Mono-ha, meaning 'School of Things' in Japanese, is an influential art movement that emerged in Japan during the late 1960s and early 1970s, focusing on the materiality of objects and their relationship to space. This movement emphasizes the use of natural materials and the exploration of the essence of objects, aiming to challenge traditional artistic practices by centering attention on the interaction between objects and their environments. Mono-ha artists sought to create a dialogue between nature and the art object, often leaving works unfinished or in a state that highlights their inherent qualities.
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