History of Theatre II

🎟️History of Theatre II Unit 11 – European Theatre: Late 19th-Early 20th Century

European theatre in the late 19th and early 20th centuries was a time of radical change. Industrialization, social shifts, and new philosophies sparked innovative theatrical movements like naturalism, realism, and symbolism. Playwrights like Ibsen, Chekhov, and Shaw tackled social issues head-on. Directors and actors developed new techniques to create more authentic performances. These changes laid the groundwork for modern theatre as we know it today.

Historical Context

  • Late 19th and early 20th century Europe witnessed rapid industrialization, urbanization, and social changes
  • Rise of the middle class and increased leisure time led to a growing demand for entertainment
  • Advancements in technology (electricity, transportation) transformed theatre production and accessibility
  • Political upheavals (revolutions, wars) and shifting ideologies influenced theatrical themes and styles
  • Emergence of new philosophical and artistic movements (naturalism, symbolism, expressionism) challenged traditional theatre conventions
  • Growing interest in psychology and the inner workings of the human mind shaped character development and storytelling

Key Movements and Styles

  • Naturalism sought to depict reality on stage with a focus on everyday life, social issues, and the influence of environment on characters
  • Realism aimed to present truthful and accurate representations of life, often addressing contemporary social problems
  • Symbolism emphasized the use of symbols, metaphors, and abstract imagery to convey deeper meanings and evoke emotions
    • Relied heavily on poetic language, dream-like atmospheres, and suggestive staging
  • Expressionism distorted reality to express the inner psychological states of characters and the human condition
    • Employed exaggerated gestures, stylized sets, and intense lighting to create a subjective experience
  • Avant-garde movements (Futurism, Dadaism, Surrealism) challenged traditional art forms and embraced experimentation, absurdity, and provocation

Influential Playwrights and Works

  • Henrik Ibsen (Norway) pioneered modern realistic drama with plays like "A Doll's House" (1879) and "Hedda Gabler" (1890), addressing social issues and gender roles
  • August Strindberg (Sweden) explored psychological realism and the battle of the sexes in works such as "Miss Julie" (1888) and "The Father" (1887)
  • Anton Chekhov (Russia) captured the complexities of human relationships and the decline of the aristocracy in plays like "The Seagull" (1896) and "The Cherry Orchard" (1904)
  • George Bernard Shaw (Ireland) used wit and social criticism to address political and moral issues in works like "Mrs. Warren's Profession" (1893) and "Pygmalion" (1913)
  • Maurice Maeterlinck (Belgium) created symbolist plays with mystical and dreamlike qualities, such as "Pelléas and Mélisande" (1892) and "The Blue Bird" (1908)
  • Luigi Pirandello (Italy) blurred the lines between reality and illusion, exploring the nature of identity in plays like "Six Characters in Search of an Author" (1921)

Theatrical Innovations

  • Introduction of the "fourth wall" concept, separating the audience from the action on stage to create a more immersive experience
  • Development of the "well-made play" structure, featuring a clear exposition, rising action, climax, and resolution
  • Emergence of the director as a key creative force, shaping the overall artistic vision and interpretation of a play
    • Notable directors include Konstantin Stanislavski, André Antoine, and Max Reinhardt
  • Experimentation with non-linear narratives, fragmented scenes, and stream-of-consciousness techniques to reflect the complexities of the human psyche
  • Incorporation of new technologies (electric lighting, revolving stages) to enhance the visual and atmospheric elements of productions
  • Exploration of alternative performance spaces (intimate theaters, cabarets) to create a more immersive and interactive audience experience

Performance Techniques

  • Stanislavski's "system" emphasized emotional truth, psychological realism, and the actor's inner motivation to create believable characters
    • Techniques included emotional memory, the "magic if," and the use of objectives and obstacles
  • Meyerhold's biomechanics focused on the actor's physical expressiveness, stylized movements, and the relationship between the actor and the stage space
  • Brecht's epic theatre aimed to distance the audience emotionally, encouraging critical thinking and social awareness through techniques like the "alienation effect"
  • Artaud's Theatre of Cruelty sought to assault the senses and provoke visceral reactions, using intense physicality, sound, and visual elements
  • Improvisation and devised theatre methods gained popularity, allowing actors to collaborate in the creative process and generate original material
  • Increased emphasis on ensemble acting and the development of a cohesive company aesthetic

Set Design and Stagecraft

  • Shift from painted backdrops and two-dimensional sets to more realistic, three-dimensional environments that accurately represented the play's setting
  • Use of new materials (steel, glass) and construction techniques to create more complex and versatile set designs
  • Incorporation of authentic props and furnishings to enhance the realism of the stage environment
  • Experimentation with symbolic and abstract set designs to convey psychological states or thematic elements
    • Simplified, suggestive scenery and the use of projections to create a more evocative atmosphere
  • Advancements in lighting technology (gas to electric) allowed for more precise control over mood, atmosphere, and focus
    • Use of colored gels, spotlights, and dimming effects to create visual depth and emphasis
  • Development of quick-change scenery and revolving stages to facilitate smooth transitions between scenes

Social and Political Impacts

  • Theatre became a platform for addressing pressing social issues, such as class inequality, women's rights, and political corruption
  • Plays exposed the harsh realities of industrialization, urbanization, and the exploitation of the working class
  • Women playwrights and actresses gained more prominence, challenging traditional gender roles and advocating for social change
    • Suffragette movement and the "New Woman" concept influenced female representation on stage
  • Theatre as a tool for propaganda and political commentary, reflecting the ideological battles of the time (socialism, communism, fascism)
  • Censorship and government regulation of theatre content in response to perceived threats to social order and morality
  • Emergence of independent theatre companies and art theatres, providing a space for experimental and socially-engaged works

Legacy and Modern Influence

  • Late 19th and early 20th-century European theatre laid the foundation for modern drama and performance practices
  • Realism and naturalism continue to shape contemporary acting techniques and playwriting approaches
  • Avant-garde movements inspired later experimental theatre forms (absurdist theatre, postmodern performance)
  • Stanislavski's system remains a fundamental tool for actor training and character development in modern theatre education
  • Epic theatre techniques continue to be used in political and socially-conscious theatre productions
  • Influence on other art forms, such as cinema, with many early film directors drawing inspiration from theatrical innovations
  • Revival and adaptation of classic works from this era, reinterpreted through a contemporary lens
  • Ongoing exploration of the relationship between theatre and society, using the stage as a mirror to reflect and critique the human condition


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© 2024 Fiveable Inc. All rights reserved.
AP® and SAT® are trademarks registered by the College Board, which is not affiliated with, and does not endorse this website.