Storytelling for Film and Television
Soviet Montage Theory is a film editing technique that emphasizes the juxtaposition of contrasting shots to create meaning and evoke emotional responses. This approach focuses on the idea that the arrangement of images can create a narrative and shape viewers' perceptions, suggesting that the whole is greater than the sum of its parts. It was primarily developed during the early 20th century by Soviet filmmakers like Sergei Eisenstein, who believed that editing could convey complex ideas and influence audience engagement.
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