A V-I cadence, also known as an authentic cadence, is a harmonic progression that resolves from a dominant (V) chord to a tonic (I) chord. It creates a strong sense of resolution and finality.
Plagal cadence (IV-I): A harmonic progression that resolves from a subdominant (IV) chord to a tonic (I) chord. It has a gentler and less conclusive sound compared to V-I.
Half cadence (V-X): A harmonic progression that ends on a dominant (V) chord without resolving to its corresponding tonic. It creates suspense and leaves listeners expecting further resolution.
Deceptive cadence (V-vi): A harmonic progression that resolves from a dominant (V) chord to a relative minor (vi) chord instead of the expected tonic. It surprises listeners with an unexpected twist.
AP Music Theory - 3.1 Triad and Chord Qualities (M, m, d, A)
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