🎨American Art – 1865 to 1968 Unit 11 – Abstract Expressionism: NYC's Artistic Revolution
Abstract Expressionism revolutionized American art after World War II, shifting focus from representation to emotion-driven, non-objective paintings. Emerging in New York City, this movement emphasized spontaneous brushwork and the expressive power of color and form, reflecting artists' inner thoughts and feelings.
Key figures like Jackson Pollock, Willem de Kooning, and Mark Rothko pioneered innovative techniques such as drip painting and color field compositions. Their work established New York as the new art world center, symbolizing America's growing cultural confidence in the post-war era.
Abstract Expressionism emerged as a major art movement in post-World War II America, particularly in New York City
Represented a significant shift from traditional representational art to non-objective, emotionally charged paintings
Emphasized spontaneous, gestural brushwork and the expressive potential of color and form
Reflected the artists' inner thoughts, feelings, and subconscious impulses rather than depicting recognizable subjects
Established New York City as the new center of the art world, taking over from Paris
Influenced by Surrealism, particularly the idea of automatic drawing and tapping into the subconscious mind
Coincided with the rise of American power and influence on the global stage following World War II
Became synonymous with American art and exemplified the country's newfound cultural confidence
Key Players and Their Styles
Jackson Pollock: Known for his drip paintings, which involved spontaneously pouring and splattering paint onto large canvases laid on the floor
Developed the "all-over" composition, where the entire surface is treated with equal importance
Willem de Kooning: Famous for his energetic, gestural paintings, particularly his "Women" series
Combined abstract and figurative elements, often distorting and deconstructing the female form
Mark Rothko: Created large, color field paintings featuring rectangular blocks of color that seemed to float on the canvas
Aimed to evoke deep emotional responses from viewers through the use of color and scale
Franz Kline: Known for his large-scale, black-and-white paintings featuring bold, gestural brushstrokes
Drew inspiration from Japanese calligraphy and aimed to capture the essence of the subject through abstract forms
Lee Krasner: Developed a unique style that combined gestural brushwork with a keen sense of composition and color
Her "Little Image" paintings featured dense, intricate patterns of abstract forms
Robert Motherwell: Known for his "Elegy to the Spanish Republic" series, which featured large, black forms against white backgrounds
Used abstract shapes and colors to convey political and emotional themes
Helen Frankenthaler: Pioneered the "soak-stain" technique, pouring thinned paint directly onto unprimed canvas
Created luminous, color-saturated works that emphasized the flatness of the picture plane
Techniques and Materials
Action painting: A term coined by critic Harold Rosenberg to describe the physical, gestural process of painting employed by artists like Pollock and de Kooning
Emphasized the act of painting itself as a form of expression, rather than focusing on the final product
Color field painting: A style characterized by large areas of flat, solid color that dominated the canvas
Artists like Rothko and Newman used color to create immersive, emotional experiences for the viewer
Drip painting: A technique pioneered by Jackson Pollock, which involved spontaneously dripping, pouring, and splattering paint onto a canvas laid on the floor
Allowed for a greater degree of chance and spontaneity in the creative process
All-over composition: A compositional approach where the entire surface of the canvas is treated with equal importance
Eliminated traditional notions of hierarchy and focal points within the painting
Large-scale canvases: Abstract Expressionists often worked on monumental canvases that engulfed the viewer's field of vision
The scale of the paintings was intended to create an immersive, emotional experience
Unconventional materials: Artists experimented with various paints, including house paint and industrial enamels, as well as unconventional tools like sticks, trowels, and knives
This experimentation allowed for new textures, colors, and effects in their paintings
Emphasis on the act of painting: Many Abstract Expressionists prioritized the physical process of painting, often working spontaneously and intuitively
The resulting works were seen as direct expressions of the artist's inner thoughts and emotions
Historical Context
Post-World War II America: Abstract Expressionism emerged in the aftermath of World War II, as the United States experienced a period of economic growth and cultural change
Artists grappled with the trauma of the war and the existential questions it raised about the human condition
Cold War tensions: The movement developed against the backdrop of the Cold War, with the United States and the Soviet Union engaged in a ideological and political rivalry
Abstract Expressionism was seen by some as a symbol of American freedom and individualism in contrast to Soviet collectivism
Rise of New York City as an art center: The influx of European artists fleeing Nazi persecution during World War II helped establish New York City as a major art center
Galleries and museums, such as the Museum of Modern Art (MoMA), played a crucial role in promoting Abstract Expressionism
Influence of Surrealism: Many Abstract Expressionists were influenced by the Surrealist idea of automatism, which emphasized spontaneous, subconscious creation
Artists like Pollock and Gorky incorporated elements of Surrealism into their early works before developing their signature styles
Rejection of traditional art forms: Abstract Expressionists rejected traditional notions of representational art and sought to create a purely abstract visual language
This rejection was seen as a response to the rapidly changing, uncertain world of the post-war era
Existentialism and individualism: The movement was influenced by existentialist philosophy, which emphasized individual experience and the search for meaning in a chaotic world
Abstract Expressionist works were seen as expressions of the artist's inner self and unique vision
Government support for the arts: The United States government, through programs like the Federal Art Project, provided financial support for artists during the Great Depression and World War II
This support helped lay the foundation for the emergence of Abstract Expressionism in the post-war period
Major Works and Where to Find Them
Jackson Pollock's "Number 1, 1948" (1948) - The Museum of Modern Art, New York
One of Pollock's most famous drip paintings, showcasing his signature style and all-over composition
Willem de Kooning's "Woman I" (1950-1952) - The Museum of Modern Art, New York
A seminal work in de Kooning's "Women" series, combining abstract and figurative elements in a dynamic, gestural composition
Mark Rothko's "No. 61 (Rust and Blue)" (1953) - The Museum of Contemporary Art, Los Angeles
An iconic example of Rothko's color field paintings, featuring large, luminous rectangles of color that seem to float on the canvas
Franz Kline's "Painting Number 2" (1954) - The Museum of Modern Art, New York
A large-scale, black-and-white painting showcasing Kline's bold, gestural brushstrokes and abstract compositions
Lee Krasner's "The Seasons" (1957) - Whitney Museum of American Art, New York
A monumental work combining Krasner's gestural brushwork with a strong sense of rhythm and movement
Robert Motherwell's "Elegy to the Spanish Republic No. 34" (1953-1954) - The Metropolitan Museum of Art, New York
Part of Motherwell's famous series, this painting features large, black forms against a white background, evoking themes of loss and political struggle
Helen Frankenthaler's "Mountains and Sea" (1952) - National Gallery of Art, Washington, D.C.
A seminal work in the development of color field painting, showcasing Frankenthaler's innovative soak-stain technique
Barnett Newman's "Vir Heroicus Sublimis" (1950-1951) - The Museum of Modern Art, New York
A monumental color field painting featuring a large, red field interrupted by thin, vertical "zips" of contrasting color
An example of Still's large-scale, abstract paintings characterized by jagged, vertical forms and a limited color palette
Ad Reinhardt's "Abstract Painting, Blue" (1952) - The Museum of Modern Art, New York
Part of Reinhardt's series of monochromatic paintings, exploring the subtle variations of a single color and the nature of pure abstraction
Impact on Later Art Movements
Color Field Painting: Abstract Expressionism's emphasis on large areas of flat, solid color directly influenced the development of Color Field Painting in the 1950s and 1960s
Artists like Helen Frankenthaler and Morris Louis further explored the expressive potential of color and the soak-stain technique
Neo-Expressionism: The gestural, emotionally charged approach of Abstract Expressionism found renewed interest in the Neo-Expressionist movement of the late 1970s and 1980s
Artists like Julian Schnabel and Jean-Michel Basquiat incorporated elements of Abstract Expressionism into their figurative, often autobiographical works
Minimalism: While seemingly opposed to the emotional intensity of Abstract Expressionism, Minimalism's emphasis on simplicity and the viewer's experience can be seen as a reaction to the movement
Artists like Donald Judd and Dan Flavin sought to create works that were free from personal expression and historical references
Performance Art: The emphasis on the act of painting and the artist's physical engagement with the canvas in Abstract Expressionism paved the way for the development of Performance Art
Artists like Yves Klein and Carolee Schneemann incorporated elements of action painting into their performances and happenings
Lyrical Abstraction: This movement, which emerged in the 1960s and 1970s, combined the spontaneity and emotional intensity of Abstract Expressionism with a greater emphasis on color and luminosity
Artists like Sam Francis and Joan Mitchell created works that were both expressive and visually harmonious
Street Art: The spontaneous, improvisational approach of Abstract Expressionism can be seen as an influence on the development of Street Art and Graffiti Art
Artists like Jean-Michel Basquiat and Keith Haring incorporated elements of gestural abstraction into their public, often politically charged works
Contemporary Abstract Painting: Many contemporary artists continue to draw inspiration from the techniques, styles, and philosophical underpinnings of Abstract Expressionism
Artists like Cecily Brown and Mark Bradford combine gestural abstraction with elements of figuration, collage, and social commentary
Critical Reception and Debates
Initial skepticism: When Abstract Expressionism first emerged, many critics and members of the public were skeptical of its departure from traditional representational art
Some viewed the movement as chaotic, self-indulgent, or lacking in skill and discipline
Clement Greenberg's support: The influential art critic Clement Greenberg became a champion of Abstract Expressionism, particularly the work of Jackson Pollock
Greenberg argued that the movement represented the pinnacle of modernist painting, emphasizing the flatness of the picture plane and the purity of the medium
Harold Rosenberg and "action painting": Another prominent critic, Harold Rosenberg, coined the term "action painting" to describe the work of Abstract Expressionists
Rosenberg emphasized the importance of the artist's physical engagement with the canvas and the act of painting itself as a form of expression
Debate over the role of the artist: Some critics argued that Abstract Expressionism placed too much emphasis on the artist's subjective experience and personal expression
Others saw this focus on the individual as a reflection of American values and a rejection of collectivism
Questions of accessibility: The abstract, non-representational nature of Abstract Expressionist works led some to question their accessibility and relevance to the general public
Defenders of the movement argued that the emotional impact and universal themes of the works transcended the need for recognizable subject matter
Political interpretations: During the Cold War, some saw Abstract Expressionism as a symbol of American freedom and individualism in contrast to Soviet collectivism
Others criticized the movement as apolitical or even complicit in U.S. cultural imperialism
Feminist critiques: Later feminist art historians and critics, such as Linda Nochlin, questioned the masculine rhetoric surrounding Abstract Expressionism and the marginalization of female artists within the movement
These critiques helped to shed light on the contributions of artists like Lee Krasner and Joan Mitchell, who had been overshadowed by their male counterparts
Postmodernist challenges: The rise of Postmodernism in the 1960s and 1970s led to a reassessment of Abstract Expressionism's claims to universality and authenticity
Postmodernist artists and theorists challenged the notion of the autonomous, self-expressive artist and the idea of a purely abstract, apolitical art
Legacy and Influence Today
Continued relevance: Abstract Expressionism remains a significant point of reference for contemporary artists working in a variety of media and styles
Its emphasis on spontaneity, emotional expression, and the primacy of the creative process continues to resonate with artists today
Expansion of the canon: Recent scholarship has sought to expand the canon of Abstract Expressionism to include a more diverse range of artists, including women and artists of color
Exhibitions and publications have highlighted the contributions of artists like Norman Lewis, Alma Thomas, and Beauford Delaney
Influence on contemporary abstraction: Many contemporary abstract painters continue to draw inspiration from the techniques, compositions, and color palettes of Abstract Expressionism
Artists like Charline von Heyl and Amy Sillman combine gestural abstraction with elements of figuration, collage, and digital media
Reinterpretation through new media: Contemporary artists have also reinterpreted the legacy of Abstract Expressionism through the lens of new media and technologies
Artists like Wade Guyton and Cory Arcangel have used digital printing and software to create works that engage with the history of abstraction and gesture
Institutional recognition: Major museums and galleries continue to showcase the works of Abstract Expressionist artists and explore the movement's enduring impact
Exhibitions like "Abstract Expressionism" at the Royal Academy of Arts in London (2016-2017) and "Women of Abstract Expressionism" at the Denver Art Museum (2016) have introduced new audiences to the movement
Market value: Works by leading Abstract Expressionist artists continue to command high prices at auction and are sought after by collectors and institutions worldwide
In 2015, a painting by Mark Rothko sold for $82.5 million at Christie's, setting a new auction record for the artist
Influence on popular culture: The visual language and emotional intensity of Abstract Expressionism have permeated popular culture, from film and television to fashion and design
The movement's influence can be seen in everything from the title sequences of TV shows like "Mad Men" to the runway collections of fashion designers like Raf Simons
Ongoing scholarly interest: Art historians, critics, and scholars continue to study and write about Abstract Expressionism, offering new perspectives on the movement's significance and legacy
Recent publications, such as Mary Gabriel's "Ninth Street Women" (2018), have shed new light on the contributions of female artists and the social and political context of the movement