---
title: "Victor Shklovsky | Intro to Literary Theory"
description: "Victor Shklovsky is the Russian Formalist theorist behind defamiliarization, the idea that art makes the familiar strange in Intro to Literary Theory."
canonical: "https://fiveable.me/introduction-to-literary-theory/key-terms/victor-shklovsky"
type: "key-term"
subject: "Intro to Literary Theory"
unit: "Unit 2"
---

# Victor Shklovsky | Intro to Literary Theory

## Definition

Victor Shklovsky was a Russian Formalist literary theorist best known for defamiliarization, the idea that art makes ordinary things feel strange so you notice them again. In Intro to Literary Theory, he is a major figure in shifting attention from author and history to form and technique.

## What It Is

Victor Shklovsky is a major Russian Formalist thinker in Intro to Literary Theory, and he is usually the name students see when the course turns to defamiliarization. If you are asked who he is, the shortest answer is that he argued literature works by making perception feel fresh instead of automatic.

His best-known essay, "Art as Technique," says everyday life trains people to skim past familiar things. A chair, a wedding, a street, even a stock plot can become invisible through habit. Art interrupts that habit by slowing you down and making you notice form, not just content.

That is where defamiliarization comes in. Shklovsky wanted literature to make the familiar strange, or at least less automatic, so the reader has to see again. A description might become longer, more unusual, or more fragmented than normal speech. A story might shift order, stretch out an event, or give you an unexpected point of view.

In this course, Shklovsky matters because he represents a change in what literary critics think analysis should focus on. Instead of asking mainly what the author intended or what historical event a text reflects, Russian Formalists ask what literary devices the text uses and how those devices produce an effect. That means the page, the sentence, the sound pattern, the structure, and the pacing all become central.

Shklovsky is also useful because he helps explain why a text can feel "artistic" even when the subject matter is ordinary. A simple scene can become literary if the style forces you to slow down and perceive it differently. That is why his name often appears alongside other Formalist terms like literariness, foregrounding, and art as technique.

A good way to remember him is this: Shklovsky is the critic who asks not just what a text says, but how it makes you see. That question sits at the heart of Russian Formalism and still shapes how later theory talks about style, structure, and reader response.

## Why It Matters

Victor Shklovsky matters in Intro to Literary Theory because he gives you a clean example of how theory can change the way you read. If you understand him, you can explain why a text is not just "about" something, but also built to make perception happen in a certain way.

He is especially useful when you are analyzing literary technique. A poem with unusual syntax, a story with an odd narrative order, or a passage that repeats a word until it feels strange all fit Shklovsky's idea that form can disrupt habit. Instead of treating those features as decoration, you read them as the point.

He also gives you a strong contrast with approaches that center biography, morality, or historical context. Russian Formalism does not ignore context forever, but it starts by asking what is happening inside the text itself. That makes Shklovsky a good entry point for later theories that either build on form or react against it.

In class discussion, he often shows up when you compare a "transparent" style, which feels easy to skim, with a style that resists quick reading. Shklovsky helps explain why difficult or unusual writing can be valuable, not because it is obscure for its own sake, but because it wakes up your perception.

## Connections

### [Defamiliarization](/introduction-to-literary-theory/key-terms/defamiliarization)

This is Shklovsky's most famous idea and the concept most often tied to his name. Defamiliarization describes how art makes ordinary objects, actions, or language feel new again. When you connect the term to a text, look for style choices that slow reading down, interrupt habit, or make a familiar scene feel oddly vivid.

### Russian Formalism

Shklovsky is one of the central figures in Russian Formalism, so his work makes the movement easier to remember. The Formalists focus on textual devices, structure, and technique instead of author biography or broad social explanation. If a question asks what this movement values, Shklovsky's ideas are usually part of the answer.

### [Foregrounding](/introduction-to-literary-theory/key-terms/foregrounding)

Foregrounding is a nearby concept because it describes how some features of language stand out against the background of ordinary usage. Shklovsky's writing about art makes the familiar strange overlaps with this idea, since both pay attention to what gets noticed. In analysis, foregrounding often looks like unusual syntax, repetition, or sound patterning.

### [Literariness](/introduction-to-literary-theory/key-terms/literariness)

Shklovsky helps explain the Formalist question of what makes a text literary in the first place. Rather than saying literature is defined by subject matter alone, the Formalists look for devices that create literary effect. Shklovsky's focus on technique is one reason his work appears in discussions of literariness.

## On the AP Exam

A quiz question or short essay prompt may ask you to identify Shklovsky's idea in a passage and explain how the language makes something familiar feel new. You might point to an unusual metaphor, delayed description, shifted narration, or repeated pattern and say the text is using defamiliarization. The move is not just naming the term, but showing the mechanism.

In longer responses, you may also compare Shklovsky to other approaches in literary theory. A strong answer explains that Russian Formalism starts with the text's form, not the author's life or the historical moment alone. If a passage seems intentionally strange, you can connect that strangeness to art as technique and show how style shapes meaning and reader perception.

## Victor Shklovsky vs Roman Jakobson

Both are associated with Russian Formalism, so they can blur together in memory. Shklovsky is best known for defamiliarization and the way art makes perception fresh, while Jakobson is more often linked to linguistics, poetic language, and how different functions of language work. If a question emphasizes making the familiar strange, Shklovsky is the better match.

## Key Takeaways

- Victor Shklovsky is a central Russian Formalist who argued that art should renew perception instead of letting it run on autopilot.
- His best-known idea is defamiliarization, which means making the familiar feel strange so you notice it more clearly.
- Shklovsky pushes you to analyze form, style, pacing, and narrative technique instead of focusing only on author biography or historical context.
- When a text feels unusual, slowed down, or oddly shaped, that can be the effect Shklovsky is talking about.
- In literary theory, his work is a basic starting point for reading how technique changes meaning and reader experience.

## FAQs

### What is Victor Shklovsky in Intro to Literary Theory?

Victor Shklovsky is a Russian Formalist critic best known for arguing that art should make ordinary things seem new again. In literary theory, he is usually connected to the idea that form and technique shape how readers perceive a text. His work is one of the clearest examples of analysis that starts inside the text.

### What is Shklovsky's defamiliarization?

Defamiliarization is Shklovsky's term for making the familiar strange. The goal is to interrupt habit so you see an object, action, or idea more vividly. In a text, this can happen through unusual wording, delayed description, odd structure, or a perspective that changes how a normal scene feels.

### How do you spot Shklovsky's ideas in a text?

Look for places where the writing slows you down or makes something ordinary feel newly noticeable. That might be a strange metaphor, a broken timeline, a repeated phrase, or a highly stylized description. Those choices are signs that the text is drawing attention to its own form, which is exactly the kind of effect Shklovsky cared about.

### Is Shklovsky the same as Russian Formalism?

Not exactly, but he is one of its best-known figures. Russian Formalism is the larger movement, and Shklovsky is one of the critics who helped define it through ideas like defamiliarization and art as technique. If you are asked about the movement, his name is one of the main ones to know.

## Related Study Guides

- [2.1 Russian Formalism: Origins and Key Figures](/introduction-to-literary-theory/unit-2/russian-formalism-origins-key-figures/study-guide/3fzDAuhTD6HAFR3b)

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