---
title: "Exhibit of American Negroes — AP African American Studies"
description: "Du Bois's 1900 Paris Exposition exhibit used 300+ photos and data charts to counter racist representations. A key Topic 3.12 example of photography as activism."
canonical: "https://fiveable.me/ap-african-american-studies/key-terms/exhibit-of-american-negroes"
type: "key-term"
subject: "AP African American Studies"
unit: "Unit 3"
---

# Exhibit of American Negroes — AP African American Studies

## Definition

The Exhibit of American Negroes was a display curated by W.E.B. Du Bois at the 1900 Paris Exposition featuring over 300 photographs and statistical charts that showed African American diversity and achievement to a global audience of 45 million, countering racist representations used to justify Jim Crow.

## What It Is

The Exhibit of American Negroes was [W.E.B. Du Bois](/ap-african-american-studies/key-terms/w-e-b-du-bois "fv-autolink")'s answer to a global stage. At the 1900 Paris Exposition, a world's fair that drew roughly 45 million visitors, Du Bois curated a display of more than 300 photographs alongside statistical charts and demographic data documenting [African American](/ap-african-american-studies/unit-2/10-black-pride-identity-and-the-question-of-naming/study-guide/sCMCOOHW7DRtM6jH "fv-autolink") achievements in areas like education and property ownership. The photographs showed African Americans as they actually were: educated, prosperous, diverse, and dignified.

That mattered because the dominant images of Black people circulating at the time were caricatures designed to justify mistreatment and [Jim Crow segregation](/ap-african-american-studies/unit-3/12-photography-and-social-change/study-guide/yKzEaleHosSHT3uO "fv-autolink"). Du Bois flipped the script using two tools at once. The photographs provided the human evidence, and the data charts provided the empirical proof. Together they made an argument no stereotype could survive on its own terms. This is exactly what EK 3.12.A.1 describes, scholars and activists turning to photography to counter racist representations.

## Why It Matters

This term lives in **Topic 3.12 (Photography and Social Change)** in **[Unit 3](/ap-african-american-studies/unit-3 "fv-autolink"): The Practice of Freedom**, and it directly supports learning objective **[AP African American Studies](/ap-african-american-studies "fv-autolink") 3.12.A**, which asks you to explain how African Americans used visual media in the twentieth century to enact social change. The exhibit is the anchor example for EK 3.12.A.1 because it shows visual media being weaponized against racist imagery at the very start of the century, before the New Negro movement photographers picked up the same project. If the exam asks how African Americans fought stereotypes without legislation or courts, this is your evidence. Du Bois used cameras and statistics as activism.

## Connections

### [Racist representations (Unit 3)](/ap-african-american-studies/key-terms/racist-representations)

The exhibit only makes sense as a counterpunch. Degrading caricatures of Black people were used to justify [Jim Crow](/ap-african-american-studies/unit-4/20-science-medicine-and-technology-in-black-communities/study-guide/GGvwKPixbIHELH9o "fv-autolink"), so Du Bois built a display where every photograph and data chart contradicted the stereotype. Think of the exhibit as the direct rebuttal to those images.

### [James Van Der Zee (Unit 3)](/ap-african-american-studies/key-terms/james-van-der-zee)

Van Der Zee continued the work Du Bois started, photographing everyday Black life in Harlem during the [New Negro movement](/ap-african-american-studies/unit-3/15-black-history-education-and-african-american-studies/study-guide/eDdDwytqTiY3EKSu "fv-autolink") to recast global perceptions of African Americans. Du Bois proved photography could fight stereotypes; Van Der Zee turned that fight into a sustained Black aesthetic.

### New Negro movement photography (Unit 3)

Per EK 3.12.A.2, [New Negro](/ap-african-american-studies/unit-4/10-the-black-arts-movement/study-guide/OzRldJ06rpOdNex1 "fv-autolink") era photographers grounded their work in the beauty of everyday Black life, folk culture, and African heritage. The 1900 exhibit is the prologue to that movement, an early demonstration that self-representation through the camera was a form of power.

## On the AP Exam

This term shows up most often in multiple-choice questions that give you the exhibit's details (Du Bois, 1900 Paris Exposition, 300+ photographs, statistical charts) and ask what it *demonstrates* about African American visual media or activism. The correct answer almost always points to countering racist representations and asserting Black achievement through self-representation, which is the EK 3.12.A.1 idea. You may also see source-analysis stems built around exhibition records or the photographs themselves, asking you to interpret why pairing images with data on education and property ownership was strategically powerful. No released FRQ has used this term verbatim, but it works as strong evidence anywhere you need an example of African Americans using visual media to enact social change.

## Exhibit of American Negroes vs James Van Der Zee's photography

Both used photography to fight racist imagery, but don't blur them together. Du Bois's exhibit (1900) was a one-time curated display at a world's fair that paired photos with statistical data to make an empirical argument to an international audience. Van Der Zee was a working photographer during the New Negro movement decades later, building an ongoing artistic record of Black life in Harlem. If the question mentions data charts, a world's fair, or 1900, it's the exhibit. If it mentions Harlem, portraits, or a Black aesthetic, it's Van Der Zee.

## Key Takeaways

- The Exhibit of American Negroes was curated by W.E.B. Du Bois at the 1900 Paris Exposition and featured over 300 photographs plus statistical charts documenting African American achievement.
- The exhibit reached a global audience of about 45 million visitors, making it an international counterargument to the racist representations used to justify Jim Crow.
- Du Bois paired visual evidence (photographs) with empirical evidence (data on education and property ownership), so the exhibit refuted stereotypes with both images and numbers.
- On the AP exam, this exhibit is the go-to example for LO 3.12.A, explaining how African Americans used visual media in the twentieth century to enact social change.
- The exhibit set the stage for later photographers like James Van Der Zee, who carried the project of Black self-representation into the New Negro movement.

## FAQs

### What was the Exhibit of American Negroes?

It was a display curated by W.E.B. Du Bois at the 1900 Paris Exposition featuring more than 300 photographs and statistical charts that documented African American diversity and achievements in areas like education and property ownership, seen by roughly 45 million visitors.

### Was the Exhibit of American Negroes just an art show?

No. It was activism through evidence. Du Bois deliberately paired photographs with demographic data and charts to refute the racist representations used to justify Jim Crow, making a social and political argument, not just an aesthetic one.

### How is the Exhibit of American Negroes different from James Van Der Zee's work?

The exhibit was a single curated event in 1900 that combined photos with statistical data for a world's fair audience, while Van Der Zee was a New Negro movement photographer who built a long-running body of portraits celebrating everyday Black life in Harlem. Same goal of countering stereotypes, different era and method.

### Why is the Exhibit of American Negroes important for AP African American Studies?

It's the anchor example for Topic 3.12 (Photography and Social Change) and learning objective 3.12.A, showing how African Americans used visual media to counter racist representations at the dawn of the twentieth century.

### Did W.E.B. Du Bois take the photographs in the exhibit himself?

Du Bois is credited as the curator who assembled and organized the display of over 300 photographs and data charts. For the exam, what matters is his role in strategically presenting the images and statistics as a unified argument against Jim Crow era stereotypes.

## Related Study Guides

- [3.12 Photography and Social Change](/ap-african-american-studies/unit-3/12-photography-and-social-change/study-guide/yKzEaleHosSHT3uO)

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