African-American music roots run deep, shaping the sound of America. From to , these early forms laid the foundation for jazz, , and beyond, blending African traditions with new experiences.

These musical styles weren't just entertainment – they were lifelines. Spirituals offered hope, work songs eased labor, and communicated across fields. This rich heritage would evolve into the soulful, rhythmic core of American music.

Early Forms of African American Music

Characteristics of early African-American music

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  • Spirituals blended African musical traditions with Christian themes created by enslaved African Americans for emotional and spiritual expression often using coded language to communicate secret messages (Underground Railroad)
  • Work songs coordinated movements and maintained work pace during manual labor with rhythmic structure reflecting harsh conditions of slavery and later prison labor (chain gangs)
  • Field hollers used long, sustained notes with varying pitch in agricultural settings for communication across distances precursor to blues vocal styles (cotton fields)

Early music's role in jazz development

  • Blues incorporated call-and-response patterns from work songs adopted emotional expressiveness of spirituals and utilized vocal techniques of field hollers (, )
  • featured syncopated rhythms influenced by work songs melodies inspired by spiritual hymns structured form derived from European classical music ('s "Maple Leaf Rag")
  • Jazz rooted in field hollers and work songs drew harmonic complexity from spirituals rhythmic elements from all early forms ('s scat singing)

Social context of African-American music

  • Slavery era music preserved African cultural heritage expressed sorrow hope and resistance (, )
  • Reconstruction Era saw transition from slave songs to secular forms rise of traveling musicians and minstrel shows (blackface performances)
  • blended rural musical traditions with urban influences as African Americans moved to cities (Chicago Blues, )
  • Racial segregation developed separate musical traditions and venues created distinct African American musical identity ()
  • Rhythmic innovation introduced syncopation and polyrhythms adopted in various genres influenced rock R&B and hip-hop patterns (funk, breakbeats)
  • Vocal techniques popularized style in contemporary music scat singing in jazz derived from field holler traditions (, )
  • Lyrical themes explored storytelling hardship love and resilience in popular music ('s "")
  • Cultural impact shaped American identity influenced civil rights movement through protest songs contributed to uniquely American art forms (jazz, rock and roll)

Key Terms to Review (23)

Bent Notes: Bent notes are musical notes that are slightly altered in pitch, typically by lowering or raising the standard pitch just a bit. This technique is essential in creating the expressive sound characteristic of early African American music, where emotional expression and individuality were prioritized. Bent notes often create a sense of blues and sorrow, enhancing the musical storytelling that is so integral to the genre.
Billie Holiday: Billie Holiday was an iconic American jazz and swing vocalist known for her distinct voice and emotive delivery, profoundly influencing jazz music and vocal techniques. Her career spanned from the 1930s to the 1950s, during which she introduced deep emotional resonance into her performances, connecting with audiences on a personal level while navigating the complexities of race and society in America.
Blue notes: Blue notes are specific musical notes that are played at a slightly lower pitch than the major scale, commonly used in jazz and blues to create a sense of expressiveness and emotional depth. These notes typically occur on the third, fifth, and seventh degrees of the scale, contributing to the unique sound that distinguishes jazz from other genres.
Blues: The blues is a music genre characterized by its expressive melodies, emotive lyrics, and a specific chord progression typically based on the twelve-bar structure. Originating in the African American communities of the Deep South, the blues serves as a foundation for many other music forms, including jazz, and reflects a deep cultural and historical significance, often tied to themes of hardship, love, and resilience.
Call-and-Response: Call-and-response is a musical practice where a leader sings or plays a phrase (the 'call') and a group responds with a complementary phrase (the 'response'). This interactive form of music fosters communal participation and is deeply rooted in African musical traditions, evolving over time to influence various genres, including jazz and gospel. It highlights the relationship between performers and their audience, emphasizing rhythm and improvisation.
Chitlin' circuit: The chitlin' circuit refers to a network of venues and performance spaces in the United States where African American artists, particularly musicians and comedians, performed during the segregation era. This circuit provided crucial opportunities for African American entertainers to showcase their talents and reach audiences that were often excluded from mainstream venues due to racial discrimination. The chitlin' circuit played an essential role in the development of early forms of African American music, helping to shape genres like jazz, blues, and rhythm and blues.
Cultural Expression: Cultural expression refers to the ways in which individuals and communities convey their identities, experiences, and values through various forms of art, music, dance, and other creative outlets. It serves as a powerful means of communication that transcends language and social barriers, reflecting the unique cultural heritage of a group. This concept is particularly relevant to the development of early African American music and the role of jazz as a vehicle for social change and civil rights advocacy.
Drum communication: Drum communication refers to the use of drums as a medium for conveying messages and information within African communities. This practice is deeply rooted in the cultural traditions of many African societies, where drumming is not only a musical form but also a vital means of social interaction and communication across distances. Through specific rhythms and patterns, drummers can send messages that may indicate events, announce gatherings, or even express emotions, making it an integral part of community life and early forms of African American music.
Ella Fitzgerald: Ella Fitzgerald was an iconic American jazz singer, known as the 'First Lady of Song,' who significantly shaped the genre through her exceptional vocal abilities and improvisational skills. Her influence extended beyond jazz into popular music, helping to bridge the gap between jazz and R&B while elevating the role of vocalists in jazz performances.
Field Hollers: Field hollers are a form of vocal expression originating from African American communities, characterized by their spontaneous, emotional singing often heard in agricultural settings. These expressive calls were used by workers in the fields to communicate with one another, convey feelings, and enhance the labor experience, creating a sense of community among the workers. Field hollers played an essential role in the development of various musical forms, laying the groundwork for later genres like blues and jazz.
Great Migration: The Great Migration refers to the mass movement of over six million African Americans from the rural Southern United States to urban areas in the North and West between 1916 and 1970. This migration significantly influenced the cultural landscape of America, especially in the development of jazz and its spread across various cities.
Harlem Renaissance: The Harlem Renaissance was a cultural, social, and artistic explosion that took place in Harlem, New York, during the 1920s. It marked a period of significant growth in African American arts, literature, and music, with jazz at the forefront as a defining sound of the era. This vibrant movement not only celebrated black culture but also aimed to redefine how African Americans were perceived in society, influencing future generations of artists and musicians.
Improvisation: Improvisation is the spontaneous creation of music in real-time, allowing musicians to express their creativity and emotional responses in the moment. This key aspect of jazz encourages individual expression and collaboration, highlighting the dynamic relationship between musicians and their instruments.
Louis Armstrong: Louis Armstrong was a groundbreaking jazz musician and vocalist, known for his virtuosic trumpet playing and distinctive gravelly voice. He played a crucial role in shaping jazz music as both a performer and an influential figure, helping to transition jazz from ensemble-focused music to a genre that celebrated the soloist's creativity and improvisation.
Mariah Carey: Mariah Carey is an American singer, songwriter, and producer known for her extraordinary vocal range and influence in the music industry. She emerged in the early 1990s and quickly became one of the best-selling female artists of all time, blending pop, R&B, and hip-hop in her music. Carey's work reflects the evolution of contemporary music, showcasing how early forms of African American music paved the way for her style and success.
Melismatic singing: Melismatic singing is a vocal technique characterized by the singing of several notes on a single syllable. This expressive style adds emotional depth and richness to the music, often found in various genres, particularly in African American music. The use of melisma is significant in the development of early African American music forms and plays a crucial role in the integration of gospel and blues elements, showcasing the cultural blending and emotional intensity present in these musical traditions.
Ragtime: Ragtime is a musical genre that originated in the late 19th century, characterized by its syncopated rhythms and a lively, upbeat style. It represents a fusion of African American musical traditions with European forms, especially in terms of structure and instrumentation, playing a crucial role in the development of jazz and influencing various early American music styles.
Ring Shouts: Ring shouts are a traditional African American religious and cultural performance that combines singing, dancing, and clapping, often performed in a circular formation. This practice has deep roots in African heritage and was an important form of expression among enslaved Africans in America, serving as a way to maintain cultural identity and spirituality despite oppression.
Scott Joplin: Scott Joplin was an influential African American composer and pianist, often referred to as the 'King of Ragtime.' He played a crucial role in popularizing ragtime music in the late 19th and early 20th centuries, which is characterized by its syncopated rhythms and lively melodies. His work not only showcased the musical potential of ragtime but also set the stage for the transition to early jazz, influencing future generations of musicians.
Social Commentary: Social commentary refers to the act of using artistic expression to critique or highlight issues in society, often aiming to provoke thought and inspire change. This form of expression can be found in various art forms, including music, literature, and visual arts, serving as a reflection of the social and political climate. In the context of early forms of African American music, social commentary played a crucial role in articulating the struggles, injustices, and experiences faced by African Americans, weaving personal narratives into broader societal critiques.
Spirituals: Spirituals are religious folk songs that originated in the African American community during the 19th century, deeply rooted in the experiences of enslaved Africans in America. These songs served as a form of expression, combining African musical traditions with Christian themes, and reflected both sorrow and hope, often used in worship and communal gatherings. Spirituals played a crucial role in shaping early African American music and laid the groundwork for later musical forms like gospel, blues, and jazz.
Strange Fruit: Strange Fruit refers to a haunting song that speaks about the lynching of African Americans in the United States, famously performed by Billie Holiday in 1939. The song's powerful lyrics use the metaphor of fruit hanging from trees to describe the brutal reality of racial violence, serving as a stark reminder of the horrific injustices faced by African Americans. This term connects deeply to early forms of African American music, influential female jazz vocalists, and the role of jazz as a voice for civil rights, highlighting the intertwining of art and activism in the fight against racism.
Work Songs: Work songs are a genre of music that originated in the African American community, often sung by laborers to coordinate their work and alleviate the physical and emotional burdens of their tasks. These songs served multiple purposes, including fostering a sense of community among workers, providing rhythm for repetitive tasks, and conveying messages of hope and resilience in the face of hardship. The influence of work songs can be seen in various early forms of African American music and played a vital role in shaping the soundscape of jazz, particularly in New Orleans.
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