history of theatre ii unit 11 study guides

Historical Context

• Late 19th and early 20th century Europe witnessed rapid industrialization, urbanization, and social changes
• Rise of the middle class and increased leisure time led to a growing demand for entertainment
• Advancements in technology (electricity, transportation) transformed theatre production and accessibility
• Political upheavals (revolutions, wars) and shifting ideologies influenced theatrical themes and styles
• Emergence of new philosophical and artistic movements (naturalism, symbolism, expressionism) challenged traditional theatre conventions
• Growing interest in psychology and the inner workings of the human mind shaped character development and storytelling

Key Movements and Styles

• Naturalism sought to depict reality on stage with a focus on everyday life, social issues, and the influence of environment on characters
• Realism aimed to present truthful and accurate representations of life, often addressing contemporary social problems
• Symbolism emphasized the use of symbols, metaphors, and abstract imagery to convey deeper meanings and evoke emotions
  • Relied heavily on poetic language, dream-like atmospheres, and suggestive staging
• Expressionism distorted reality to express the inner psychological states of characters and the human condition
  • Employed exaggerated gestures, stylized sets, and intense lighting to create a subjective experience
• Avant-garde movements (Futurism, Dadaism, Surrealism) challenged traditional art forms and embraced experimentation, absurdity, and provocation

Influential Playwrights and Works

• Henrik Ibsen (Norway) pioneered modern realistic drama with plays like "A Doll's House" (1879) and "Hedda Gabler" (1890), addressing social issues and gender roles
• August Strindberg (Sweden) explored psychological realism and the battle of the sexes in works such as "Miss Julie" (1888) and "The Father" (1887)
• Anton Chekhov (Russia) captured the complexities of human relationships and the decline of the aristocracy in plays like "The Seagull" (1896) and "The Cherry Orchard" (1904)
• George Bernard Shaw (Ireland) used wit and social criticism to address political and moral issues in works like "Mrs. Warren's Profession" (1893) and "Pygmalion" (1913)
• Maurice Maeterlinck (Belgium) created symbolist plays with mystical and dreamlike qualities, such as "Pelléas and Mélisande" (1892) and "The Blue Bird" (1908)
• Luigi Pirandello (Italy) blurred the lines between reality and illusion, exploring the nature of identity in plays like "Six Characters in Search of an Author" (1921)

Theatrical Innovations

• Introduction of the "fourth wall" concept, separating the audience from the action on stage to create a more immersive experience
• Development of the "well-made play" structure, featuring a clear exposition, rising action, climax, and resolution
• Emergence of the director as a key creative force, shaping the overall artistic vision and interpretation of a play
  • Notable directors include Konstantin Stanislavski, André Antoine, and Max Reinhardt
• Experimentation with non-linear narratives, fragmented scenes, and stream-of-consciousness techniques to reflect the complexities of the human psyche
• Incorporation of new technologies (electric lighting, revolving stages) to enhance the visual and atmospheric elements of productions
• Exploration of alternative performance spaces (intimate theaters, cabarets) to create a more immersive and interactive audience experience

Performance Techniques

• Stanislavski's "system" emphasized emotional truth, psychological realism, and the actor's inner motivation to create believable characters
  • Techniques included emotional memory, the "magic if," and the use of objectives and obstacles
• Meyerhold's biomechanics focused on the actor's physical expressiveness, stylized movements, and the relationship between the actor and the stage space
• Brecht's epic theatre aimed to distance the audience emotionally, encouraging critical thinking and social awareness through techniques like the "alienation effect"
• Artaud's Theatre of Cruelty sought to assault the senses and provoke visceral reactions, using intense physicality, sound, and visual elements
• Improvisation and devised theatre methods gained popularity, allowing actors to collaborate in the creative process and generate original material
• Increased emphasis on ensemble acting and the development of a cohesive company aesthetic

Set Design and Stagecraft

• Shift from painted backdrops and two-dimensional sets to more realistic, three-dimensional environments that accurately represented the play's setting
• Use of new materials (steel, glass) and construction techniques to create more complex and versatile set designs
• Incorporation of authentic props and furnishings to enhance the realism of the stage environment
• Experimentation with symbolic and abstract set designs to convey psychological states or thematic elements
  • Simplified, suggestive scenery and the use of projections to create a more evocative atmosphere
• Advancements in lighting technology (gas to electric) allowed for more precise control over mood, atmosphere, and focus
  • Use of colored gels, spotlights, and dimming effects to create visual depth and emphasis
• Development of quick-change scenery and revolving stages to facilitate smooth transitions between scenes

Social and Political Impacts

• Theatre became a platform for addressing pressing social issues, such as class inequality, women's rights, and political corruption
• Plays exposed the harsh realities of industrialization, urbanization, and the exploitation of the working class
• Women playwrights and actresses gained more prominence, challenging traditional gender roles and advocating for social change
  • Suffragette movement and the "New Woman" concept influenced female representation on stage
• Theatre as a tool for propaganda and political commentary, reflecting the ideological battles of the time (socialism, communism, fascism)
• Censorship and government regulation of theatre content in response to perceived threats to social order and morality
• Emergence of independent theatre companies and art theatres, providing a space for experimental and socially-engaged works

Legacy and Modern Influence

• Late 19th and early 20th-century European theatre laid the foundation for modern drama and performance practices
• Realism and naturalism continue to shape contemporary acting techniques and playwriting approaches
• Avant-garde movements inspired later experimental theatre forms (absurdist theatre, postmodern performance)
• Stanislavski's system remains a fundamental tool for actor training and character development in modern theatre education
• Epic theatre techniques continue to be used in political and socially-conscious theatre productions
• Influence on other art forms, such as cinema, with many early film directors drawing inspiration from theatrical innovations
• Revival and adaptation of classic works from this era, reinterpreted through a contemporary lens
• Ongoing exploration of the relationship between theatre and society, using the stage as a mirror to reflect and critique the human condition