject their own experiences and perspectives into their work
• Expanded the boundaries of what could be considered "newsworthy," focusing on marginalized communities, subcultures, and unconventional subjects
• Inspired a new generation of journalists to experiment with literary techniques and push the boundaries of the profession
• Led to the development of new forms of journalism, such as creative non-fiction, long-form journalism, and narrative journalism
• Contributed to the erosion of public trust in the media, as some critics argued that the blurring of fact and fiction undermined journalistic credibility
• Sparked debates about the ethics of journalism and the responsibilities of reporters to their subjects and their audiences

Cultural and Social Influence

• Captured the zeitgeist of the 1960s and 1970s, reflecting the social and cultural upheavals of the era
• Provided a platform for marginalized voices and perspectives, giving readers a deeper understanding of the complexities of American society
• Contributed to the public discourse on issues such as the Vietnam War, the civil rights movement, and the counterculture
• Influenced popular culture, with many New Journalism works becoming bestsellers and inspiring films, television shows, and other media
• Encouraged a more critical and skeptical approach to media consumption, as readers became more aware of the subjective nature of journalism
• Helped to democratize the media landscape, as the success of New Journalism demonstrated that unconventional voices and approaches could find a wide audience
• Paved the way for the rise of alternative media outlets and citizen journalism, as individuals and communities sought to tell their own stories and challenge mainstream narratives

Criticisms and Controversies

• Accusations of blurring the lines between fact and fiction, leading to questions about the accuracy and reliability of New Journalism works
• Concerns about the exploitation of subjects and the potential for sensationalism and voyeurism in the pursuit of a compelling narrative
• Criticisms of the self-indulgent and egotistical nature of some New Journalism writers, who were seen as prioritizing style over substance
• Debates about the ethics of immersive reporting, particularly when journalists became deeply involved in the lives of their subjects
• Questions about the potential for bias and subjectivity to undermine the credibility and trustworthiness of journalism as a whole
• Concerns about the impact of New Journalism on the public's understanding of complex social and political issues, as the focus on narrative and character could overshadow broader contexts and implications
• Accusations of elitism and exclusivity, as some critics argued that New Journalism catered primarily to a well-educated and affluent audience

Legacy and Modern Applications

• Continues to influence contemporary journalism, particularly in the fields of long-form reporting, narrative journalism, and creative non-fiction
• Paved the way for the rise of online journalism and multimedia storytelling, as digital platforms have created new opportunities for immersive and interactive reporting
• Inspired a new generation of journalists to experiment with unconventional approaches and challenge the boundaries of the profession
• Contributed to the development of new journalistic genres, such as gonzo journalism, immersion journalism, and participatory journalism
• Encouraged a more interdisciplinary approach to journalism, as reporters increasingly draw on techniques from literature, anthropology, and other fields to enrich their work
• Highlighted the importance of voice, style, and perspective in journalism, as readers increasingly seek out distinctive and engaging voices in the media landscape
• Remains a touchstone for debates about the role and responsibilities of journalism in a rapidly changing media environment, as the tensions between objectivity and subjectivity, fact and fiction, and public interest and private gain continue to shape the profession